[Listen]

[Intro music plays]

[Woman’s Voice]

This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Music fades out]

Christopher Gronlund:

Behind the Cut is an in-depth look at the latest episode of Not About Lumberjacks and often contains spoilers from the most recent story. You’ve been warned…

* * *

I’ll begin with a confession: I went with the easier storyline with “Mudlarking,” instead of things I initially considered.

Originally, I thought Eva would find a message in a bottle and finish the business of someone long gone, resulting in closure for someone still alive. Or…go with a whimsical, touching thing, like the movie Amélie.

Instead, I went with straight-up fun.

There’s nothing wrong with fun. One of my favorite Not About Lumberjacks stories is “Gerald’s Grail,” a story about teenagers who come into possession of items granting them low-grade powers. But I know the last handful of stories meant something more than entertainment to listeners—and I felt like I should have continued that trend. Looking back at those stories…

“The Song of the Stone” reached several people going through changes where they work.

“Firing the Muse” surprised me, because while I went into it wanting to tell a more light-hearted tale, some saw a deeper statement about what it is to create art in a time when creativity has become such a commodity. Others saw it as a story about accepting inevitable change (without changing who you are).

“Lakeview Estates” addressed small-town politics and the housing crisis in the U.S., while “Old Growth” is a tale about humans destroying the environment.

The last story, “It’s Never Too Late,” really meant something to listeners—in many big ways. And even this year’s Christmas episode had its serious stories and moments.

So, I felt an almost responsibility to the audience to write another meaningful story.

* * *

People tell me to write the stories I want to write, with no regard to an audience. But even writers who say they don’t write for an audience usually have an ideal reader (or listener) in mind.

I do write the stories I want to write, which is likely one of the reasons I don’t write fiction full time. (I always choose stories that interest me, more than crafting tales that are likely to have greater commercial appeal.) But by releasing stories on Not About Lumberjacks, I can’t pretend I never think about how readers and listeners might react to things.

If audience didn’t matter to me on some level, I’d keep my stories to myself.

So, I went into the latest story with recent feedback about more serious things in mind.

* * *

It’s funny when I talk about writing for Not About Lumberjacks and how I take into consideration that there are people waiting for stories. No one ever pressures me to produce like a machine, and I know if something came up that people would be understanding if I didn’t release a story at a specific time. But I like that I have a bit of a schedule that I mostly stick to.

Others have told me they couldn’t write like that (as if I asked for their opinion). If I know a story needs more time, I change things and take that time…or work on a story I’m more confident I can complete, while working on the other for a later date. I won’t put out a story just to put out a story. But It’s unlikely I’d write as much without Not About Lumberjacks, and I enjoy getting more stories out there instead of fretting over one story forever that’s still going to have its issues.

* * *

Having a body of work is a neat thing. When I reach a point like I did with “Mudlarking,” I remind myself that another action-adventure story, “Gerald’s Grail,” is some people’s favorite story on the site. I suppose I can argue “The Other Side” has some action and adventure in it, although it’s a bit more serious. “Rockbiters” takes place in space, but it’s also written to be more entertaining than meaningful. And if I should ever think, “Is this too much?” I just need to remind myself that I’m the guy who wrote a story called “Booger,” about a kid making an oozing, vile monster in his bathtub.

I’m not one to chase trends, but I cannot deny seeing the show’s popularity grow in the last year has been a bit of a thrill. Of course, the show is still very small, but by its miniscule numbers—in the last three months—it’s received as many listens as I usually get in a year. (And that’s with the bit of growth earlier in this season.)

* * *

So, I suppose it’s natural to think, “Should I write another story with more emotion?”

That’s not a stretch for me, because it’s kind of what I do. Most stories I’ve written—even something as ridiculous as “Milkboy”—have heart. They mean something to me, and I hope they mean something to listeners and readers.

But I started Not About Lumberjacks to have an online spot for my writing…and to write whatever I wanted to do…whenever. Serious one month—ridiculous the next. Each year, looking back and seeing that body of work grow.

* * *

“Mudlarking” is a lot of fun. It was nice writing something during a busy time of the year that didn’t require as much planning and shouldering the emotional weight and effort that lingers with more “serious” stories. A woman finds an item in the mud that does strange things and, for a handful of days, her life is filled with adventure.

* * *

The life of a technical writer who writes, records, and releases short fiction on the side is not a life of adventure. I’m fine with that. Adventure for me is, “Hey, there are a lot of flooded areas in Texas right now…and we can get to a lot of neat places in the canoe others never see!”—not, “I have people chasing me because I found an ancient relic in the mud!”

If you’ve listened to “Rockbiters,” you know I love dwarves…but when it comes to classic fantasy races, I am much more of a Hobbit—content with sticking around closer to home than hanging from the edge of a cliff in the Dolemites or Andes Mountains.

When it comes to more ridiculous adventures, I tend to find them in stories—not my everyday life. In the latest tale, Eva Barrett is established as a bit of a thrill-seeker, so sending her through a handful of frenzied days was fun.

Were she real, I suspect she’d be fine with what I’ve written, but ask me to not do it again.

* * *

I’ve not looked ahead to next year’s writing like I did this past year—even going as far as asking Patreon patrons for feedback.

I liked having the stories I’d be writing lined up, but it’s not a thing I intend to do again.

Because people had a say in which stories I’d write this year (granted, they were things I was going to write anyway…I simply asked patrons, “Do you want this one or that one?” and went with the winners), I didn’t want to deviate from the plan. But next year, I’ll return to my usual swirling chaos of a process.

I think another reason I was apprehensive about “Mudlarking” being an action-adventure story was I saw that people gravitated toward more “serious” stories when asked.

But then…I never quite established to patrons what “Mudlarking” was, other than someone finding something weird in the mud.

* * *

I’ll always wonder what the message-in-a-bottle version of “Mudlarking” might have been like, or the Amélie-esque version. But because I tend to find a story’s truth in its telling, that wondering happens frequently. (I could write at least two other versions of “It’s Never Too Late,” including the bonkers original version called “Not Again!” [Hell, I could probably write five other versions of that tale…])

For me, writing is an adventure, and I’m always happy to see where it takes me.

I’m happy with where “Mudlarking” ended up…

* * *

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and voice talent.

Also, for as little as a dollar a month, you can have access to a bigger behind-the-scenes look at Not About Lumberjacks on Patreon. Check out patreon.com/cgronlund if that sounds like your kinda thing.

In July, we head back to the 90s and follow an indie band on the cusp of bigger things…until it all comes apart.

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Sound of an ax chopping wood. Quirky music fades in…]

Christopher Gronlund:

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and this is where I share my stories. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny—other times they’re serious. But you have my word about one thing: I will never—EVER—share a story about lumberjacks.

This time, it’s a story about a would-be mudlark who finds something very strange during low tide on the Thames River foreshore. And because this story is set in London, I apologize to my English listeners for my terrible British accents in this one.

Now, onto the usual content advisory…

“Mudlarking” is pretty tame. Were it a movie, it would be rated PG. I suppose the only real warning is violence in the form of fighting, and even then: it’s not brutal fighting—more like light action movie fighting.

And when it comes to swearing, it’s pretty non-existent. (You’re likely to hear worse on television.) I think about as bad as it gets is another word for “poop” that begins with S.

Oh, and one more thing…longtime listeners might remember some characters mentioned in this story. If a little bit near the end is jarring for new listeners, I did my best to not leave you completely lost…

All right, let’s get to work!

* * *

Mudlarking

Eva Barrett loved being places that were off limits: high-rise construction sites, abandoned factories, and office buildings after hours. Once, while visiting an aunt in northern Illinois, she and her sister discovered a series of steam tunnels beneath a seminary, a remnant of times past, used today to get around without going outside—especially in winter. It wasn’t about the rush of breaking rules, although there was an element of suspense and even danger that appealed to something deep down. For Eva, it was about seeing how massive structures grew or decayed, what held them together as industries grew and crumbled. It was also about the strange community breaching the sites: other urban explorers, occasional ghost hunters, and photographers obsessed with seeing how nature’s green hand reclaims our lofty ambitions—a reminder that, while we may reach for the sky, time topples all.

She carefully descended the algae-slicked ladder leading down to the Thames River foreshore. She’d seen people rummaging about during low tide; asked about it at work.

“Those are mudlarks,” her boss told her. “They muck about for artifacts. I suppose it’s as much a thing to do as any…”

When Eva accepted a transfer from Globotek’s Detroit office to London, she had dreams of exploring structures older than the United States. Her work visa kept her out of potential trouble. Climbing down to the foreshore wasn’t the exciting foray into Medieval ruins she imagined, but she figured if she were caught, she could say she didn’t know climbing down was off limits—and hopefully get a pass.

It smelled like she expected: grease, decomposing algae, dead fish, and an underlying eggy odor she couldn’t identify. She walked down to a slight bend in the river, figuring anything flowing downstream from other places would end up trapped in the corner. It was a gathering place for garbage, mostly plastic bottles. Eva shook her head, acknowledging the irony of people seeking clean drinking water constantly polluting their sources.

She found a stick and used it to poke around in the mud and rocks, occasionally spotting something she thought was a find, but turning out to be more garbage that found its way into the river. She hoped to at least find a coin—not even something old—just an item passed hand to hand for a couple decades and the things it had seen. An old piece of pottery or a clay pipe would have been amazing. But all she found was more garbage.

Eva was about to make her way back to the ladder, clean up, and find a bite to eat when she saw a bit of grimy metal poking up from the mud. She wandered over and dug around the edges with her stick. It looked like a small handle. She reached down, worked her fingers around it, and gave a little tug.

The soggy earth released its grip, surprising her. Eva thought it was the handle to an old, hammered pot, something big enough that it would need to be dug out. She came up with a bracelet. She wandered to a tidal pool, where she rinsed it off, revealing coils of what couldn’t be gold—but seemed to be—with boars fastened to the ends where the bracelet almost met.

Eva did her best to dry it off with the bottom of her shirt, before placing it in her backpack and making her way back to the ladder.

* * *

In her flat, Eva brought the bracelet to the bathroom and rinsed it in the sink. As the grime from the Thames River bed fell away from the woven strands of metal, it looked more gold than bronze or copper. The small boars on opposing sides at the ends looked like they were charging each other.

An hour of searching online convinced her she’d found a small Celtic relic on the foreshore. Was it a replica, she wondered—a souvenir that found its way into the river along with coins and plastic bottles? Or was it truly one of the earlier examples of gold work done during the Iron Age?

Pulling up The British Museum’s website, a jump from the Departments link brought her to the Britain, Europe, and Prehistory page. A bit more digging, and she found the name of the curator of the European Iron Age and Roman Conquest Period: Simon Richardson. Additional searching revealed an email address at the museum Eva wasn’t sure was his. Still, it was worth a try.

Dear Mr. Richardson,

I was mudlarking (is that even a word?) on the Thames foreshore, and I found what I think might be an old bracelet (maybe Iron Age?). It could be a replica, but I figured you’d be the person who’d know. (Please see the attached photo.)

I can obviously be reached at this email address, or at this number: 555-555-1212. (I’m an American in London. There’s a werewolf joke in there, somewhere, but…well, I should just stop typing before reinforcing stereotypes about us being prone to babbling instead of getting straight to the point.)

Sincerely,

Eva Barrett

After sending the email, she looked at the bracelet sitting on the desk next to her laptop. Eva picked it up and rubbed the gold wires between the thumb and forefinger on her right hand. She looked at the boars at each end, appreciating the detailed work that went into the piece. It had to be a souvenir, she thought—there was no way they could have made something so intricate that long ago. She placed one of the boars against her arm and twisted the bracelet onto her wrist.

* * *

Eva’s body surged with energy, a force from her core radiating out, stopping just below her skin. She inhaled and got her first deep, smooth breath since spring hit and pollen soared. It wasn’t a trick of the mind: the echo of traffic outside was amplified and sorted in her head—engines humming and grinding, footsteps on pavement and people talking. She smelled the remnants of onion skin and the top of a green pepper cooked with eggs for breakfast in her compost bin. Words and images on her laptop monitor displayed in crisp resolution.

Eva looked at the bracelet on her left wrist and whispered, “No way…”

She took it off, and the world seemed dim again. When she put it back on, focus—and that feeling she was closer to everything around her—returned.

Eva stood up and walked to her couch. She bent down and placed her off hand beneath its end and lifted. It rose with no effort. She spent the next several minutes testing the weight of items in her flat, ending with a chest-high bookcase packed full. She squatted, wrapped her arms around it, and stood up. It was easier than lifting a laundry basket. As she placed the bookshelf down, a copy of Lonely Planet’s London travel guide slid off a shelf. Without a thought, she grabbed the bookcase tighter with one arm and snatched the falling book with her other hand.

Maybe Eva couldn’t pick up a car and throw it like the Incredible Hulk, but she guessed she could likely flip one over without assistance. She might not be able to run as fast as The Flash, but her reflexes were beyond explanation.

* * *

Eva spent the rest of the day testing the limits of the bracelet’s effects from the safety of her flat. She only grew fatigued after removing the bracelet, and even then, only felt nappish at best—a remarkable state given her exertion. Were she home in the U.S., she’d test her strength by lifting the refrigerator or washing machine, but in her flat, both appliances were mounted into the cabinetry and not free-standing. She’d have to wait until dark.

* * *

A little before eleven that evening, Eva headed out in search of an alley. She thought about how bad superhero movies began like that: the obligatory person-with-new-powers encounters bad guys, defeats them, and decides to fight crime. Eva was in search of a dumpster, figuring they weighed roughly as much as a large car or SUV. Were something to go wrong, better it to be a chunk of steel full of garbage—a thing constructed to be tough enough to be lifted and put down by trucks—than a stranger’s vehicle.

Eva entered an alley a few blocks from her flat. She looked around to ensure she was alone, and then approached a dumpster. She squatted and grabbed an end at the bottom, much like her couch test earlier. It took far more effort than hoisting things in her flat, but she dead-lifted the dumpster and set it back down. Twice.

After checking her surroundings again, Eva looked at the alley in front of her, making sure nothing was in her way. It was a clear shot to a quiet side street, the perfect place for the next test. She took a deep breath and ran.

Eva moved faster than she anticipated, her body reacting as though this were a thing she did daily since learning how to walk. The difficult part was controlling the speed of a lion. She stumbled as she tried gliding to a stop, eventually falling into the street. A passing black cab stopped Eva when they collided, sending her to the pavement.

Hard.

She looked at the dent in the front of the vehicle, but didn’t feel a tinge of pain.

She bounced up and trotted away, moving away from her flat, before slowing to a walk. Eventually, she doubled back on different streets and returned home.

* * *

The following morning, Eva expected to wake up in pain, but there wasn’t even a bruise from where she was hit by the taxi. During breakfast, she did her usual online sweep of social media, news, and email. A peek at Facebook and Instagram was a reminder that she was wise to take the Globotek position in London. Her friends back in the U.S. still spent their Saturday nights drinking like college students almost a decade after graduating. The news was…well, the news. She opened Gmail and saw a reply from Simon Richardson at the British Museum.

Dear Ms. Barrett,

Thank you for contacting me about your find along the Thames foreshore. From the photo, it would appear you have found a genuine Bronze Age Celtic bracelet, or a very accurate facsimile. At your convenience, I would love to see the piece in person to determine its origin. While the museum’s identification service is open on Wednesdays between 14:00 – 16:00 hours by appointment, I am available Monday through Friday during normal business hours.

I can obviously be reached via this email address, or at the number included below.

Sincerely,

Simon Richardson

Curator: European Iron Age and Roman Conquest Period

Eva wished she could return to Saturday morning and not have sent her email to Simon about the bracelet. At the time, she wanted to know if it was real or fake. Now, with so much more she wanted to discover about her find, she feared it would be taken from her. She clicked reply and began typing.

Mr. Richardson,

I was premature in sending my email yesterday. I suppose finding something so exciting during my first time mudlarking got the best of me. I took the bracelet to a jewelry shop, where I learned it was an ornamental bracelet and not an actual artifact.

I apologize for wasting your time and wish you a good week ahead.

Sincerely,

Eva Barrett

* * *

Eva spent the rest of Sunday morning preparing for the workweek. The following morning, as she got dressed to head into the office, she put on the bracelet and pulled on a thin, long-sleeved sweater to cover it. When she opened to door to leave, she was greeted by an old man with a long beard. She stepped back, startled.

“Eva Barrett, I presume?”

She caught her breath and said, “Who wants to know?”

“I am called Cassius Arkwright, and I am here at your service.”

The old man bowed deeply and stood back up. He looked like a wizard from the Lord of the Rings movies. Put the man before her in the right robes, and he could pass as Gandalf or Saruman. Instead, he wore a tailored suit cut perfectly to his lithe frame. Eva noticed a pin on his lapel: a gold boar similar to the one on the bracelet.

“Well, Cassius Arkwright,” Eva said. “How are you at my service?”

He pointed to the pin on his suit.

“You are in possession of a relic my order seeks to protect.” He gestured to Eva’s left wrist. “I assume you are hiding it beneath your sleeve?”

“Who are you, really?”

“I told you, madam. I am called Cassius Arkwright, a member of unparalleled standing in the Benevolent Order of the Boar.”

Eva rolled the name around in her head and laughed.

“Is something funny?” Cassius said.

“Benevolent Order of the Boar? BOOB? BOOB!”

“There is a T in the name, madam.”

“Yeah, but still. You’d think your order would have thought that through a bit better.”

“The order was founded in 400 BCE—almost twenty-five hundred years ago. Boob was not yet a word.”

“Oh. Strange question, then: are you that old?”

“No, I am not. People are not that long lived.”

“Yeah, but…”

“But what?” Cassius said.

“Nothing.”

“By ‘nothing,’ I assume you’ve discovered what the bracelet can do?”

“I didn’t say that.”

“But it is what you mean?”

“Are you here to take it from me?” Eva said.

“No, I am not. I am here to ask you to give it to me of your own free will. We will not take it by force.”

“What happens if I give it to you?”

“We will place it in safe keeping.”

“And if I don’t?”

“We will ensure it does not fall into the wrong hands.”

“How do you know I’m not the wrong hands?”

“Watching you last night gave us an indication you have no idea what you are wearing. I do not know how you have come by the bracelet, but we suspect you are not going to use it for nefarious means. Should you decide to, be warned: that is the point at which we will retrieve it by force.”

“Watching me?” Eva said. “How?”

“You seem to have forgotten this city is full of closed-circuit television cameras. Some make a hobby out of watching the feeds. A member of the order saw it shared on Reddit. You paused after setting the skip down a second time and looked at the bracelet.”

“The what?”

“The skip. Dumpster. You adjusted the bracelet on your wrist before you took off running.”

“Oh, shit!”

“Yes. Shit, indeed. Can I point out this would be a good time to hand the bracelet over to us? We will ensure your safety should anyone else track you down like we did and try to take it.”

The words sat in Eva’s stomach: “Should anyone else track you down like we did…”

It was supposed to be a fun morning on the Thames foreshore, digging around in the mud and maybe finding a coin or two—not some ancient relic that granted its wearer powers. Eva wondered what else the bracelet might do. She was not successful in trying to read Cassius’s mind or levitating from the floor before him.

“Are you okay, madam?” Cassius said.

“Yeah, why?”

“You suddenly got quiet and had a pained look on your face.”

“I was just thinking. Let’s say everything you just told me is true. How do I know you are good? How do I know you aren’t the wrong hands and planning to use for—as you put it—nefarious means?”

“I suppose there is no way to know, but to trust me.”

Cassius reached into an inside pocket from his suit and handed Eva a business card.

“In time, I am confident you will come to a rational decision. Good day, Ms. Barrett.”

* * *

Eli Husk put great effort into cultivating a personal history where he came into his riches on his own. His billions were not the result of a family diamond mine and half a billion dollars given to him by his father upon graduating college with a degree in economics—in Eli’s version, he started every business from scratch and turned them into powerful companies. Why say, “I bought out existing companies and claimed them as my own brilliant ideas,” when you could convince millions of fans on the social media platform you owned that you have always been the nation’s chosen genius? Despite his reckless breeding habits and penchant for destroying the stock values of the companies he owned, Eli’s life was good…at least until the day he mocked the robot man-child who owned a rival social media company.

It was a stupid thing to do during the boredom of another lonely night, joking online that he couldn’t determine if Mort Zucker was a reptile or an android. Zucker responded about how Husk’s face looked like a half-deflated sourdough starter on a humid day, puffy and oozing. Following a barrage of posts that would make the worst of eighth-grade boys sound mature, Zucker got in a blow that hurt. He called out Husk’s drug use, which resulted in Eli—high on the drug he was accused of abusing—challenging Zucker to a steel cage grudge match. Before he could back out the following morning, his legion of followers had escalated things to a point of no turning back without damaging his brittle ego. Husk figured it would blow over—a spat between two sad men never satisfied with having more than enough—but contracts for a charity fight were signed, and a date was set.

With five days to go, things were looking grim.

Eli was sitting at his messy desk in Texas, watching self-defense videos on YouTube, when he got the news.

“Sir, I think I figured out a way for you to survive Saturday’s fight,” his main bodyguard said.

He looked up at the towering man before him. “How so?”

The bodyguard airdropped a video to his boss and said, “This happened not too far from Testa’s London office. Most people online think it’s fake, but we verified the video’s not been altered.”

Eli watched various closed-circuit television views of Eva testing the bracelet’s powers.

When he was done watching, Eli Husk said, “Where did you get this?”

“It was originally on a subreddit. Then it made its way to TikTok. Eventually—finally—to your site.”

Eli shook his head. “I don’t understand why people use those sites. I still don’t know what I’m looking at, other than something that looks like a found footage clip from a bad superhero movie.”

Husk’s bodyguard pulled his phone from his pocket and showed his boss a screen grab from the video: a blurry closeup of the bracelet.

“It seems like that’s what’s letting her lift the dumpsters and run fast.”

“Okay,” Husk said. “Assuming this is all real, how does it help me?”

“We were able to track down where the person in the video lives. We could send someone from the London office and offer to buy the bracelet. It would give you an advantage in the fight.”

“And…she could tell everyone we bought it, making matters worse.”

“Okay. We can send a security detail to take it from her. Make it look like a robbery.”

“And if they’re caught?”

“They won’t be.”

“I still don’t understand how this helps me in Saturday’s fight.”

“The gloves cover your wrist and are taped. It’s not an officially sanctioned fight, so they aren’t doing weigh ins and checking your gear. You could hide the bracelet under the glove and be assured a win.”

Eli sighed and said, “This has to be the most ridiculous plan I’ve ever heard. But the alternative right now is to roll over on Zucker like a walrus Saturday night and hope for the best, so what the hell? Call Gordon in the London office and see what he can do. It’s as good a shot as any…”

* * *

Eva’s workday was like any other, with the exception of the magic bracelet hidden on her wrist and a member from a secret order greeting her at the start of the day. Data still needed to be crunched, reports needed to be run, and there were always meetings to be had. So many meetings.

She spent the day in her head, wondering how the bracelet could grant its wearer powers. What else might it be able to do, and what to ultimately do with it? It’s not like she was going to head out at night and fight crimes, but it would come in handy when moving and doing other tasks requiring a bit of effort. It seemed a shame, though, to reserve such a thing for everyday frivolities.

* * *

As Eva walked home, she thought again about the words Cassius said at her front door that morning: “Should anyone else track you down like we did…”

She had paid more attention to her surroundings than usual on the way into work, and walking home after a day of thinking more about the bracelet than what she was paid to do, she felt exposed. Anyone around her could suddenly leap out and try taking it from her, even though she knew it wouldn’t be so easy given the abilities it granted her.

Paranoia set in, and within a couple blocks of walking, she suspected everyone around her of knowing what she wore on her wrist. She took a different route home, keeping an eye out as people approached and passed; listened for the turning bottom of a shoe on the sidewalk as someone pivoted, preparing to grab her from behind.

After altering her route, Eva noticed a man in a suit she saw a block from work. She stepped into a kebab house, figuring eating something wouldn’t hurt—and if the man was a random stranger walking the same way, he’d move on.

When she finished her falafel wrap and paid the bill, she asked her server if they had a back entrance.

“I am sorry. We do not.”

“Not even a back door for garbage? Err…rubbish? I think a man is following me.”

The server looked out the front window. When she returned to Eva’s table, she said, “Come with me.”

She directed Eva through the kitchen and to a back door leading into an alley.”

“Thank you,” Eva said.

“You’re welcome. Do be careful.”

“I will.”

From the alley, Eva surveyed the street behind the shop. The streets were teeming with foot and motor traffic. Picking out one person in all the commotion was difficult, but she saw no signs of the man she noticed near work and along the way. She doubled back several streets and cut across five blocks, figuring a big loop back home was the safest route.

* * *

On Tuesday morning, after making a mug of coffee and grabbing a jar of overnight oats, Eva sat down and opened her laptop. She was greeted by email from Simon Richardson at the British Museum.

Dear Ms. Barrett,

Thank you for your response on Sunday. I am concerned if you sold the bracelet you originally contacted me about on the 18th, that the jeweler you mentioned might have misled you regarding its value. If possible, can you please provide the name of the shop? And if you did not sell the piece, I would still love to see it. I am available during the normal business hours shared in my previous email.

Sincerely,

Simon Richardson

Curator: European Iron Age and Roman Conquest Period

Eva knew the easiest—even right thing—to do would be giving the bracelet to Simon. The British Museum may have housed artifacts that should have been returned to the countries in which they were found, but the bracelet on her wrist belonged to the island. She wondered, though, what Simon might do were he to put it on his wrist and discover its powers. Hell, that might be why he’s so interested in it, Eva thought. She considered calling Cassius Arkwright and asking him about the Order of the Boar’s intentions should she hand over the piece, but she was behind at work and knew, with so much on her mind, that it was likely to be another non-productive day.

* * *

Eva kept an eye out for the man in the suit she noticed the night before, but didn’t spot him. He might have been there, lost in the morning surge, but noticing him among so many people was difficult. Something about heading into work didn’t bother her quite as much as walking home after the day; perhaps because she was in a crowded building all day and alone in the flat at night. By mid-morning, she stopped thinking about the bracelet and had a productive day—even catching up on tasks from the day before.

* * *

Eva was walking home from work when a man in a ratty t-shirt and torn jeans approached her. She recognized his face—the man in the suit who’d followed her the night before, now dressed down and looking determined. He flashed a knife and gestured for her to enter an alley she was passing. When Eva turned to move away, she collided with a tall man who guided her where they wanted her to go.

Eva took off running down the alley, knowing there was no way they could keep up with her. As it opened into a junction where several alleys met, she was tripped by another member of the crew waiting for her. Three others moved in.

Eva leaped to her feet and punched the guy who tripped her in the face. Her stomach turned as his nose shattered and a cheekbone caved in. He turned, took a step, and fell to the ground.

She heard the two men from the street running down the alley and calling to the others. With little effort, Eva leaped over a dumpster and shoved it into one of the three bearing down on her. She cringed as it hit him in the shin, breaking his leg. She kept pushing, feeling the dumpster roll over him, further destroying his tibia and fibula. She kept pushing, despite the screaming, working to ram the massive chunk of steel and garbage into the alley she’d come down, hoping it would impede the two men she encountered on the street.

The two men left standing grabbed Eva by each arm, while the other two climbed over the dumpster in their way. As she broke the hold the two behind her had on her arms, their partners leaped off the dumpster and hit her in the chest. It didn’t hurt as much as she expected, but it was enough to take her off her feet. Three of them held down her arm while the guy who flashed the knife went for the bracelet. With her free hand, she punched one of the men holding her arm down. She felt his jaw shift and pop against her fist. Somehow, despite the blow, he held on with his two friends.

Eva felt the bracelet being jostled on her wrist as the leader of the group worked to pull it free. Right before it was sure to slide off, she heard charging footsteps coming over the dumpster—and more from the closest alley.

At first, she wondered if it was the Benevolent Order of the Boar, but they looked more like the thugs pinning her down looked the night before: more like corporate security or agents.

Eva was able to pull her pinned arm free and shove the bracelet back onto her wrist.

As the two groups fought, she got up and ran down the closest alleyway. She didn’t stop when she hit the street.

Eva always wondered what it would be like seeing a chase in a city, like something from a movie or a helicopter on the news. She looked over her shoulder, expecting to see the entrance to the alley erupt with the competing factions bearing down on her, but there was no pursuit. It didn’t stop Eva from running, though—eventually slowing to a jog and then a fast walk before hailing a cab.

* * *

Instead of going home where she was certain people would be waiting, Eva checked into a hotel for the night. Despite the relative safety of the room, she was still on edge—half expecting the door to be kicked down and people rushing in to take the bracelet. Each moment since finding the relic grew more strange and stressful, and she knew it wouldn’t stop as long as she had it in her possession. She opened her purse and pulled out Cassius Arkwright’s business card.

It would be so easy to call and tell him she was prepared to hand it over, not caring what The Benevolent Order of the Boar would do with it. It’s not like the bracelet was that powerful, unless she was unaware of its full potential. “Really, what am I going to do with it?” she thought. “Put on a costume and fight crime? Wear it when rearranging heavy furniture or moving?”

She dialed the number.

“This is Cassius Arkwright. To whom am I speaking?”

“Hi. Yeah. This is Eva Barrett. You came to my apartment on Monday.”

“Yes, Miss Barrett. Of course.”

“I have a couple questions about the bracelet.”

“Certainly.”

“First, you said you would not allow it to fall into the wrong hands, but I was just attacked, and it was almost taken from me.”

“It is still in your possession?”

“Yes.”

“Then it did not fall into the wrong hands.”

“Okay, sure. But what if it did?”

“Then we would have shown up and taken it by force.”

“What if you couldn’t?”

“I assure you, Miss Barrett, despite the age of some members of the order—myself included—we are more than capable.”

“All right. Time for the biggie, then. What the hell even is this thing on my wrist?”

“Are you familiar with the Iceni?”

“No…”

“Have you ever heard of Boudica?”

“She was a Celtic queen, right? Like a warrior badass?”

“Indeed.”

“Was this hers?”

“Some believe it was in her possession for a time, but it is much older than her. I have seen evidence that some of the almost super-human feats attributed to the ancient Celts were the result of certain relics. The one you wear included. I can only speak for my order and our beliefs, but there was a time we were much closer to unseen forces that have always been around us. That still are if you know where to look. Most people have simply lost their way and forgotten how to imbue items with energy. Is it a safe assumption that you are considering parting ways with the bracelet?”

“I’m thinking about it, yeah.”

“I would be happy to meet you now, or at your earliest convenience.”

“Thanks. But there’s one thing I need to do before getting back in touch…”

* * *

Eva opened the email app on her phone and began typing.

Mr. Richardson,

I didn’t sell the bracelet to the jeweler. In fact, I never took it to a jeweler. I have reasons for saying I did in my last email. This thing has become quite the problem in recent days. I’d love to talk.

Sincerely,

Eva Barrett

Eva plopped down on the bed and closed her eyes. She trusted Cassius, but wondered on some level if the wizened old man thing was all an act to get her to hand over the bracelet. That was the worst thing about recent days: all the thinking and doubting. She thought about tossing the bracelet back into the Thames River or just stop wearing it and telling anyone coming for it that it was taken by a rival group of strangers. But she knew they’d keep coming. She was on the verge of dozing off when she got an email notification on her phone. It was Simon Richardson asking her to give him a call at his personal number—yet another thing to make her question people’s intentions and what the hell to do. She eventually called.

“Hello, Simon? Yes, it’s Eva Barrett. How soon can you meet to talk about the bracelet? Really? Okay. I’m currently staying at the Holiday Inn near Regent’s Park. Yeah. How soon can you get here? Yeah, I guess the museum isn’t too far away. Does meeting in the lobby in half an hour work? Okay, cool. I’ll see you soon.”

* * *

After throwing some water on her face and cleaning up her clothes as best she could after the scrum in the alley, Eva opened the door to her hotel room to head downstairs.

She was greeted by a man in a suit.

Before she could think, she reeled back with her hand and noticed other men in the hallway. The person before her put his hands up in front of him and said, “We mean you no harm. We saved you in the alley. We’re here to make you an offer.”

He had an American accent. Eva kept her fist raised.

“Who the hell are you?” Eva said. “And who the hell were the others?”

“We have no idea who they are, but we’re not here to hurt you.” He slowly brought his hands down.

“How the hell did you find me?” Before the man could answer, Eva said, “These friggin’ cameras!”

“What cameras?”

“The cameras on all the streets!”

“That’s not how we found you,” he said.

“Then how?”

“I’m not at liberty to say.”

“You know what? Then I’m not talking. I’ll give you three seconds, and then I’m screaming for help and ruining your day.”

He put his hands back up in a defensive position. “Okay. Let’s just say some objects give off a certain energy. And we have ways of tracking that. We want to take that off your hands—well, your wrist. My employer is prepared to purchase that bracelet for a very fair price.”

“Who’s your employer?”

“I’m not at liberty to say.”

“Well, then, guess what? I’m not at liberty to answer. Do you not see how ridiculous this seems to me: a group of strange men show up at my door, offer me money, but refuse to tell me who’s offering.”

“Fine,” the man said. “We work for a man named Cory Bradford. He owns a company called Bradford Industries.” He pointed at Eva’s wrist. “He collects things like that—has for a long time. It’s kind of a family thing. He’s prepared to pay a million dollars for it.”

Eva brought her arm down. The man before her kept his arms up.

“Why should I believe you?”

“I’ll give you his card and you can call. Arrange things on your terms. We’re just sending the message.”

“Can I think about this?” she said.

“Absolutely.” He pointed to his chest. ”I’m gonna reach into my jacket for a card. I’m not doing anything funny, okay?”

“Okay.”

He handed Eva Cory Bradford’s business card and said, “Just give us a call when you’ve decided what you want to do.”

* * *

In the lobby, Eva took a seat at a small table that allowed her to sit with her back to a wall and spot people coming into the hotel. She looked at others in the lobby and lounge, men and women—most dressed for business—talking amongst themselves. She didn’t spot the one face she could recognize, the guy who followed for days and worked to steer her into the alley with a knife. But she suspected everyone before her as a potential problem.

Eva recognized Simon Richardson from her online research. She was surprised when she discovered he was someone roughly her age—not an old man in charge of relics seemingly as old as him. When he entered the hotel, Eva signaled him over, but didn’t stand to greet him. He extended his hand.

“Eva?”

She nodded, and he took a seat at the small table on the opposite side.

Eva began the conversation with, “I want to preface this by saying if you do anything I don’t like, I’ll scream.”

“Are you okay?” Simon said.

“Sort of. Not really. It’s been a strange few days.”

“If it would help to meet tomorrow at the museum, I understand.”

“No,” Eva said. “The way things have been going, the sooner the better. Before I show you the bracelet, I want you to know some things. And they’re gonna sound like I’m making it up.”

“Okay…”

“What would you say if I told you this bracelet has given me powers? And what would you say if I told you I’ve been followed—and even attacked—in recent days since finding it? And…what would you say if I told you an old man from an ancient order contacted me about turning it over to them, but then some businessman just offered me a million dollars for it on my way to the lobby? And what would you say if I told you I don’t know who the hell I can trust—even you?”

Simon composed himself before speaking. “I would say the British Islands have always been a place of legends—but in all my years study, working in the field, and curating—I’ve never had reason to believe the validity of those kinds of stories. I’d say there are thieves who only see a relic’s worth who will sometimes resort to force to take something they believe has great monetary value. And yes, there are even people who step forward and offer to buy certain things. But this old man you mentioned. Was he tall and bearded? Talks about an ancient order of the boar?”

“Yes! Do you know him?”

“I’ve met him,” Simon said. “I don’t believe his wilder claims, but he has given the museum several pieces. And the provenance on them indicates he and the group to which he claims to belong are honest if nothing else.”

“And what about you? Are you honest?”

“Were I not, would I tell you otherwise?”

“Good point,” Eva said.

“I can say with confidence that one does not reach the position I’ve reached in my career by being dishonest. May I see the bracelet please?”

Eva extended her arm and pulled back her sleeve. She looked for any sign on Simon’s face that he had other intentions; that he, too, wanted the relic for his own desires. He leaned forward and took a look; a slight grin appeared on his face.

“It never gets old,” he said.

“So, it’s real?”

“From a cursory glance, yes. I need a closer look at the entire piece.”

“I don’t want to take it off,” Eva said.

“I understand. If you’d like, we can go to the museum. But I will say, were I to take it and run—if you are having the problems you say you’ve been having—you’d at least be free of it. But I promise, I am not here to take it.”

When Eva took the bracelet off her wrist and handed it to Simon, the lobby erupted into a frenzy.

* * *

A man at a far table stood up and shouted, “Now!”

Before Eva and Simon could react, the man who’d been following her for days rushed around a wall near the table and pulled the bracelet from Simon’s hand. As he made his way toward the door with his colleagues, three middle-aged men in suits sitting around a low-set table drinking tea leaped up and tackled him. The bracelet broke free from his grip and bounced along the floor. Cassius Arkwright appeared from around a corner, signaling to the three to form a wall. Before Cassius reached the bracelet, the man who’d offered to buy it ten minutes prior at her hotel room door rushed out from the lobby and grabbed it. He put it on his wrist and shoved Cassius to the side.

“Oh, hell no!” Eva said.

She bolted from her seat in pursuit.

The rest of the Bradford Industries crew rushed out from the lobby. They moved like a football team, blocking others, all in an effort to get their leader to the front doors. The Benevolent Order of the Boar’s and Husk’s men worked together, trying to hold them back, while Eva closed the gap. She had no idea what she would do if she caught up to the man wearing the bracelet. If the two groups doing all they could to stop him were being tossed about, what chance did she have? Eva was caught in the scrum between the opposing forces as Bradford’s leader pushed through the crowd and ran toward the doors.

He was stopped by a middle-aged man holding a blue stone in his left hand.

Eva had worn the bracelet and knew what it felt like to run full speed under its effect. When she ran into the black cab on the night she tested its abilities, it was like the vehicle was barely there. A little more speed, and she would have knocked it sideways across the street. So how could the man with the stone stand like a mountain as the bracelet-wearer bounced off his chest and to the floor?

“Friggin’ Healy!” he said while getting back up.

The distraction gave Eva just enough time to rush up and yank the bracelet from his wrist. She slid it on and shouted, “I’m really tired of all y’all messing with me! You’ve got two choices: get absolutely wrecked by someone so tired of your shit, or leave. I’m sure the cops have been called, and I’m guessing none of you can afford to explain to them why you’ve been messing with me. So, what’s it gonna be, guys?”

The man who offered her money looked at her wrist and turned away. As he passed the man he ran into, he said, “This isn’t over…Gerald!”

The other factions wandered out behind the others and the man with the blue stone, all heading off in different directions once they made it to the street.

Eva looked at Simon standing in the middle of the sitting area of the lobby and wandered his way.

“I’m keeping this thing on until the cops get here, and then it’s all yours. I don’t care about money or attention or anything at this point, all I want right now is a good night’s sleep!”

* * *

Epilogue

Mort Zucker toyed with Eli Husk for two and a half rounds before ending their charity fight with a righteous pummeling and painful submission. Husk’s followers took to social media, making excuses for their hero and demanding a rematch. Zucker accepted, but Husk never responded.

Cassius Arkwright visited Eva’s front door one more time, thanking her for ensuring the bracelet at least found a safe home in the British Museum’s collection. He told her, should she ever find herself in need of the order’s services, to give him a call.

Simon Richardson explained to the authorities what happened in the hotel, but left out any mention of the bracelet’s purported powers. He resisted trying it on before placing it in a case with other items in the Britain and European collection room at the museum.

Cory Bradford’s crew reported back to their boss that they almost secured the bracelet for his collection, but were thwarted by Gerald Healy and a rivalry that began in 1986.

Eva Barrett’s sole mudlarking foray to the Thames River foreshore was enough to never do it again. She finally opted for exploring off-limits places, figuring the risk to her work visa if caught was far better than finding another ancient relic in the mud during low tide.

* * *

[Quirky music fades in…]

Christopher Gronlund:

Thank you for listening to Not About Lumberjacks.

Theme music, as always, is by Ergo Phizmiz. Story music was by Hampus Naeselius, licensed through Epidemic Sound.

Sound effects are made in-house or from Epidemic Sound and freesound.org. Visit nolumberjacks.com for information about the show, the voice talent, and the music. Also, for as little as a dollar a month, you can support the show at patreon.com/cgronlund. And technically, I’ve even opened it up to free subscription.

In July, we travel back to the 90s and follow an indie band’s rise to near success…

[Quirky music fades out…]

[The sound of an axe chopping.]

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Intro music plays]

[Woman’s Voice]

This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Music fades out]

Christopher Gronlund:

Behind the Cut is an in-depth look at the latest episode of Not About Lumberjacks and often contains spoilers from the most recent story. You’ve been warned…

* * *

Clearly, I have a thing for time travel stories.

An earlier Not About Lumberjacks story, “Standstill” deals with stopping time to spend more time with a dying loved one. “Calling Out of Time” is about someone who finds a payphone that allows him to call the past and change his life in another timeline. And the latest story, “It’s Never Too Late,” is about someone who builds a time machine, travels back to 1983, and breaks down.

Why the obsession?

* * *

I could blame the movie Time Bandits, which I saw several times the weekend it came out. But really, what got me with Time Bandits was trying to figure out how one goes about writing a story and getting it on a big screen in a theater—not how to go about traveling through the ages. It was other movies that pulled me in.

When I used to visit my dad in Kansas each summer when I was younger, he had cable TV. I watched the movie Time After Time repeatedly, fascinated by H.G. Wells pursuing Jack the Ripper in modern times.

I can list a ton of other time travel movies I’ve loved over the years: Back to the Future, Bill and Ted’s Excellent Adventure, Twelve Monkeys, Primer, Donnie Darko, Groundhog Day, the first two Terminator movies, Safety Not Guaranteed, and yeah, even Hot Tub Time Machine!

But what is it about time travel movies that hooks us?

* * *

I think it’s two things:

• One: The intricacies of how time travel works in stories…and seeing if stories break their own rules. There’s often a cleverness involved in time travel tales many find appealing.
• And Two: This is the biggie—we tend to be obsessed with the possibilities offered to us by traveling into the past to “fix” things—or peeking into our futures.

I’ve talked about regret before, and how I’m not one to carry much in my life. Even the bad days and decisions got me to who I am today. But I know people who shoulder the past and would love nothing more than the chance to have a do-over and leave that weight behind.

And the future: who doesn’t want to see if we, as a species, get better…or worse? To see if who we are and what we struggle with today will not always be our story.

* * *

Initially, “It’s Never Too Late” was going to be a bit wacky. Sentimental, but also ridiculous. Albert was going to travel back to 1983, break down, and end up teaching high school or something that put him in touch with his teenage self. He’d help himself navigate his awkward years while also navigating his awkward adult life, where shyness was still an issue. Eventually, he’d reveal to teen Albert that he was him, and somehow, the two would find answers that would better their lives.

But that’s a bit overdone…

Then I thought, “He’s just a guy who gets stuck, lives a different life, and dies.” But the time travel geek in me could not let go of the chance for Albert to meet himself!

Of course, because it’s not a time travel story where a new timeline is created, that meant paradoxes prevented that from happening. Unless…he met himself after he lived long enough to fix the machine and bring his middle-aged self back. (And even then, I’m sure there’s someone out there who would say, “Actually…that couldn’t have happened because…” and give me a list of reasons. (The least of which, creating two Alberts at different ages.)

That’s the thing about time travel stories, though: most don’t make sense under scrutiny. But they still work, and we still love them. The movie Looper’s like, “Yeah, this is just cool, so that’s what we’re gonna do,” putting story before mechanics.

Time travel stories are simply a fun mechanism to write very human stories using a very ridiculous premise.

* * *

The human element in time travel stories is often going back to prevent a loved one from dying—or fixing a mistake in the past. Changing things so the “future” is better. It works because we all have loved ones we miss…and we all have things we’d likely do differently if given a second chance.

But I didn’t want Albert to get a second chance where he could change his past and affect his life back in the future. As appealing as it might sound, there’s something to the mistakes we’ve made along the way. We are who we are because of the paths we’ve been on—bad decisions included.

* * *

When I was younger, I had a very impressive proposition made to me by a great aunt: she was willing to move me to New York City, put me up in an apartment she owned a couple blocks from Central Park for free, and introduce me to people in publishing. (She owned an art gallery in the city and knew a lot of cool people.) If I wanted to go to school, it was on her. When I told her I got terrible grades and was on academic probation from a community college, she said, “Well, I’ve donated quite a bit to several smaller liberal colleges on the East Coast, and if you promise you’ll improve your grades, I’m sure they’ll make an exception.”

When I’ve told this story to a couple people, they said I was nuts for turning down the offer. Their reasoning, in essence: “Think about how much better your life would be!”

But…would it really?

* * *

I’d be lying if I said I never imagined “what might have been?” had I taken my great-aunt up on her generous offer, but when we think like that, we often think only of the good what-ifs. The realist in me also thinks, “Sure, maybe I would have been published by a prestigious house in my 20s, but I’d have probably also become a smug little shit, despite being a caring individual. Maybe I’d not worry about finances today, but I’d hate being one of those people who was given an opportunity by family and thought, ‘Well, if I could do it, so can those lowly poors!”

Given my nature, it’s more likely I’d have worked hard and had decent opportunities, but who can say I’d not have found someone, been in such a rush with a busy life pursuing my golden opportunities, and ended up divorced? Or…stressed to the point of worrying that my next book might be my last?

I know for certain: you would not be listening to this right now, and the stories I write would be nothing like those I share, here, for free. Many of the stories I write are rooted in working a day job while trying to find time for bigger things. They are based on things I know from the life I’ve lived. I think their appeal is they often touch on things we all think about.

I must believe, had a different past been handed to me, that my writing would be typical today. I would have likely focused on writing in college and—to be published at that time (at least through the people I’d likely have been introduced to)—meant writing certain kinds of books. I very well may have become that annoying young New Yorker who wrote about being a young, educated writer in New York City. Maybe I’d have moved on to writing the dreaded, “Oh, look…well off people in a wealthy suburb navigating a divorce and rediscovering who they are,” novel.

The counter argument of course is, “Maybe I’d have written incredible things—possibly full time.”

Living a life of “What Ifs” is not a life well-lived. Learning from mistakes we’d inevitably make, regardless of our experiences, and finding happiness is.

* * *

I know this for certain: I’ve been fortunate to have friends and family who believed in me all these years—and today I have a decent day job that allows me to write whatever I want, with no thought about whether it will be “financially or critically successful” or not.

I’m writing this essay on my lunch break the day after releasing “It’s Never Too Late.” Already, I can tell people in the U.S., Canada, Germany, Romania (Hi, Allexia…I presume), Sweden (Hi, Hamish or Miro, I presume), and France have already listened. More countries will follow in the coming days.

That will always blow my mind!

* * *

I’ve never held a hardback copy of something I’ve written in my hands, but I’ve been married for almost 32 years, have friends I know are my friends because of who I am and not what I might be able to offer them…and—even though editing drives me batty—I  have this nifty little podcast I love. My life isn’t the one I imagined when I was younger, but few lives are. I’m happy and do things I love doing.

A time machine would only ruin a guaranteed good thing…

* * *

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and voice talent.

Also, for as little as a dollar a month, you can have access to a bigger behind-the-scenes look at Not About Lumberjacks on Patreon. Check out patreon.com/cgronlund if that sounds like your kinda thing.

In May, it’s a story about a mudlark who finds something very strange during low tide…

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Sound of an ax chopping wood. Quirky music fades in…]

Christopher Gronlund:

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and this is where I share my stories. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny—other times they’re serious. But you have my word about one thing: I will never—EVER—share a story about lumberjacks.

This time, I’m back after the annual break following back-to-back episodes in November and December with a story about a guy whose time machine breaks down in the past on its test run.

But first, the usual content advisory…

“It’s Never Too Late” deals with regret, death (including a decayed body), personal loss, and the sound of someone vomiting. Also, if you’re driving, be aware there’s a scene with the main character following someone on foot that contains skidding tire sounds. I don’t want you to be driving and freaking out, thinking something’s coming at you! It’s just that moment in the story.

And when it comes to swearing, this one’s pretty tame, with a couple PG-rated words you’ve probably heard on TV this week.

All right, let’s get to work!

* * *

IT’S NEVER TOO LATE

October 13, 1983

3:47 p.m.

Albert Gladstone stood hidden in cattails at the edge of a field, watching his younger self spinning in the cool, unwavering breeze on his fourteenth birthday. For 41 years, it remained one of his fondest memories, the first day that year it truly felt like fall in his hometown south of Milwaukee. It was deep enough into October that the rest of the month would bring crisp mornings and cool afternoons. Warm days would not return until April.

He watched his younger self stop and raise his arms high above his head in a stretch as he filled his lungs with air. Eyes closed, head leaned back, savoring the experience and thinking, “I will never forget this moment.” In the decades that followed, he never did. It was a feeling he chased when life grew challenging, a thing eluding him no matter how hard he tried to recreate it. He wondered if, in hindsight, he had built up the moment into something far more than it ever was. But as young Albert exhaled and opened his eyes, his smile was proof that time—and all that came with it—had not distorted his memory.

When his younger self left the field, adult Albert walked to the middle and took his place. To his south was the neighborhood where he grew up. To each side, farmland rolling to the horizons. North of him, wetlands full of cattail mazes, marshes, and ponds. When he spread his arms wide and spun, it felt every bit as wonderful as he remembered—a decades-long craving finally satisfied. When he was done, the world and its ways seemed just as clear to him as it did on his birthday as a teenager. The life that followed may not have gone the way he imagined when he was younger, but that fourteen-year-old had no idea what he would do as an adult.

* * *

October 13, 2024

3:13 p.m.

It looked more like a bathysphere than a time machine, a thing constructed to scour the depths of oceans as an all-seeing, cyclopean eye. Instead, the steel sphere sat in Albert Gladwell’s basement, a ten-year project finally at an end. On the console next to his washer and dryer, diagnostics indicator lights came back all green. He imagined this moment since childhood, when the movie Time Bandits led to a fixation with how one would go about traveling to the past or future. Finally, it was time.

A small pile of checklists ensured every calculation would bring Albert to his chosen spot in his past. Every risk was assessed and mitigated to the best of his knowledge and imagination. It was a bold and risky endeavor, with the best outcome working exactly as planned—and the worst being the last thing he would ever do.

He opened the round door on the metal orb and climbed inside. After taking one last look at his basement through the porthole, he sealed himself inside the cramped, dim space. It was fitting the time machine looked like an old diving bell—the hum from outside the steel womb sounded like a world under water. Albert listened to his breath; and heartbeat. At 3:20 p.m., the countdown began. He joined in 10 seconds before 3:30.

He was about to see if he got it right…or very, very wrong.

* * *

October 13, 1983

3:58 p.m.

Albert wiped away the tears making the cold wind against his face feel like ice. Everything he was told could never work did, and the reward for his efforts was reliving a moment meaning more to him than he could ever explain. He was fascinated with the strange way we’re wired, how huge memories can slide away, while something seemingly mundane as appreciating an autumn breeze remained etched at the front of one’s brain until the end.

Albert knew staying too long in the field would ruin the moment. Perhaps part of why it stayed with him over the years was—even as a teenager—he knew when to step away. To steal more time would blunt the edge of such a sharp memory. He wandered into the cattails and stomped down a little space of his own in the reeds.

When he was younger, he and his friends cut their way through the cattails in the wetlands beyond the fields behind his house. In time, the trails became a maze with secret clearings hidden along the way for those in the know. There, he and friends spent hours on their backs looking skyward, inches above the wet ground below, talking about their lives and dreams. He missed a time when he could talk about something as outlandish as making a time machine and be taken seriously.

He reached into the mat of cattails below and came up with a small handful of wild mint. He popped a leaf in his mouth and closed his eyes, savoring the moment. When he was done, he watched the hands on his vintage watch creep toward the 4:30 mark, when the machine in his basement 41 years in the future would call him home.

At 4:30, nothing happened. Albert waited several more minutes, pondering what might have caused a drift on his wristwatch and the timer running the machine. There was nothing to account for not being recalled, except something going wrong with the controls in his basement. He wondered if the machine broke, or even exploded. He’d run countless simulations and considered all that could go wrong in the decade leading up to the day, but as the sky began to darken, Albert’s stomach churned as he came to the sobering conclusion that he’d just become a man lost in time.

* * *

Albert’s first goal was finding food and shelter. His contingency plan accounted for the vintage clothing he wore, currency and a wallet from the time, the Timex watch his uncle gave him on his twelfth birthday, and a fake driver’s license, just in case. Reserving a room for the night was no longer had by a quick search on his phone, which—like all other personal items from 2024, except himself—was left in the now-future before the jump. He walked north for several hours before stopping in a McDonalds for a quick bite to eat, and then found a motel on the south side of Milwaukee where his counterfeit license was convincing enough to get a room.

* * *

Albert startled awake in the early morning, barely making it to the bathroom to heave his dinner. Gut health, and so many other seemingly insignificant things ignored in sci-fi movies for the sake of time, weighed on his mind before the jump. He knew he’d suffer a bit on longer leaps, but he wasn’t expecting his first jaunt to test that concern. With each unforeseen rush to the bathroom, Albert sipped water from his cupped hands over the sink, staving off dehydration until exhaustion finally pulled him into a restful slumber.

* * *

October 14, 1983

10:57 a.m.

Albert was never prone to fits of nostalgia, another Gen-Xer sharing memes on social media about how the 80s were far more brown than neon. But as he entered Kmart, he could almost see the commercial play out on old studio videotape, part of a compilation of retro commercials on YouTube.

“We’ve got it, and we’ve got it good…”

Amazing how a jingle can bore its way into one’s brain and live there like a cicada underground, only to emerge years later.

During Albert’s restless night, his mind turned from “What went wrong?” to “What will I do?” Perhaps the machine would be discovered during a wellness check after he stopped showing up to work or not paying his mortgage. Maybe somebody at the university where he taught would be called in—a colleague who insisted time travel was impossible—and they’d figure out how to bring him back, apologizing upon his arrival for never giving his ideas credence. But if the machine exploded during the jump or the problem couldn’t be found and fixed, he needed to accept the only way he’d see 2024 again is if he lived a long life and got there like everyone else.

Albert’s immediate needs were in his control: buying a couple more changes of clothes and a suitcase, grooming necessities, and a notebook with pencils and pens. On his way out, he spotted a tape recorder. He grabbed that and a pack of cassettes.

At the register, when the cashier rang up the clothes and suitcase, she said, “Going on a trip?”

Albert nodded. “You could say that, yes.”

* * *

October 14, 1983

12:17 p.m.

In the motel room, Albert inserted a tape into the cassette recorder and pressed the Play and Record buttons together. He gave it a moment and then said, “My name is Albert Gladstone, and I’m about to say the most ridiculous sounding thing I’ve ever said with a straight face: I am a time traveler. I left the year 2024 on a test trip to October 13, 1983, to relive a fond childhood memory as a test run for the machine I built. I don’t know why, exactly, I’m compelled to make this recording—maybe because if something happens to me, someone will find it, sooner or later. They’ll probably think I’m delusional, but in time, I’d hope some of the things I plan to talk about will occur and they will realize this is, in fact, real.”

Albert chronicled how he came to end up stranded out of his time, and then said, “My plans right now are simple: I need to find a job willing to pay cash, which means I’ll likely end up in the back of a restaurant or working on the docks. I need to find a cheap apartment that won’t do a deep background check. I brought enough money with me that I can pay for several months up front, and that should be enough to get me into a place. Then I guess it’s just saving as much as I can and investing in things that will turn into more sooner than waiting for Microsoft or Apple to pay out. Maybe a big Super Bowl bet or two along the way. If I’m going to be stuck, I don’t want to bring attention to myself, but I definitely I want enough that if I’m here for good, I won’t have to worry about work and money. I’m not getting any younger.

“Little realizations have been coming to me this morning: what if I get really sick and end up in a hospital? What if a cop questions me for some reason? So many things that could end up bad if my existence is scrutinized. I’ve thought about so many things regarding this trip over the years, but I never considered how lonely it would be if I got stuck and had to live out the rest of my life through these days again.

“Right now, I just need to make it to 1985…”

* * *

In two months’ time, Albert found an apartment and settled into a job as a line cook in a diner that paid under the table. At first, making it through the morning and lunch rush left him feeling broken, but he was pleased by how quickly his body adjusted and carried him through shifts. It was a far cry from teaching physics at The University of Wisconsin in Madison, but he came to appreciate that when work was done, time was his.

* * *

December 16, 1983

3:42 p.m.

On the Friday before schools went on Christmas break, Albert waited along the route his younger self took while walking home from school. It was time to test a hypothesis. He walked toward fourteen-year-old Albert wandering along the sidewalk. As he got closer, his younger self turned off the usual route and into a neighborhood he sometimes cut through for a change of scenery. Albert jogged to the corner and called to his younger self, who had now put on Walkman headphones.

“Albert! Albert Gladstone!”

He chased after fourteen-year-old Albert, so fixated on seeing if time would allow the paradox of meeting himself that he didn’t see the VW Rabbit run a stop sign and hit him. From the pavement, older Albert watched his younger self walk away—probably while listening to Rush’s Signals album—oblivious to what had just occurred behind him.

The kid in the Rabbit at least did a good job standing on the brakes before hitting Albert, leaving him a bit scraped up, but not damaged. The front of the car looked worse. The kid opened the door and leaped from the driver’s seat.

“I’m sorry!”

“It’s okay,” Albert said while getting up. “I think I’m fine.”

“Are you gonna get me in trouble with my dad?”

“No, why?”

He pointed to a dent on the passenger side of the vehicle.

“My dad will lose it if he finds out I had another accident.”

Albert slowly moved his limbs and took a deep breath, checking to see if anything was broken. He seemed fine.

He looked at the kid and said, “How ‘bout I give you an early Christmas present and we keep this our little secret?”

* * *

Other attempts to meet his younger self were met with similar results—something always thwarting the actual moment of connection. He had no memories featuring a man in his mid-50s telling his younger self he was him from the future, and it seemed the timeline ensured that would not change.

Attempts to call were met with broken pay phones or his old phone line ringing with no answer. Knocking on the door of the house where he grew up was met with no answer—either no one home or, on occasions he knew people would be there, a broken doorbell or enough noise inside that his knocking was not heard. Tapping on his bedroom window was met by a slumbering teenager lost in deep dreams or wearing headphones, while lost in music. One night, while attempting to get into the basement through a window, a passing cop car stopped between his yard and the neighbors. Albert hid in the window well, nervous he’d be spotted by the officer or his younger self thinking someone was breaking in. When the patrol cruiser moved on, so did Albert. He accepted that while a paradox apparently couldn’t occur, he could still end up arrested without being able to prove who he was.

* * *

December 25, 1983

Albert inserted a cassette tape into the recorder and waited a moment.

“Merry Christmas to me, I suppose—even though it’s a weird one. In other ways, there’s a lot to be happy for, the least of which is a day off from the diner. I’ve settled into my new place and new routine. I even bought a sailboat, so I have something better to do on my days off when it warms up than to dwell on things. I’ve accepted this is my life now. It’s a weird position to be in, knowing all the things yet to happen and wondering how I will relate to them a second time around. This is a kind of do-over, I guess, and I’m not ruling out living an entirely different kind of life than what I’ve lived to this point. It’s just a matter of figuring out what that looks like.

“I’ve also been testing a hypothesis some have proposed when it comes to time travel: that a traveler can affect things, but not do something that would create a paradox. I never met my boss at Liam’s Place, so to him and me, it’s a new relationship. But if I try preventing major events I remember happening, my attempts are thwarted by the timeline. I don’t remember being a teenager who had a strange guy come up to him one day and say, ‘Hey, I’m you from the future,’ so that can’t happen. But if I wanted to meet someone and start a family, I could.

“It’s a weird place to be: 55-years-old and knowing so much of what will happen in the world. Wondering if the machine’s been discovered in 2024 and I’ll end up being pulled back. Or, because who the hell can really say how any of this works, if that’s even a possibility? Are things still happening in my basement in the future, or is that part of my timeline on hold until I’m dead or live long enough to catch back up? I could easily drive myself sick thinking about all the possibilities. So, for now, I’ll just keep working and sticking to the plan.”

* * *

March 26, 1985

10:18 a.m.

Albert watched the comings and goings around his uncle’s house for several weeks. One morning, he even saw the man he most looked up to when he was younger, when he opened his front door and grabbed the mail from the small box beside the entry. Gone was the fit adventurer Albert knew as a child, the man who had seen the world and promised he’d one day take him along on his travels. In his place was a large man with a limp, someone only recognizable because Albert knew who he was. All his life, Albert heard how much he looked like his uncle when he was younger. Family photos confirmed what he was told. There was still a resemblance between the two as adults.

He wanted to rush up to Uncle Stanley and tell him who he was and what he had done—show him that while he had never traveled like him, he was now on an adventure few could even imagine. One day, after seeing no activity around the house for a few days, he summoned the courage to go up and ring the doorbell.

There was no answer.

He rang the bell again and knocked. Maybe Uncle Stanley was out, even though his car was in the driveway? He walked to the side of the house and peeked in through a window.

Albert’s uncle sat slumped in a chair in front of the TV. Albert knocked on the glass, but his uncle didn’t move. He watched his uncle’s chest, waiting for it to rise and fall if he was napping. It didn’t. He walked into his uncle’s overgrown backyard and broke a window pane in the back door. The odor from inside rushed through the small opening, causing Albert to step back and turn away. He pulled the front of his shirt up over the bottom of his face, making sure his nose was covered—even though it had little effect in taming the smell of decay.

Albert reached inside to unlock the door. The kitchen was full of empty take-out boxes and fast-food bags. Dirty dishes towered in the sink so high that Albert trod softly across the floor out of fear of them toppling. From the living room, he heard the New $25,000 Pyramid on the television.

Albert stood before his uncle as Markie Post and a woman played the game show on TV. After a big fight between Albert’s uncle and his father, he never saw him again. He received the odd letter or card, usually with the promise that after graduation, he’d take Albert along on a grand trip. But it never happened.

The tears Albert shed were for the loss of a favorite relative, but they were also cathartic tears for himself, a release of bottled-up emotions from the last 17 months, waiting for the bittersweet day he dreaded as much as anticipated.

* * *

March 26, 1985

9:45 p.m.

Albert arrived at the marina in his uncle’s car late enough that few people were around, but not so late to arouse suspicion. He pulled the rolled-up rug from the trunk of his uncle’s car and strapped it to a dolly. This was the part of his plan that could all come apart. All he needed to do was make it to his sailboat.

When he reached the dock where his boat was moored, he heard someone say, “Need any help?”

Albert turned his head, half-expecting to see a cop. How would he explain his uncle wrapped in a rug was not the way it looked? How would he explain being there at all? He was relieved to see someone who’d just come in from the lake.

“Thanks,” Albert said, “but I’ve got it. Had a couple drinks with a friend this evening, and he had this fabric set aside for me. Been planning to begin reupholstering the cushions in the cabin this weekend—get ready for spring. It was just easier to drop this off while in the city than hauling it back to the suburbs and then back on Saturday.”

“Gotcha. Probably about time for me to do that, too. Have a good evening.”

“You, too.”

Albert’s heart finally stopped racing when the guy got in his car and drove off.

* * *

When Albert’s uncle wasn’t traveling, he was on Lake Michigan in his sailboat. When Albert was ten years old, he and his uncle sailed from Milwaukee to Muskegon, Michigan, where they had dinner in a restaurant overlooking the lake, and then spent the night on the boat. The following morning, they sailed home. The trip came with a promise that one day, Uncle Stanley would take Albert on some trips as he got older—the grandest of them all, Antarctica when he graduated high school. His uncle had set foot on six of the seven continents and said there’d be no better way than to see the last than with his nephew. After returning to the car to retrieve a roll of chicken wire and chains, Albert powered up the boat’s engine and headed out from the dock before going to sail.

He told himself repeatedly that his uncle would not mind what he was about to do, that he’d understand and be happy to give him the freedom to exist without worry. Uncle Stanley always said that when his time came, he’d rather be scattered in a lake or ocean than buried in a cemetery with hundreds or thousands of bodies.

When Albert reached deep water with no one else in sight, he spread out the chicken wire and chains he grabbed from the car. He placed the rolled-up rug containing his uncle’s body on the wire and struggled to wrap chains around him. When that was finished, he wrapped the chicken wire around the chains and rug like a cage, securing it through links with electrical wiring.

Albert retreated to the cabin and came out with a portable stereo. He pressed play and listened to Bob Dylan sing his uncle’s favorite song, “When the Ship Comes In.” He let the tape play to the end, and sat in silence for several more minutes after “Restless Farewell” finished.

The warm day had given way to a chilly night. How easy it would be to wrap a blanket around himself and fall asleep while listening to the wind and waves. Albert considered flipping the tape over and playing the entire album through to the end. He was stalling. Ten minutes later, he stood up.

“I feel like I need to say something big and important right now, but I’ll keep it simple.

“I love you, Uncle Stanley. I promise I’ll do right by your name. Thank you for being the one person in my life who always listened to and believed in me.”

After struggling to get his uncle overboard, Albert stared at the dark water, imagining his uncle sinking to the bottom of the lake. Eventually, he stretched, turned the boat back toward Milwaukee, and set off to begin a new life.

* * *

March 27 – 29, 1985

The next morning, Albert returned to his uncle’s house and cleaned. It was just the chair where his uncle died, the rug beneath it, and the floor, but the best means of cleaning and disposing of such a mess were no longer a Google search away. He washed and scrubbed until he knew anything he smelled was just in his mind. When Albert dumped the worst of the items, he eased his nerves by reminding himself forensics were still limited compared to 2024.

Unless his uncle had accumulated a pile of debt or had a criminal record and been fingerprinted, assuming his identity was the safest option Albert had. On paper, his uncle existed—from his birth certificate to recent checks. Still, what if he was called to jury duty? Would his uncle’s driver’s license and a physical likeness be enough to pass? What if he bumped into someone his uncle knew in a store? How would he pass off knowing nothing about the stranger, but feigning his way through a conversation? The more scenarios Albert considered, he realized the best decision would be to leave the area.

* * *

Albert was gathering fallen tree branches and pulling old vines from bushes when he heard someone say, “Stan?”

He turned to see a man standing on the other side of the chain-link fence dividing his uncle’s yard from next door.

“Hey, how ya going?” Albert said.

“Good. Haven’t seen you in forever. You’re looking great! Lost a lot of weight.”

“Thanks,” he said. He knew nothing about the man before him—not even a name. Were he and his uncle close, or were over-the-fence pleasantries the extent of their relationship? Had he seen Uncle Stanley in recent weeks, the large person only peeking out to grab the mail? How could he explain a hundred some-odd pounds weight loss to someone who’d seen him recently?

“I got tired of moping around and feeling sorry for myself,” Albert said. “Finally got a VCR player and bought one of those Jazzercize videos. Felt kinda funny doing that, but I’ve been losing weight and feeling great. Cleaning myself up a bit and trying to get back to normal.”

“How’s the leg?”

“Good…good. How have you been?”

“Busy. Happy it’s been a bit warmer this week.”

“Yeah. I’m getting a jump on spring cleaning.”

“I should do that myself,” the neighbor said. “But it’ll probably end up snowing next week, for all we know.”

“True. Probably should have waited another few weeks, but I’ve been feeling so much better.”

“That’s excellent. Well, I’ll let you get back to it. It was really great seeing you, Stan!”

“You, too.”

* * *

March 30, 1985

10:37 a.m.

When he wasn’t cleaning up the yard, Albert turned his attention to the inside of his uncle’s house. He gathered all the documents he could find. Uncle Stanley’s checkbook was a map of what bills would need to be paid. None of his IDs were in jeopardy of expiring, and his bank account had funds to pay all bills that would come due in the coming months. While dusting a bookcase, Albert found several travel journals.

Collected within, stories about all the countries his uncle had visited, places he told Albert he’d one day take him. Hiking the Inca Trail to Machu Picchu; wild nights in Madrid and Paris. He found the odd photo tucked away in the pages: his uncle in the Australian Outback or standing on Table Mountain, overlooking Cape Town in South Africa. Reading through the last entries, Albert discovered his uncle shattered his leg while rock climbing in the Italian Dolomites. After that, the journal became a bitter diary, the story of a man who returned home to heal but didn’t. When things got worse, he did the one thing he promised himself he’d never do: buy a house and settle.

As Albert picked up the first journal with the intent to start from the beginning, there was a knock at the door.  He ignored it, choosing to open the journal instead. The knocking turned to pounding. He heard his father’s voice.

“Stanley, I know you’re in there!”

If Albert was going to assume his uncle’s identity, there was no better test than facing his brother.

He opened the door.

“What do you want, Ben?”

Albert’s father opened his mouth, but no words came out. He scrutinized the man before him.

“What’s wrong?” Albert said.

“I want you to leave Albert alone.”

“What do you mean—we’ve been through this. I’ve been leaving him alone.”

“You’ve still been writing to him and telling him you’ll take him all around the world. Talking to him and filling his head with shit, even after I told you to stop calling. I heard him tell a friend he still calls you from pay phones. He needs to be thinking about school and college—not following in your footsteps.”

“Why? What’s wrong with taking some time after graduation and traveling? Or hell, even following in my footsteps?”

“It’s not responsible. You may be having fun now, but you can’t keep going on like this. What if you injure yourself? If something happens to me, I have insurance. When I’m old, I’ll have my pension. You’re one accident away from tragedy. I don’t want Albert to reach a point in his life, when he’s older, that he has nothing. I want you to leave him alone.”

Albert looked past his father and took a deep breath.

“Are you okay?” his father said.

He nodded. “Yeah, I promise I’ll leave Al alone, but before I do, you’re gonna shut up and listen to what I have to say. You’re setting him up for a life he’ll grow to resent. What becomes of him if he does what you demand? He goes to school and more school and then gets a job and a house? Maybe gets married and then—because all he does is work—his wife leaves him? Maybe he finds a pet project others think is a ridiculous waste of time…builds something in his garage or basement. If he did even that much, he’d have more than you—just sitting on your ass, watching TV, and waiting to retire so what, you can watch even more TV?

“Think about this, Ben. Maybe Al will try to find me after he graduates high school, but I’ll be gone. He’ll wonder if I died or if I blew him off to explore the world. The poor kid will hope I died, because the alternative is me never thinking about him or fulfilling my promise to take him on a couple big trips before he figures out what he wants to do with his life. Not you—not me: him!

“He’ll grow to hate you, Ben. He’ll always wonder about me, but I know this as much as I know anything: he’ll shut his door to you. One day he’ll marry, and you won’t be invited into his new life. Another day, you’ll be planning for your retirement and find out that lingering cough isn’t harmless, and your final thoughts will be that you worked too much. Albert will show up to your funeral out of courtesy to Veronica, and later find out she went elsewhere to find affection because she sure as hell wasn’t getting it from you! And because he came from such a serious, stilted family, his life will be every bit as unhappy as yours.”

“What the hell are you talking about?” his father said. “Are you drunk?”

“Shut up and listen to me for once!”

His father held his hands out in front of him and took a step back from the angry man before him. Albert continued.

“But if I had to bet, when Al’s wife divorces him because he was never around or wanting to do anything—when his life crashes down around him—he’ll take a trip that makes any I took pale in comparison. And in the last decades of his life, he’ll get a do-over. It’ll feel too late, but also be appreciated in ways he’d never have known had he taken off as an 18-year-old and done what he wanted, instead of what you demanded.

“So, yes, Ben: I’ll leave Albert alone. I’ll go away. He’ll never know what happened to me, but he’ll come to grips with it—ultimately believing me dead instead of abandoning him. That’s on you. One day, though, he’ll find out what really happened—and he’ll hate you even more if that’s possible. Now, get the hell off my porch before I drop your ass and drag you to the street…”

* * *

March 30, 1985

3:42 p.m.

Albert turned on the tape recorder, waited a moment, and began speaking.

“I saw my father today. Not from a distance, I spoke to him as my uncle. I’ve spent the rest of the day thinking about it. I have to believe—just like when I came here to see my uncle—that my father would have seen Uncle Stanley dead in his chair. I spent years wondering what happened to him. Google said he died today, so I thought I had time. I almost hit my father when it dawned on me that he likely found my uncle dead, reported it, and just never told me. It would have been one less problem to him. At least I know I can pass for my uncle.

“I’ve started reading through Uncle Stanley’s travel journals. I always wondered how he was able to keep going all those years. I never knew he wrote for magazines. When he wasn’t selling travel articles, he worked odd jobs. Even when he came back to the states, he often traveled around here. But he wasn’t always on the go. He settled in places—at times, for years. A bit of stability in the unstable world my father believed he lived.

“I’ve been thinking about what to do next. It’s clear I can’t stay here. There will be a time I bump into somebody who knows my uncle, and I won’t be able to pass for him under scrutiny. What’s to stick around for, anyway? What do I do, spend my days watching parts of my life play out from a distance? Stick around and watch myself graduate high school and college and become boring like my father? Watch myself meet Patricia for the first time, knowing it ends with me working too much and her finally having enough and leaving?

“Reliving my past would be the saddest thing I could ever do. Even if I could meet and warn myself, I’m human and would make different mistakes. Or do things that aren’t even mistakes, but deemed such in hindsight. The past is a sad place to dwell. Fixing things only works in movies. I could spend the rest of my life tinkering with past regrets, but to what end? ‘Oh, this all worked out, after all!’ when I know that’s not real? It happened—it was all real, and it’s best left behind. What wouldn’t be real is changing it to suit my desires based on what I know now. I’d always know, in the back of my mind, that this is not what really happened. Besides, were I able to change things, Patricia seemed happy the last time I looked up what she was up to, and it’s not my place to take that from her when I was the one who let it all slip through my fingers.

“I’m coming to accept that. My life hasn’t stopped, it’s just changed…like it would no matter what time I’m in. I’ve thought about building a new machine to go back, but the tech isn’t here, yet. But even if it were, what matters is now. The future will one day be full of busy people obsessed with ‘mindful living’—being present, even though many of us couldn’t focus long enough to read a 500-word article or listening to a podcast. It’s really weird talking about the future in past tense.

“But there is something to living right now, beyond the slower pace of things many of us will one day miss. I’ve lived through all this once before, and I don’t need to live the life I lived again…even if I could. And what happens if I could return home? I created something that would change everything, and probably not for the better. Hell, for all I know, others have done the same thing I did and kept quiet about it after coming to the same conclusion: it can be done, but should it? Were the machine discovered, it would likely be taken from me and used by the military or some asshole billionaire claiming he made it and then he’d make even more. I don’t regret what I’ve done, even though it’s now become apparent it was both my greatest and worst idea. I did something I wanted to do—a thing no one believed was possible—and that’s enough. At least for me.

“I was always a time traveler, someone waking up with a new day before him, and a past I lived through and remembered. I didn’t have to go to the past to fix mistakes—I just didn’t have to repeat them once I knew better. And if I didn’t, it’s not likely anything I went back to fix would stick anyway. So, I guess that’s where I am: right here, here right now, with time moving on and a world of opportunities before me if I stop getting in my own damn way…”

* * *

July 22, 1985 – January 4, 1986

Albert took off from Chicago and landed in Miami, before continuing on to Lima, Peru. As the ground fell away beneath the 727, he thought about how quickly he’d built up a new life and then stripped it all down to fit into a tiny storage unit in Milwaukee. The power from the three engines at the back of the jet was still more impressive to him than the machine he’d built in his basement in the future. No matter how many times he flew, it never got old.

Growing up, Albert imaged Lake Michigan to be much like an ocean, but seeing the Pacific coming ashore on the edge of Lima, knowing how far away those waters got their start, humbled him in the same way looking up at the night sky did. That he could put his feet into something so massive, imagining others thousands of miles away doing the same—and creatures living miles deep below the surface—gave him a similar sense of connection as welcoming the wind in his favorite field back home.

Albert spent five days on the Inca Trail, hiking the undulating vein through jungles and stony mountains devoured by clouds. Morning rains broke as he arrived at Machu Picchu, the mist retreating in time to reveal the lost city below. Weeks later, the other-worldly terrain of the Atacama Desert was a surreal experience after time spent in green places. For the next five months, Albert visited cities in Chile and Argentina, while also trekking through the countryside on his slow voyage south. Each stop seemed more amazing than those before, with the pinnacle being Torres del Paine National Park, in Patagonia, where granite peaks climbed high and caught the sun like flames.

* * *

January 6, 1986

Albert left Ushuaia, Argentina on a boat bound for Antarctica on the morning of January 4. The following morning, he was awakened by the sound of a book slamming to the floor and his backpack sliding around his tiny cabin. Sprays of water slapped the porthole window, letting in the muted light of a gray day. He was warned the Drake Passage could be rough, but he’d not appreciated what that meant until passengers were confined to their quarters as the ship rose and fell, making its way through 50 knot winds driving 30-foot swells. Moments of exhilaration turned to fear each time the ship leaned beyond the point Albert deemed safe in his mind. He lay on his bed, waiting to be sick, but it never came. The worst Lake Michigan could throw at a ship paled in comparison to the seas outside, but it prepared Albert for a day in bed, where he finally read the paperback copy of Stephen King’s Skeleton Crew he’d picked up in Chicago at the start of his trip.

The next morning, as the ship sailed into calm seas, passengers were summoned to the deck. Gray skies were mirrored by still water—the only way one could tell where one ended and the other began was by the steady march of colossal icebergs on the surface and Albatrosses following in the ship’s wake in the sky. Two hours later, Albert got his first view of land.

The ship sailed along the coast, where penguin colonies waddled along trails on the icy, alien terrain. Seals lounged on ice floes riding the gentle current along the coastline. While Albert marveled at distant mountains and blue glaciers, what struck him the most was the lighting. It was like looking through a fog, even though views were clear to all horizons. Light seemed devoured and scattered at the same time, bathing the otherworldly place in a magical glow more perceived than seen.

After breakfast, passengers were told to gear up. Albert caught the first raft to the mainland, the massive scope of the place growing as they neared. A guide steadied the inflatable vessel against the shore, and Albert set foot on the only continent his uncle never visited.

He reached down, patted the icy ground, and said, ““We made it, Uncle Stanley.”

* * *

1986 – 2024

The rest of Albert’s life was not unlike his uncle’s: traveling when the mood struck him and settling in places for years when he needed a rest. That combination of adventure and getting to know a place well enough that it felt like home satisfied him. He thought, “Sometimes you want to face the fury of nature by sailing around Cape Horn, but other days you want to sit beside a fire on a snowy evening with a good book.” It was a good way to live.

In time, chronicling his adventures on cassettes moved to a Hi-8 video camera. Eventually, analog gave way to digital. The only time Albert returned home to Wisconsin was to place more memories of his life in a storage unit in Milwaukee.

This is how it went for decades…

* * *

October 13, 2024

3:08 p.m.

It had been thirteen years since Albert returned to Wisconsin. He wasn’t sure he would make it back to the day he dreamed about seeing since his botched leap back in time. He walked into the backyard of the house he left in his machine and reached beneath a bush near a small bistro set in his garden. He came out with a fake stone. Albert opened the tiny door in its bottom and grabbed the key to his back door. He looked at the Timex wristwatch his uncle gave him when he turned twelve.

Inside, in the basement, his adult younger self would be running final diagnostics on the machine, preparing to jump back 41 years. He entered the house and listened at the basement door, to the hum of the machine and himself moving in the utility room on the other side of his rec room. He quietly opened the door, made his way halfway down the stairs, and sat down. He heard the metal door to the machine open and close at 3:18.

Albert made his way down and tip-toed into the utility room. It was still a strange sight: cabinets full of blinking lights along the wall next to the washer and dryer. The metal sphere nestled in a large coil at the back of the room beside the sump pump. He moved to the main computer station shortly before the countdown at 3:20.

Once the countdown began, it was a race against time, double-checking lists to see if something was missed. Scanning the myriad indicators for amber or red lights, instead of green. Nothing seemed off. Triple-checking his procedures revealed what his initial check 41 years prior showed: he’d done everything right! So, what the hell was wrong?

As the 10-second countdown began, Albert heard rattling. A moment after the jump, metal clanged against cement. The limiter panel lit up red, and Albert saw its connection separated from the machine. Unregulated power began a feedback loop that would not end well. Time seemed to slow, like that moment one narrowly avoids a car accident and wonders how they ended up safe on the other side. With seconds to spare, he locked the connector back to the machine, hoping it was enough. The machine returned to its steady hum.

Albert sat down on the stool before the machine’s main system and considered what likely happened when he made the jump. He concluded the loose cable caused a limiter malfunction, and the machine exploded. The damage would have been catastrophic by his estimation, taking out Madison and hundreds of thousands of lives.

“My god, what did I do? What the hell did I do?”

It was only when the machine began running diagnostic checks at 4:15 that he stopped dwelling on the damage and grief caused by his hand had he not lived long enough to stop it.

* * *

October 13, 2024

4:30 p.m.

From the stool, Albert listened to the machine function as designed, hopefully calling himself back. When his 55-year-old self didn’t emerge right away, he stood up, preparing to open the door to the sphere. When he heard laughing from inside, he sat back down.

The door to the time machine opened, and middle-aged Albert climbed out. He panicked when he saw the old man sitting on the stool in front of the controls.

“What’s going on? Who the hell are you?”

Old Albert smiled. “I think you know. Happy birthday, by the way.”

His younger self scrutinized the man before him.

“If you had to guess, who do you think I am?”

“Me?”

Old Albert nodded.

“Well, happy birthday to you, then, too.”

* * *

October 13, 2024

4:36 p.m.

At the kitchen table, 55-year-old Albert said, “Can you tell me what the hell’s going on? Everything!”

His older self grinned. “That would take a very long time.”

“Well, then, tell me something? How…just, how?”

“The machine broke, and I was stuck.”

Old Albert told his younger self about the limiter malfunction and the damage likely done by the failure. When he was done, he said, “We can’t use the machine again.”

When the weight of the catastrophe lifted from younger Albert’s shoulders, he said, “But we know what happened. I can ensure it doesn’t next time.”

“We can’t be sure of that. What if something else goes wrong and it ends in a similar result? Imagine the trip you just took, but instead of being recalled, you were forced to live out the rest of your life wondering if something terrible happened. Hoping you’d survive long enough to see what went wrong and stop the devastation you may caused. I know you better than anyone—you’d not be able to live with yourself knowing hundreds of thousands of people died, just so you could keep satisfying your curiosity. We did it. We’ve both traveled back. Isn’t that enough?”

Middle-aged Albert looked down at the kitchen table, considering the question. He raised his head and nodded.

“Yeah, I suppose it is. Not completely, but I understand your point.”

He surveyed the lines on the face of his older self, a map of all the places he’d been and things he’d seen.

“It’s funny saying ‘your point,’ when you’re me. But we’re not the same person, are we?”

Older Albert shook his head. “No. We’re very different people today.”

“So, what becomes of me now that everything I’ve worked for is done?”

“Whatever you want—well, except using the machine again. It seems daunting, I know, wondering what to do with the rest of the time you have. But imagine wondering, ‘what now?’ in a motel room back in 1984. It’s not something I’d normally say, but if I could do it, so can you.”

“Will you help me?”

“Yes, I will. But not right now. I have a couple things I need to do. Early next week, though, I’ll answer all your questions.”

Older Albert stood up.

“Can I at least give you a ride somewhere?” Younger Albert said.

“Thank you, but I’m good. I have a bus to catch.”

Middle aged Albert walked his older self to the door and extended his hand. Older Albert gave his younger self a hug.

“That felt good,” he said. “We should have been kinder to ourselves all these years—not so hard. I’m glad I finally learned that. I hope you can, too.”

* * *

October 15, 2024

7:00 a.m.

A light rain stopped as Albert made it to the marina. He shuffled to a boat slip, where his charter prepared a 40-foot Beneteau sailboat for a morning on the lake.

“Albert?” he said.

“Yes.”

“Please, come aboard.” He extended an arm and helped old Albert onto the boat.

“I have coffee and pastries if you’d like?”

“Coffee, please. It always tastes better on the water.”

The charter poured a cup of coffee from a carafe and said, “How do you like it?”

“Black is fine.”

He handed Albert the warm mug and said, “Have you sailed much?”

“I used to. Had a 30-foot Chris-Craft Capri from the 70s. Tried sailing every weekend. When I retired, I traveled, but here and there, I still got out on the water. It’s been a while, though.”

“Well, sit tight and we’ll be off soon.”

* * *

Most people Albert knew preferred warm days on the water, but it was his favorite kind of morning: mid 50s and breezy. Enough wind to really move, but not so much that there was any concern. The charter made his way to the coordinates Albert gave him and heaved to, bringing the boat to a stop.

Albert smiled. “I sailed out and interred my uncle’s remains on this spot in 1985. I wanted to see it one last time.”

“I can go down to the cabin and give you a moment, if you’d like?” the charter said.

“No, I’m fine. He was a neat guy. I looked up to him so much that I all but became him when I got older.”

“I have an uncle like that,” the charter said.

 “Do you mind if I play a song?”

“Sure, go ahead.”

Albert pulled his phone from his pocket and played his uncle’s favorite song, Bob Dylan’s “When the Ship Comes In.”

When it ended, he looked at the water and whispered, “Thank you, Uncle Stanley. For everything.”

* * *

October 15, 2024

5:52 p.m.

Albert walked to the middle of the field and took a deep breath. He loved the way this time of year smelled, the crisp breezes from the north mingling with remnants of harvests decaying in distant fields. Trees putting on a colorful display before sleeping until spring.

Albert stretched his arms wide and began to spin. He couldn’t put into words why whirling in the field on his fourteenth birthday had such a profound effect on him. It was likely others had simple moments that lingered in their minds for all their days, but this experience was his alone. The best he could conclude: it was the day he felt a greater connection to things bigger than him—old enough to have a deeper understanding of where he stood in the world as the future began rushing toward him. So many possibilities and experiences to be had, depending which path he decided to follow or make.

He spun and laughed, pausing only to fill his lungs with deep breaths of cool air. For every breath he took, in all the places he had seen, none felt as good as home. When the sun sunk toward the horizon through broken clouds, he walked into the cattails and stomped down a little bed in the reeds. Rain from the previous day settled beneath the green shoots supporting his back, holding him just above the wet earth below. He reached down and grabbed a small handful of mint, popping a leaf into his mouth.

A wanderlust passed to him by his uncle was satisfied on every continent, but no matter how far Albert roamed, an internal compass always pulled him to the fields behind the house where he grew up. Had he traveled the universe, he was sure a part of him would still always know its way home.

Above Albert, the sky darkened, and stars filled the firmament beyond the broken clouds. How enormous it all was, and how tiny—even insignificant—it was to be. And yet, imagination was endless if allowed to run free. Albert was positive humans were not alone in the universe, but it was likely what he’d done in his basement was an accomplishment unique to him. Even if it wasn’t, at that moment, he was the only one on his back in the field he loved, looking beyond the clouds while eating wild mint and savoring the breeze.

There was no better moment to close his eyes, doze off, and take his final rest.

* * *

October 18, 2024

10:57 a.m.

Middle-aged Albert was in the basement, drawing up plans to disassemble the time machine, when the doorbell rang. He trotted upstairs and opened the door. Before him, a FedEx driver held out a clipboard. Albert took the pen and signed his name. With a bend of the legs, the delivery driver handed Albert a box that was heavier than he expected.

“Have a great day.”

“Thank you,” Albert said. “You, too.”

He shut the door with his butt and placed the box on the coffee table in the front room. He retreated to the kitchen and returned with a paring knife. Several swipes along the packing tape sealing the box shut, and he was inside.

Inside, a pile of cassette tapes, videotapes, DVDs, and micro-SD cards were packed around an old tape player and Hi-8 video camera. A hand-written note and an envelope were placed on top. The note read:

Albert,

Inside the envelope is a copy of my will. It says it’s from Uncle Stanley, but it’s really from me. It will all make sense when you listen to the first few cassettes.

I hope everything in this box inspires you to live the life you always wanted. I’ve ensured you will never want for anything but that which you want to do. Time is truly yours, until it ends. I have to believe you’ll be as long-lived as me—at least close. Don’t go gettin’ yourself killed! Hell, in time, maybe technology improves and you live even longer.

It might feel like you’re on the back side of life, but I assure you: your best days are yet to come. I won’t tell you to ignore the past, because it got you to where you are today, but don’t dwell there. What’s done is done. And I won’t tell you to never think about the future because we all need a destination or two. Just never get so fixated on tomorrow that you miss today.

All that’s guaranteed is right now.

Make the most of it!

The Other You

Albert pulled the cassette player from the box and opened the tape labeled Start Here – #1. He pressed Play.

Seconds later, he heard himself say, “My name is Albert Gladstone, and I’m about to say the most ridiculous sounding thing I’ve ever said with a straight face: I am a time traveler…”

[Quirky music fades in…]

Christopher Gronlund:

Thank you for listening to Not About Lumberjacks.

Theme music, as always, is by Ergo Phizmiz. Story music was by Roots and Recognition, licensed through Epidemic Sound.

Sound effects are made in-house or from Epidemic Sound and freesound.org. Visit nolumberjacks.com for information about the show, the voice talent, and the music. Also, for as little as a dollar a month, you can support the show at patreon.com/cgronlund.

In May, it’s a story about a mudlark who finds something very strange during low tide…

[Quirky music fades out…]

[The sound of an axe chopping.]

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Sound of an ax chopping wood. Quirky music fades in…]

Christopher Gronlund:

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and this is where I share my stories. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny—other times they’re serious. But you have my word about one thing: I will never—EVER—share a story about lumberjacks.

This time, it’s the annual Christmas episode! It comes in at three tales this year:

• “The World Beneath Her Brush” is about a globemaker—and I really like it!
• “The King of French Fries” is not only a story from the point of view of a parking lot-dwelling grackle, but it’s also accompanied by an original song. (Fortunately, not sung by me! Trust me: no one needs to hear me sing!)
• And the anchor to this year’s Christmas episode is called “Suburban Home.” It’s about aging punk rockers battling their homeowners’ association over Christmas decorations.

But first, the usual content advisory…

“The World Beneath Her Brush” and “The King of French Fries” barely merit content advisories. At most, they are about personal struggle in the hope of having a better life.

“Suburban Home” deals with pettiness, arguing, the effects of family expectations, and a slight bit of depression and anxiety mentioned in passing. Oh, and some swearing!

Finally, don’t forget that I’m doing a Not About Lumberjacks t-shirt giveaway in honor of last month’s 50^th full story episode.

Remember: all you have to do is email NALStories@gmail.com and tell me a favorite episode or something about the show for one entry.

Let me know you shared it online or told someone about it, and you get a second entry. (And I’m not gonna verify it…I trust you.)

And Patreon supporters get an instant third entry.

This also applies internationally.

Check the episode show notes for more info.

All right, let’s get to work!

The World Beneath Her Brush

The world turns before her, and in one confident move, the equator is established. Continents are smoothed beneath her fingers, coastlines colored by hand. She dreams in pi, has touched every corner of the globe. Like a goddess perched on the edge of an empyrean throne, she sets to work on her latest creation.

* * *

When she was young, she spent Sunday afternoons visiting her grandparents and staring at maps. Her grandfather’s atlas kept her lost in distant lands for hours, while adults talked about old times at the dining room table. In elementary school, a group of girls played “spin the globe,” a game in which someone whirled the planet while another closed her eyes and stopped it with her finger. Where it landed was the place—it was said—one would find their true love. W  hen a turn was forced upon her, she reached out and felt the world come to a halt beneath the pressure of her index finger. She pulled it back and read, “Calama” in Chile.

* * *

Free time was spent not with peers, but in her father’s woodshop—at first, helping him measure boards and then later, learning to build furniture. He said she had the hands and patience of a surgeon.

“Is that what you want me to do?” she said. “Become a doctor?”

He smiled and shook his head. “I just want you to be happy.”

* * *

After high school, she pursued an art degree, until competition inside the program destroyed that dream. After moving back home, she pulled her grandfather’s old Atlas from a bookcase in the living room. When she felt lost, she found herself again in maps. She flipped through the pages, amazed by how much a world can change in just a fraction of a lifetime: political borders, names of places, even geography. And then she saw it, on a two-page spread of Chile turned on its side. Circled in red pen when she was younger: “Calama.”

* * *

It was a ridiculous notion to travel someplace so unknown on a whim. Patagonia made sense—a place people dreamed about visiting. But a small city in the middle of such a barren landscape?

Three months later, she arrived.

Three days after that, she wondered if she’d made a mistake.

Lost in a working city, rather than a place tailored for tourists, left her thinking about all the other places where her finger might have stopped on the globe when she was younger: London, Paris, or even further south, in Santiago, where there would be more to see and do. She considered excursions to other places in the region, to at least feel like she’d made the right decision to take such an unorthodox trip, but she was always one to stick to processes—to commit to the bit.

* * *

She found her true love on a Tuesday morning in a nondescript white stucco building on one of the city’s many side streets. The wooden sign hanging from a weathered copper brace over the door read: CARTÓGRAFO.

Vicente was a lithe old man with a beard and mustache that reminded her of paintings and drawings she’d seen of Don Quixote. The walls and tables in the small shop were covered in hand-rendered maps—a half-finished globe the size of a bear-hug rested on a tall stock pot in a back corner near a door. She was happy to discover his English was much better than her high school Spanish.

The maps were unlike those in her beloved atlas, or any cardboard globe in school: works of art with tiny details defining places in minute illustrations. The kind of art one would return to time and again. And she did. Most days, even if wandering into the Atacama Desert for its geysers, lagoons, and moon-like terrain, she stopped by Vicente’s shop. She told him how she spent days poring over atlases, how she worked in her father’s shop and studied art in university, until dropping out. At the end of her two-week visit, she didn’t want to leave.

“Then stay,” Vicente said. “I will teach you.”

* * *

When the paperwork for a longer stay was complete, she eased into a new life. The maps Vicente made were mostly created for families, with custom paintings denoting where ancestors started and settled. Jobs, hobbies, and life events painted in tiny details along the way. She took to it quickly, with Vicente telling her she was a natural at what took him years to master. It was a quiet way of life, the two working for hours in silence in the back room of the shop, only stirring when someone wandered in, or to share work or brew mate in the afternoon.

One day, she finally asked about the unfinished globe.

“That…requires much more time,” Vicente said. “More supplies. Few people have the money to make it worth my time.”

“What if I finished it?”

“We need to focus on work that pays.”

“What if I did it in my spare time?”

Vicente shrugged. “Up to you…”

* * *

In the months it took to finish the globe—matching Vicente’s touch, palette, and style—she understood why he stopped. It was slow work, with few people able to pay to make it worth one’s time. But the process of moving a world in her hands, spending time in every place on its surface, satisfied her like nothing else she’d ever done.

When the globe was coated in resin and she called it done, she set to work on the base, putting to work everything learned in her father’s woodshop. When the stand was complete, she worked with Vicente on the copper meridian, punching and engraving it by hand.

“We can set up a website,” she said one day during lunch. “Find people around the world who can afford custom globes.”

Vicente shrugged. “Up to you…”

* * *

The globe sold for $7,500 to a businessman in the United States, a tiny sum for someone who already seemed to own the world. A small wave of inquiries followed. She set to work figuring out how to make the process more efficient, printing the planet in 24 strips, carefully stretching delicate paper over a sphere waiting to be painted and illustrated by hand. The venture did well enough that two local artists were hired to help keep up with demand, while Vicente continued working on maps.

A phone call changed everything.

“Hello?” she said.

“Hi, yes. I’m inquiring about a world…”

She’d been reading books set in Brandon Martin’s Cosmeros setting her entire life. The opportunity to create a massive globe based on the series was an even greater thrill than the price. It took almost a year and a half to finish the 127 centimeter orb based on maps and descriptions from the books and TV show.

The pay was enough to buy a house with enough space for visits from family and friends.

* * *

When Brandon Martin shared the Cosmeros Globe on social media, she purchased a two-story open warehouse with frosted windows on the long sides to let in natural lighting—reaping the benefits of living in one of the sunniest places on Earth. More local artists, along with a dedicated woodworker and coppersmith, were hired to keep their little world turning. Despite the thrilling rush of it all, she and Vicente still met for lunch in his small shop, still had afternoon mates and Friday pisco sours.

This is how it went for years.

* * *

The passing of Vicente was not unlike the passing of her grandfather, two men she knew better than others, despite reserving their words for only things that mattered. On every map and globe that followed, she painted a tiny shadow reminiscent of his beard and mustache where his body lay.

The CARTÓGRAFO sign hanging over the front of the shop on the street was moved to the doorway in the back, replaced for passersby by one reading CARTÓGRAFA. Each morning when she opened her mentor’s tiny showroom, she whispered, “Buenos días, maestro. Por un buen día por delante,” to the maps on the walls, preparing for a good day ahead.

* * *

Once a month, even in the cold of winter, she hiked into the Atacama to spend a night beneath a sky full of stars. It was funny how, in time, she stopped seeing the area as barren, knowing that such a seemingly devoid space—like the firmament above—was full of wonders beyond her thoughts if she looked hard enough. She thought about friends who’d made it through art school, how hurried their lives in cities—working for demanding clients—turned out. “There’s something to be said for living in a bustling space packed with inspiration,” she thought, “but even more to be said for a place where there is little more to do than lose oneself to a passion.”

Life has a way of knocking a person off course. Routes imagined as children close, storms drive us in other directions. We land on unknown shores, find our way as the world turns beneath our feet. If we’re lucky, the paths we walk are paved in good memories.

She thinks these things—and more—as she fades off to sleep, a tiny spot of life in a vast desert on a massive globe cradled in the universe’s arms.

* * *

The King of French Fries

[Music and Singing…]

The tailless grackles of summer
Panting and staring at me
What are you doing, Oh, God…
Why won’t you please let me be?

I am the King of French Fries. Perhaps you’ve seen me strutting around the parking lot with a fry held high in my beak like a scepter. How do I know I’m king? Because I am the center of attention, the bird with the coveted starchy symbol of power all others crave. But I’m too quick for them—an impressive feat among such a speedy flock.

No sooner than you park, and I’m beneath your car, savoring the shade and lapping up water falling from your AC condenser. It’s hot down here on the pavement, but we get by. Once, a news crew came to our lot, cooking eggs on asphalt and in a frying pan placed on the hood of their vehicle. We all ate like kings that day, after they tossed their tasty experiments into the grass. Yet somehow, we are deemed the dirtier species, angering you when you see us on the roofs of your cars or climbing on your sports racks and staring. Remember this: when we are at eye level and equals in height, you are the lesser creature. We know you fear us, and we think that’s funny.

“What do you want? I don’t have any food, you little mooch. Your eyes are so freaky. Stop following me!”

It could be worse—we could be seagulls…

* * *

[Music and Singing…]

The tailless grackles of summer
Where are you flying to now?
You disappear for hours
Each day like you’re keeping a vow.

I have a bird who lives in a mulberry tree along the walking trail buffering our concrete realm and the lush, green streets beyond The Wall behind the parking lot. Ours is a love that can never be: a northern cardinal and a great-tailed grackle? Were we hoomans, though, they’d make movies about our devotion to each other…or at least a musical. I know she’s so much more than just a pretty face, and she knows I’m tender and kind.

Past the park where she lives lies a neighborhood with shade trees and gardens full of bird baths; feeders and hoomans who keep lists of the birds they’ve spotted on fancy trips with expensive viewing gear. Some birds are even given free housing, while the rest of us must scrounge for every breath.

My cardinal friend reminds me it’s not all peaceful and secure. Where there are trees, there are squirrels waiting to steal eggs or consume newborns. Neighborhood cats on the prowl or hawks waiting to swoop in from above. More chemicals to avoid than just antifreeze and oil. You’d think as much as many of us are loved by hoomans, that they’d take better care of us all.

But our mulberry tree conversations are not all serious and focused on gloom. It’s a daily reminder that sometimes all one needs in life is another mind upon which to bounce ideas and challenge one’s notions—to listen on hard days and support lofty dreams.

That hour or two each day on the far side of The Wall is a reminder that one does not need to travel far to see how different, but similar, we all are. Nature can claim any of us at any time, so we’re better off flocking together than fighting over little things.

Except French fries!

(I’ll fight to the end for those…)

* * *

[Music and Singing…]

The tailless grackles of summer
Panting this hot afternoon
Lesser creatures would suffer
But you stand there singing your tune.

Ours is not an easy life, but what can you do? Sometimes the heat’s so bad during the height of summer that I’ve gone weeks without a memory. (You’d think we’d at least remember the pain of days.) Maybe it’s a good thing that each sunrise is new. All I know is I’ve made it before and will make it again, even though we are not as loved as other birds.

We lack the standing of corvids—no memes or movies about us. Say “icteridae,” and you’re met with blank stares. But we are the cousins of meadowlarks and red-winged blackbirds; caciques and orioles. Hoomans swoon over them—even travel the world to get a glimpse of some. Were we uncommon, you’d love us—you’d say, “Oh, my—behold their iridescent black plumage. Catch them in just the right light, and their bodies become rainbow nebulae, an understated palette in the hands of God. Their piercing yellow eyes can look into one’s soul; their calls and trills alive with all that’s come before.”

But instead, we get, “Oh, it’s one of you!”

If we’re noticed at all…

* * *

[Music and Singing…]

The tailless grackles of summer
Blotting the sky out each day
I want to witness this sunset
Why must you get in the way?

At sundown, I call in the flock. You think there are a lot of us in the parking lot during the day, just watch us descend in the evening—you’ll wonder if each of us magically splits into four-and-twenty blackbirds every night! We celebrate making it through another day with song. What is a cacophony to you is a celebration of life for us, a wall of sound and motion better than any hooman end-of-day gratitude journal. We sing because we are still here!

The sun goes down, and for a moment there is relief. We settle into bushes and treetops, safe among our flock. That is the part most of you never hear, our quiet calls and coos to each other letting our brothers and sisters know we made it.

In the morning, we will dance in the sprinklers and hydrate, prepare to survive another day. Knowing that waits for us on the other side of sleep ensures our dreams are sound and that no matter what happened today, there is always a tomorrow…until the day there is not.

Make the most of it given one’s circumstances, eh?

* * *

[Music and Singing…]

The tailless grackles of summer
Surviving and doing your best
The stars are twinkling above you
Lay down your sweet heads and rest

In my dreams, I wear a crown of gold and wield the mightiest of fries. I survey my lands from the back of a squirrel named Maximus, ensuring my flock is safe from all sides. No swordsman can hold their own against my skills—no harm will fall upon us in the night.

For I am the King of French Fries!

(And I hope all of our futures are bright.)

* * *

Suburban Home

I was conceived after a Hüsker Dü concert in 1984. My parents claim my surprising arrival made them better people—not that they were ever really bad, just different. Decades later, they’re still different. In ways, though, they’re everything we’re told we should aspire to become: self-made wealthy parents with a big home in an affluent suburb.

My dad was there in the 80s with cameras, filming and photographing his friends skateboarding and playing in bands, and then selling direct-to-consumer videotapes to a hungry audience. Along the way, a love for guerrilla marketing became a degree in business marketing from the University of Pennsylvania. He was in the right place at the right time, doing publicity and marketing for all those outcasts who later became millionaires: skaters, game designers, indie actors, writers, and hip-hop artists. They knew his name long before he had one of the largest alternative marketing firms in the country; in turn, making him a millionaire as well. He still thinks it’s a riot that he made the cover of Entrepreneur Magazine in 1998.

After getting her PhD in Psychology from Columbia University, my mom went from writing a life advice column in a local alternative weekly paper to bestselling self-help books. Her radio show, Walking with Wendy, was syndicated coast to coast—and while she turned down a TV talk show offer to raise me, you’ve likely seen her as a guest on Oprah and other shows, talking about her books.

My dad always told me, “Being the best person you can be and becoming what they don’t expect is the most punk thing you can do.”

* * *

My dad called me on the last Saturday in September, which was strange because he called every Sunday, just to hear my voice.

“Hello?” I said.

“Hey, kiddo. I know Sunday’s our day, but you gotta hear this shit. Ya know how the homeowners’ association is always messing with us?”

When I was young, while other people’s parents were teaching their children to be obedient, my dad taught me that it’s important to have a nemesis in life. His logic was this: whether it’s a person, an ideal, or institution—living in opposition of someone or something ensures you will never become complacent. Sure, you can strive for great things on your own, but you’re likely to work even harder if it’s to show up a nemesis. The nemesis against which my father pushes back against was Nancy Stickwick and the Camelot Hills Homeowners’ Association.

“What did they do this time?” I said.

“Little Ms. Inverted Bob-Cut pounded on the front door, demanding I take our Halloween decorations down.”

I wanted to point out to my father, a man who still wears a green Mohawk each summer, that ridiculing someone for their choice of haircut borders on comical. Instead, I said, “Did Nancy and the board cite you on violence and gore again?”

“Nah, I learned my lesson with the Return of the Living Dead display last year. Looking back on it, I did go overboard on that one. No, this time she got me for putting up decorations one day early. One day!

“I told her, ‘Some of us still work for a living, Nancy,’ and that it was the only day I had to decorate. She of course had a printout of the CC&Rs in hand and showed me decorating is to occur no more than 30 days before a holiday. One day!”

“So, what did you do?” I said.

“I took everything down and will put it back up at midnight. Won’t make a sound…nothing she can get me on.”

“How’s mom doing?”

“She’s fine. Still a bit nervous about the hip surgery in November, but looking forward to it at the same time. She can’t wait to get back to full strength.”

When my mother was in grad school, she took up running. A 5K fun run led to a 10K race with a goal. Half and full marathons followed. In time, triathlons and ultra-marathons were the only things that challenged her. With each personal best time came a bit more strain on her hip.

“I’m still planning on being there for the surgery and helping out with Thanksgiving,” I said.

“Thanks,” my father said. “I’m gonna let you go. Gonna go chat with some of the neighbors who are growing tired of the HOA and their shit—let them know the latest.”

“All right. Bye, Dad.”

“Bye. Love you!”

“Love you, too.”

* * *

While my parents lead interesting lives, I cannot say the same for me. Not that it’s bad in any way—I quite like my life—but when you’re raised by two people who traveled the world, started successful businesses, and wrote bestsellers, being a technical writer doesn’t compare. Still, it allows me the flexibility and security to do what I want—and the ability to work anywhere at any time.

My mother had her left hip replaced on the first Monday in November. The day after, I helped my dad take down his Halloween decorations by 11:59 p.m., ensuring everything was gone in time to meet the seven-day deadline for cleanup mandated by the Camelot Hills Homeowners’ Association’s governing documents. The entire time we worked, Nancy Stickwick stood at the end of her driveway, craning her neck between watching us and the time on her phone. When everything was stowed away with minutes to spare, my father walked to the end of his driveway and took a bow.

Nancy stormed away and into her house.

* * *

On the Monday before Thanksgiving, my dad and I were driving back from a run to South Philly Food Co-op for Thanksgiving groceries when we saw workers putting up Christmas lights at Nancy’s house. Dad pulled into the driveway, got out, and headed across the street. I followed to ensure he didn’t cause too much trouble.

When Nancy opened the door, my dad pointed to the crew hanging lights and said, “What’s this?” Before she could answer, he continued. “We’re not allowed to decorate 30 days before a holiday. Today’s 37 days.”

“I know,” Nancy said. “I don’t plan to turn them on until next week. And nothing is going in the yard until the Monday after Thanksgiving. I’m sorry those of you who still ‘work for a living,’ as you put it, can’t decorate this weekend.”

“Doesn’t matter,” my dad said. According to the HOA’s CC&Rs, you can’t even hang lights right now.”

“It’s the only time they could come out and do the work,” Nancy said. “I’m sure in the spirit of Thanksgiving, you can make an exception.”

“No, I can’t. They have to come down. Those are your rules, Madame President.”

“You can’t be serious!”

“Oh, but I am.”

“If I tell them to stop, I still have to pay. And I won’t be able to get them back unless there’s a cancellation.”

“Then I guess your house will be dark this year and you won’t win the neighborhood decorating contest. You shouldn’t win anyway. Only people who actually decorate should be eligible.”

“We should talk about this,” Nancy said. “Meet up for coffee and work things out.”

“Nope! I tried that before. Several of us have. You only try this crap when your own rules come back and smack you in the face. The lights need to come down. And just so you know, I’m not the only one tiring of your bullshit. Happy Thanksgiving, Nance!”

* * *

Growing up with straight-edge punks for parents, Thanksgiving was a different experience than that of my friends. There was never a bird at the center of the table; instead, my father printed photos of the turkeys he adopted from Farm Sanctuary each year and placed them on the fireplace mantel. While my mom tries a new vegan roast each year, Dad still insists on making a separate Tofurky because—as he puts it—“They were there for us from the start.” But other than that, I suppose my day was not too much different than most. We came together as a family, sharing in a feast that gave us leftovers for days. Maybe my dad and I didn’t play catch in the yard with a football, but we always kicked a soccer ball around, which my father claimed was real football. And we watched movies and talked about how quickly the holidays snuck up on us.

I’ve always assumed my parents’ love for suburban life came not so much out of shocking a neighborhood with their presence, but from a lack of stability in their pasts. It was oddly genuine, even though they did acknowledge the humor and irony in their approach. There was no greater goal after I came along than to ensure my upbringing was nothing like theirs. This also allowed them to throw themselves into their love of the holidays, with the height of their year coming each Christmas.

The weekend after Thanksgiving, the interior of our house transformed from a cozy autumnal den into a place rivaling Santa’s workshop. Dad’s love of model trains twisted and turned through every room in the house—HO scale hoppers and gondolas filled with candy were never out of reach. My father’s collection of ugly Christmas sweaters was curated long before the days of deliberate, branded “ugly sweaters” became a thing. On the stereo, my mother replaced the nostalgic tones of The Subhumans and Conflict with the even more nostalgic Christmas tunes of Bing Crosby and Nat King Cole. When the house could contain no more merry holiday cheer, our winter wonderland exploded into the yard.

In the days before the Camelot Hills Homeowners’ Association came to wield such power, people drove from other towns to see our house. We joked that once Dad put up all the lights, our home could be seen from space. Until real snow fell, long rolls of snow blankets covered the yard. Somewhere along the way, he purchased a beat-up 70s-era tornado slide and drugstore merry-go-round from a crust punk he met at Love Hall and stayed in touch with over the years. After restoring them, complete with candy-cane striped paint, we became the house where everyone wanted a photo taken—long before the days of tailored Instagram traps. But once Nancy Stickwick was voted in as President of the Board, all that changed.

Rules were put in place to curb neighborhood traffic and put an end to what was deemed “tacky” (i.e. our yard). When she added decorating timeframe to the rules, Dad put up a nativity scene several days early, even though he’s a life-long atheist. When Nancy told him to take it down, he wrote a letter to the local paper, accusing her of banning the Baby Jesus. Every year, he found a new way to push her to the edge.

As I grew older, I went through a phase of wishing he’d back off—even telling him to take it easy. It was embarrassing

His reply?

“When people who crave power attain it, they only push for more. Had more of us stood up to her early, none of this would have ever happened. The funny thing about those with a lust power, and those who support them—they always turn on their own. As long as someone pushes back, eventually, terrible people can be broken.”

* * *

Where Nancy Stickwick is involved, I’m convinced if my father could mark his territory with urine or feces, he would. The pleasure he derived from tormenting the woman within the rules she foisted upon the community was only eclipsed by his love for holidays and his family. On November 25th, I helped him decorate the yard for Christmas.

When Home Depot launched their 12-foot tall skeleton, Nancy’s response was working with her voting bloc to ensure no decoration in the neighborhood exceeded 10 feet the following year. Dad’s response was to cut two feet from his each of his skeleton’s legs—fuse the ends together—and have a strange-looking 10-foot tall skeleton standing guard over Halloween. Nancy forced her husband to climb on a ladder with a measuring tape to ensure Dad was in compliance.

This season, Dad called his decorating plan “The 10-foot Christmas,” where every item in our yard would fall exactly within the height restrictions: 10-foot Santa, 10-foot gingerbread house, 10-foot pile of over-sized presents. Situated in the center of it all, he placed a candy cane pole topped with a gold ball and “North Pole” sign. Along its length, Dad drew a height ruler, proving nothing exceeded Nancy’s height rule. At the bottom of the pole, he placed a sign reading, “Merry Christmas, Paul!”—a nod to poor Paul Stickwick having to climb a ladder to measure Dad’s skeleton.

It still didn’t stop Nancy from dragging her husband over to measure the North Pole marker.

When it was determined no rules were broken, before Nancy left in defeat, Dad said, “Really looking forward to seeing your house all lit up tonight, Nance. Oh, wait…that’s right!”

As she stormed off toward home, she muttered, “I hate you…”

Dad waited long enough for her to believe she got away with it before saying, “Love you, neighbor. Stop by anytime!”

* * *

While my father was all about decorating for the holidays, Mom celebrated by baking. Had she never left South Philly for the suburbs—had she never pursued advanced degrees and written a small pile of bestselling books—I can imagine her owning a hipster bakery off Broad Street. Even those among Nancy’s little circle looked forward to my mom’s baking each fall and winter.

When I was young and—according to Dad, “When we were still allowed to have fun in the neighborhood”—Dad dressed as Santa and dragged me (dressed like an elf) around in a decorated wagon. We delivered fudge, gingerbread cookies, rum balls, and fruitcakes people actually enjoyed. The tradition never died, although now I walk along with my father in my elf outfit instead of being pulled behind him. (Only because I refused once I reached my teens.)

Mom’s strong recovery from hip surgery meant there was no interruption in her annual baking schedule. Ten days before the big holiday, Dad and I pulled my old wagon through the neighborhood and delivered Mom’s sweet gifts. I could tell something was turning in Dad’s head by the way he kept looking toward the sky. I found out what he was thinking when, after wrapping up front door chats, he steered some conversations toward Nancy and her brash ways. All it took was an eye roll or someone shaking their head for Dad to say, “Quick question. Were I to challenge Nancy for President of the Board next term, would I have your support?”

Not a single person said no.

* * *

When Mom and Dad moved to Camelot Hills, they immediately raised suspicions. In the eyes of our neighbors, the arrival of two aging, tattooed punks meant property values were in jeopardy of crumbling, that soon the streets would be overrun by the cast of Suburbia, Repo Man, and The Decline of Western Civilization…combined. But once Mom appeared on Oprah and other afternoon TV talk shows, they warmed up to my family. And when it became known she turned down an offer to host her own show because raising me came first, only the most suspicious of Nancy’s friends held on to their initial judgment.

After delivering Mom’s snack packs, we walked along the winding streets, savoring the glow of lights and decorations. Dad put his arm around me and pulled me close, his way of saying “This is a special moment with you,” without saying it out loud. And he was right. I was fortunate to grow up where I did, to have the parents I have. Their outlook on life shaped my own, without ever infringing on where we saw things differently. I was allowed to be the quiet person I am, never expected to be anything other than kind and aware.

Mom and Dad’s house sits in a cul-de-sac at the back of Camelot Hills. It’s not the biggest house in the development, but it’s the one that’s been featured in magazines. It was a fight from the start, building a modern style home among fabricated traditional-in-appearance McMansions. After topping the hill on the street where I grew up, the homes anchoring the development spread out like a tiny village all its own. It’s a gut feeling, like you crossed some invisible barrier and entered a newly discovered space.

Dad paused and took it all in: our house lit up like a little kid’s Christmas daydream; the Kaplan’s menorah in the window on the final night of Chanukah; houses and trees outlined in lights. Then, at the end of the street, the Stickwick’s darkened house, with its smattering of yard decorations standing in silhouette, bleaker than anything Dad ever put up for Halloween.

He shook his head and said, “I took this one too far…”

* * *

I told Dad it wasn’t his best idea, but went along with it anyway. His love for decorating over the years meant our garage and attic were full of miles of spare light strands. We dressed like cat burglars to blend into the shadows, making multiple trips to the stone wall surrounding the Stickwick’s yard. Dad used his ladder to climb up and over, and I tossed coil after coil to him.

We started with trees hidden on the edges of the property, wrapping them with lights, before moving closer to the house. Heavy clouds rolled in as we worked, hiding a crescent moon and sky full of stars. When all the trees were wrapped, we worked on the wrought iron fence by the driveway. I told Dad we’d done enough and needed to quit while we were ahead, but he insisted on moving to the house.

“We should come back tomorrow,” I said. “Tell the Stickwick’s what we’re up to. Offer to finish up then.”

“It’s better as a surprise,” Dad whispered.

“We can’t even turn them on.”

“True…but they can. When we’re done, we’ll give them cookies and tell them to throw the switch.”

“That kind of thing only happens in movies, Dad.”

He took me by my shoulders and said, “Have a little faith in the plan.”

I felt exposed the entire time we strung lights from trees, along the wall, and at the gate. Moving toward the house—seeing the interior all lit up as the Stickwick’s went about their evening not only left me feeling anxious, but also shamed. They were entitled to their privacy, and there we were, right outside—able to look in.

When I raised this point to Dad, he said, “Then don’t look inside.”

He walked up and down the front of the house, checking for motion-triggered lights so he knew where we could move without concern.

“I bet the crew that started hanging the lights when I pointed out they were starting too soon disconnected them and Nancy and Paul never noticed. See? It’s unlikely they even look outside.”

Still, he positioned his ladder in such a way that we wouldn’t be noticed if someone looked out, even when wrapping the tall pillars near the entrance.

It took hours, but we outlined the house and windows. When Dad went to work on the front door, it happened.

The panicked voice of Nancy Stickwick through the intercom of her video doorbell said, “Hello? Who’s there? I’m calling the police!”

“Nancy, no,” Dad said. He looked into the lens, seeming to forget he was wearing a black ski mask. “It’s me, Milo Stevenson.”

She responded with a scream.

“Mrs. Stickwick, it’s Karl Stevenson,” I said. “Please don’t call the police.”

There was no response.

* * *

We removed our ski masks and sat on the steps to the Stickwick’s house. Dad reminded me what to do when the cops arrived. In his younger years, he always pushed back against authority, all but looking for a fight from the start. With age came a strong desire for survival and a focus on de-escalation. He texted Mom, letting her know what was happening, just in case.

We watched two police cruisers come down the hill, their emergency lights obscured by freshly falling snow. The Stickwicks buzzed them in at the gate, and Dad and I emptied the contents of our pockets on the porch, pulling them inside-out to show they were empty. We stood up and raised our hands above our heads.

When the Stickwicks turned on their front light to step out, the house and trees lit up the decorations Paul placed in the yard in an effort to create some semblance of holiday cheer. When the police ordered my father and me to slowly turn around, Nancy saw it was us and realized what we’d done. It didn’t stop her from allowing the cops to cuff us as they sorted out what was going on, but by the end of the ordeal, the police had a laugh and went on their way. As they drove down the driveway, Mom walked up with a package of baked goods.

“I felt bad about being so petty last month,” Dad said. “So, we decorated for you. We wanted it to be a surprise.”

“It’s been quite a surprise,” Paul Stickwick said.

“I’m sorry we scared you.”

Nancy looked like a little kid as she stared at how much Dad and I did that evening.

“You did all this for me?” she said.

Dad nodded. “Well, you and Paul. And the neighborhood. The street didn’t look right without your place lit up.”

“After all I’ve done, you still did this for us?”

“Well, it’s not been entirely one-sided, Nance. I’ve definitely taken part in our ongoing petty-fest over the years.”

“I’m sorry,” she said.

“For what?”

“The way I am.” She fought back tears. “Every time I’ve looked at how dark the yard was this year, I sat with that. It was my fault. Any other year, and I would have blamed you…hated you even more. It’s just how I was raised to be. Everything was my fault growing up, and everybody else’s once I did.”

Dad looked to mom for help. She handed me the box of desserts and took Nancy’s hands in hers.

“That’s not an uncommon feeling,” Mom said. “What is are people coming to that realization on their own. That’s a big step, Nancy.”

Even Mom seemed surprised when Nancy locked her in a hug and broke down on her shoulder. My mother gave her time to let it out and then pulled a napkin from the box of cookies and cakes.

After Nancy used it to dry her eyes, she said, “I’m sorry.”

Mom rubbed her shoulder. “Don’t be. If you ever want to talk, I’m here. If you’re uncomfortable talking to me, I can refer you to someone.”

“Thank you.”

When Nancy Stickwick regained her composure, Dad offered her a cookie. Then Paul.

We stood in silence, the five of us, eating Christmas cookies in the snow with our neighbors, just like a scene from a movie…

* * *

Nancy and Paul Stickwick’s yard went on to win the annual holiday decorating contest. When Nancy planned to speak up and credit Dad and me, he told her, “We all won this year, so just accept it. But next year, it’s on!”

I won’t say Dad and Nancy went on to become good friends, but she always lingered and chatted with him after weekly sessions with my mom.

Dad ran uncontested for the President of the Board of the Camelot Hills Homeowners’ Association, winning unanimously after Nancy’s old voting bloc refused to vote in protest of what they saw as a grave betrayal—their sister in hostility stepping aside to let “that old punk rocker” take over. In time, his spirit of cooperation shaped new rules that made it a better place to live. He only faced resistance once, when he suggested dissolving the HOA entirely. He half-joked with me that some people are simply too afraid of their own potential for unregulated good.

I sometimes wish I could travel back in time, to grab my father and show him how his life ended up. I’d say my mother, too, but I don’t think she’d be surprised. But to see my Dad’s face upon viewing the neighborhood where he lives would be priceless, the absolute confusion about where, along the way, he “sold out,” and then: the realization that he never did.

My parents are better people than they were when they were younger, but isn’t that the point of life: to learn and get better? But in many ways, they are the same people they always were, keeping promises made to themselves when younger and finding their way in a world that was always against them. They may not be following bands and crashing on floors anymore; no longer fighting in the streets or living on the cheap, but they’re still punk as fuck!

(Hell, maybe even more…)

[Quirky music fades in…]

Christopher Gronlund:

Thank you for listening to Not About Lumberjacks.

A BIG thank you to Cynthia Griffith for narrating “The World Beneath Her Brush” AND for not only coming up with the idea and initial stanza for the “Tailless Grackles of Summer” song, but arranging and singing the little tune…while I plunked away on the mandolin.

Theme music, as always, is by Ergo Phizmiz. Story music, with one exception, was licensed through Epidemic Sound.

The exception? The Descendents’ song, “Suburban Home,” is used with permission from the band. For me, rights for use is like an early Christmas gift because it’s a song I’ve loved for decades, and it obviously inspired the title to this year’s actual Christmas story.

The band’s heading out on tour in 2024, so check them out!

Sound effects are made in-house or from Epidemic Sound and freesound.org. Visit nolumberjacks.com for information about the show, the voice talent, and the music. Also, for as little as a dollar a month, you can support the show at patreon.com/cgronlund.

With back-to-back monthly episodes, now begins the annual long wait for March. But I still tend to get things out earlier in March, so it’s not much longer than usual, and it keeps me on schedule.

So, what can you expect for the next story? How about a tale called “Not Again,” in which a guy makes a time machine, takes it back to 1983 for a test run, and ends up breaking down in his past?

[Quirky music fades out…]

[The sound of an axe chopping.]

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Intro music plays]

[Woman’s Voice]

This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Music fades out]

Christopher Gronlund:

Behind the Cut is an in-depth look at the latest episode of Not About Lumberjacks and often contains spoilers from the most recent story. You’ve been warned…

* * *

Halloween is my favorite holiday (and takes place during my favorite month), but Christmas is a close second. (And I’m rather fond of December as well.)

Growing up, Christmas Eve meant visiting my mom’s mom and then Christmas day at home with immediate family.

Later, my father moved to a suburb south of Kansas City, which meant a couple Christmases were spent in the Sunflower state. I’ve also spent many a mash-up of Christmas and Hannukah with my Jewish cousins.

These days, my wife and I visit my mom on Christmas Eve and then spend Christmas day together. (Usually getting in a morning hike.)

None of this is too out of the ordinary, except…I’m a life-long atheist.

So, why do I do an annual Christmas episode and not an all-encompassing generic holidays thing?

The short answer is most popular Christmas stories are not overtly religious. Growing up, the closest it got to religious was Linus’s speech in A Charlie Brown Christmas. But A Christmas Carol, A Christmas Story, the Rankin/Bass stop-motion specials, Elf, and even—depending on who you ask—Die Hard, are quite secular.

The longer answer is this…

* * *

Six years ago, I had an idea: I’d do something with all those story ideas that din’t merit 3,000 – 10,000 words. I’d put together an episode with shorter short stories.

It just-so-happened that I decided to do it around Christmas.

The idea was originally called “Stocking Stuffers,” with all those bits of very short fiction being the short story equivalent of something found in a stocking on Christmas morning.

It seemed only natural to include at least one Christmas story in the episode.

* * *

Another reason I love doing an annual Christmas episode is each year I see someone I know through social media talking about “The War on Christmas.” They act like no one is allowed to say, “Merry Christmas,” anymore—how it’s now “Happy Holidays.”

Never mind that there are many holidays during this time of year, and never mind that the free market so many of these Scrooges claim to love realized being a bit more inclusive of additional celebrations is good for business. And never mind that many of my Christian friends say, “Happy Holidays,” just like people have been doing for more than 100 years.

So, when I—a life-long atheist—tell them I say “Merry Christmas”—and even do an annual Christmas episode for my fiction podcast—it destroys their false narrative that we somehow want to topple the holiday we all love.

* * *

So why, then, do I not write stories about other holidays taking place this time of year?

Well…

Even though I’ve celebrated Hannukah with family, I’m not Jewish—I don’t feel that’s not my story to tell. (And really, the most memorable Jewish holiday for me was Passover because my aunt was a good cook and went all-out on that!)

I’m not a pagan, so basing a December episode around Yule or the Winter Solstice isn’t happening. (Although I have worked in some Scandinavian, German, and Welsh lore based on pagan roots into past Christmas episodes—but I’ve never featured an actual holiday.)

Just as I feel I’m not the right voice for a Hannukah story, I’m not going to write about Kwanzaa, Ramadan in the years it occurs during December, Bodhi Day, or other holidays I don’t celebrate.

I suppose if I anchored the annual December episode with a New Year’s Eve or Day story, I might call it a holiday episode, but I’m now committed to Christmas.

* * *

Author John Green did a YouTube video about a year ago on the subject of committing to a bit.

He talked about a musician named Jonathan Mann who’s written and shared a song a day on YouTube for over 10 years. (As of the time of this writing on December 13, 2023, he’s released song number 5,460!)

John talked about how he and his brother Hank worked in every word from the lyrics to Smash Mouth’s song, “All Star,” into their YouTube video titles for a time.

He mentioned Dolly Smith, a British woman who had not missed a match of her beloved Derby County Football/Soccer Club in over 70s years. (As a Leicester City supporter, even I can appreciate that! [Derby County is one of Leicester’s bigger rivalries.])

John’s right: there is something about committing to a bit!

With Not About Lumberjacks, I’m now committed to an annual lumberjack story each November in honor of the show’s anniversary. (Even though some fans have done mental gymnastics in jest to tell me why the stories are still not about lumberjacks.)

Last year, I committed to a new bit: adding an annual story (in print, even), to patrons of my Patreon.

And the annual Christmas episode is committing to a bit.

The great thing about these commitments is, in time, you have little bodies of works inside a larger body of work.

Were I to self-publish books, I likely have enough lumberjack stories for a collection.

I likely have enough Christmas stories for a collection.

And, in time, I’ll have enough Patreon-only “Well-Rooted Grove” stories to share as a collection. (Likely, for a free episode of the show in a handful of years when there are enough stories for that.)

Doing back-to-back monthly episodes in the middle of the busy holiday season and rush to close out a year at work is not my best idea, but I’m committed to the bit at this point.

* * *

I thought the annual Christmas episode would be a one-time thing the first year I did it. Nothing said I had to continue, but people like it, so I have.

Nothing said I had to commit to annual lumberjack stories or this other thing I now apparently do in May for Patreon patrons.

To spin it all back to Christmas and me, it’s a gift that people think highly enough about the stories I write, narrate, and release that they give me a bit of their time in a world where there are a bazillion other things they could focus on.

A new season of Not About Lumberjacks begins each year in November with the anniversary episode, but there’s always something special about closing out the calendar year.

It’s a time for reflection and many holidays all stacked up together.

No matter what you celebrate—or don’t—I wish you mighty health and fun in the new year…

And Merry Christmas!

* * *

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and voice talent.

Also, for as little as a dollar a month, you can have access to a bigger behind-the-scenes look at Not About Lumberjacks on Patreon. Check out patreon.com/cgronlund if that sounds like your kinda thing.

With back-to-back monthly episodes, now begins the annual wait for March. (But I still tend to get things out earlier in the month, so it’s not too much longer than usual.)

So, what can you expect for the next story? How about a tale called “Not Again,” in which a guy makes a time machine, takes it back to 1983 for a test run, and ends up breaking down in his past?

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Intro music plays]

[Woman’s Voice]

This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Music fades out]

Christopher Gronlund:

Behind the Cut is an in-depth look at the latest episode of Not About Lumberjacks and likely contains spoilers of the most recent story. You’ve been warned…

* * *

Second-person present tense point of view is strange to me. On one hand, I’ve been using it since 1979, when a friend introduced me to Dungeons and Dragons when I was 10. Using “You”—as in, “You hear the sound of small, wooden wheels rolling across damp cobbles. You trace the lonely sound to a hunched figure bundled in rags, pushing a rickety wooden cart through the fog.”—puts the players right there in the scene. For the game, it’s second nature to me.

But while I grew up in the time of Choose Your Own Adventure books, known for their second person point of view, I preferred reading the books my older sister, mom, and stepdad read instead of books written for me and my age at the time.

I’ve never written a story using the point of view until writing the recent Not About Lumberjacks story, “Old Growth.”

* * *

Originally, the protagonist for “Old Growth” was going to be a female lumberjack trapped on the side of a mountain with some kind of creature. The story idea came to be when my wife told me she watched a TV show about the Ape Canyon Bigfoot attack on miners in 1924. It was not a big leap from, “Miners under attack on Mount St. Helens,” to “Something’s attacking lumberjacks in an old growth forest in the Pacific Northwest.”

Of course, I had to run with that. So, I made a female lumberjack and couldn’t wait to get started.

Along the way, though, I saw author John Green reading an excerpt from his latest novel-in-progress. It was in second person.

“That’s what I should do for ‘Old Growth!’” I thought. “Put the listener or reader right there, like it’s happening to them!”

* * *

Obviously, Not About Lumberjacks stories are about things that mean something to me. Perhaps the biggest recurring theme is work/life balance or finding time for your dreams despite a world that makes many demands in opposition of those things. It’s no secret that I’d rather do this show full time than be a technical writer, but…being a technical writer isn’t so bad, especially when it allows me the security to write whatever I want, here, with no regard to financial considerations. But I like to think Not About Lumberjacks stories aren’t preachy, even when they are a bit more focused on topics dear to me.

Disguised (or maybe not) in September’s story, “Lakeview Estates,” is commentary about the housing crisis in the United States—how even if one can afford a house, depending where they live, they now have to bid against multi-national conglomerates running property management companies. “Old Growth” is an obvious statement about environmental destruction at the hands of humans, and probably as in-your-face as I’ll ever get. (And even then, I wanted the story to be more entertaining than anything.)

* * *

Choosing to use “You” instead of a character name worked with what I hoped to do with “Old Growth” before I even knew what it would really be about. I knew I wanted to rely on the sounds to create an experience, while of course being interesting enough for those who read Not About Lumberjacks stories instead of listening. People loved the sounds in “Rockbiters,” and I wanted to put in that kind of effort again.

Knowing I wanted to put a bit more than usual into the sounds of “Old Growth,” once I made that decision, opting for a second person point of view only made sense. It’s a story with a message, so the combination of sounds drawing you in and speaking directly to you…it seemed like it would carry more weight. At the very least, be a bit creepier since it’s happening to “you” and not just some random character.

* * *

While “Old Growth” is the first second-person point of view story I’ve written, I’ve thought about using it with another episode I’ve not yet done. Around the time of the release of “Godspeed, Crazy Mike,” I ordered a couple “Choose Your Own Adventure” books for research. I toyed with the idea of a father reading that kind of tale to his son, with some options resulting in a much stranger story. Maybe even releasing a separate PDF where YOU could be led through a story of your own choosing.

Beyond that, I don’t see writing other stories using that point of view. I have nothing against it, but when I mentioned it to Cynthia, she said, “When you do the usual content advisory for ‘Old Growth,’ you might want to mention it’s a bit of a departure with the point of view.”

She was not the only one to mention the departure.

Depending what you read, second person is maybe not common, but also not uncommon. Sci-Fi and Fantasy use it to great effect. The third book in Jeff Vandermeer’s Southern Reach trilogy, Acceptance, is in second person. N.K. Jemisin’s The Fifth Season shifts points of view in the same novel—and she’s uses it in other works as well. But second person isn’t reserved for only sci-fi and fantasy: Jay McInerney’s Bright Lights, Big City addresses “You” directly, a so-called “serious work” in second-person.

* * *

When I set out to write “Old Growth,” I thought writing in second-person would be as simple as replacing “I” or a character’s name with “You.” And in many ways, it was.

As I worked on the story, though, considering the point of view made me think about the protagonist and what they felt and saw a bit more than usual. The story felt more personal than it would have, had I chosen a third- or first-person point of view. It was easier to think about what I wanted listeners and readers to hear and feel.

I usually write from my gut and always do give thought to what I want people to feel. Still, using “Lakeview Estates” as an example: I wanted you to feel for the characters and the situations they faced, but there’s still a layer of separation when reading about characters you don’t personally know.

With “Old Growth,” I wanted the story to feel more personal, like it was happening to YOU!

I hope YOU enjoyed it…

* * *

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and voice talent.

Also, for as little as a dollar a month, you can have access to a bigger behind-the-scenes look at Not About Lumberjacks on Patreon. Check out patreon.com/cgronlund if that sounds like your kinda thing.

In December, it’s the annual Christmas episode. That means you get a handful of very short short stories, and at least one bigger story tied directly to the holiday season.

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Sound of an ax chopping wood. Quirky music fades in…]

Christopher Gronlund:

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and this is where I share my stories. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny—other times they’re serious. But you have my word about one thing: I will never—EVER—share a story about lumberjacks.

This time, it’s a second-person point of view tale in which YOU are a lumberjack!

But first, the usual content advisory…

“Old Growth” deals with death, gore, anguish, being lost in a forest, being alone in the dark, and…creatures. Despite all that I’m back to another episode without swearing. Look, it’s an environmental horror story about finding a sense of balance, okay! It’s not even gory at every turn…more just…creepy in its intent.

Before getting into the tale, I want to thank everyone for supporting Not About Lumberjacks and helping make this episode…the 50^th full story episode of the show!

Yep, the big 50!

And to honor the occasion, I’m doing a giveaway without making you jump through too many hoops or forcing you to share things online and tagging people—I’m not a big fan of that. (Although you’ll get an extra chance if you do…share things, that is—But seriously, I’m not gonna make you tag anyone ‘cause I hate that tactic.)

Anyway…

People have been asking about Not About Lumberjacks t-shirts and other merchandise for a while. It’s coming, but I’m not quite there yet. So, this is your chance to be one of the few people on the planet with a Not About Lumberjacks t-shirt!

Here’s how it works (and this applies internationally—none of that, “Contest valid only in the United States” stuff):

To get one entry in the random drawing, all you have to do is email me at NALStories@gmail.com and tell me your favorite episode or something you love about the show.

That’s it!

If you email me and tell me that…AND let me know you’ve shared this episode (or your fave)…or something else you love about the show online somewhere…or that you’re subscribed to my YouTube Channel, newsletter…anything like that, and you’ll get a second entry.

Finally, if you’re a Patreon patron, or sign up for my Patreon and let me know you did, you’ll get a third chance.

I’ll do the random drawing on Saturday, December 23 and contact the winner then. (And just so you know: all contact will be directly from me, so if you get contacted through an Instagram account meant to look like me, or any place other than NALStories@gmail.com, it’s not me. I only mention this because I know that even when someone tiny does some kind of a giveaway, scammers try figuring out ways to exploit it. You’ll know me by the email address and my babbling thank you for supporting the show!)

So that’s it, and again…this applies to international fans of the show, too.

All right, let’s get to work!

Old Growth

You’ve waited for over an hour for the skidder to arrive, to grab your piles of export logs and haul them off to the loaders. All the radios are silent, even when calling to other crews on the mountain.  You wonder if it’s a prank, despite your tendency toward a seriousness that instills apprehension in others from having needless fun when you’re around. You’re the one who retires early to your bunkhouse room while others stay up late in the cookhouse playing cards. You’re the one who reminds the crew to keep focus on-site, knowing that a wandering mind does not last long in the timber.

If they are up to something, you’ll make sure they regret it.

* * *

You climb out of your harvester and begin hoofing it back to the yard. Maybe it’s a problem with your radio and others are waiting for you—maybe there’s a reason the skidder didn’t return for more logs or no one has walked out to tell you something’s broken down, and that everyone gets a bit of a break on a lovely early autumn morning.

You walk along, listening to your footfalls, taking the cool air into your lungs and releasing each breath in a slow fog that lingers in the still air. Before you and to your left, all the way down the mountain, lie the efforts of your work. You tell yourself it will all one day come back, the same thing you tell yourself on every mountain you’ve helped strip bare. To your right: old growth forest that doesn’t come back the same way ever again….at least not in our lifetimes.

Not in many lifetimes.

* * *

Ahead, you spot the skidder. Its door is open, but Vinny Pastor is not inside.

“Even if there’s a break for maintenance,” you think, “he’d have at least brought everything back to the loaders.”

As you get closer, you hear it: a sound like a dog chewing on a bone. You slowly move to the far side of the vehicle, curious to see what’s between it and the trees. You step back on an angle, putting distance between you and the skidder as you poke your head around.

At first, you think it’s a wolf feeding on a recent kill, but there are no wolves in this part of the state—especially this high up in the mountains. Besides, it’s much larger than a wolf. You’ve heard that deer sometimes chew into bones for minerals, but this is too large for a deer, and elk stay down lower in the valleys.

When it stands on its hind legs and stretches to its full height, you catch a glimpse of the insides of Vinny Pastor. Ribs stick out in directions they were never intended to point—most of what’s inside is gone, dripping from the face of the creature before you. In your last effort to rationalize what you’re seeing, your think to yourself, A bear?” But as it looks at you with eyes not too unlike your own, a face more ape-like than ursine, you now understand that sometimes the things behind legends are real.

Everyone’s heard the stories and names: Bigfoot, Sasquatch, the Fouke Monster, and Skunk Ape; Yeti, Yeren, Orang Pendek, and Yowie. They have always been just that: stories, with blurry photos or footage as “proof” the legends exist. But you’ve seen no strange tracks in all your years in the mountains, and only heard stories meant to frighten green loggers coming into camp.

Now you think at least some of the shaky videos you’ve seen on television were real. As you look at a mouth slicked with the blood of a friend, you understand how fear would make it difficult to film with a steady hand. “If I’m to be next,” you think, “I’ll be the one to finally get conclusive proof.” But something so massive would be on top of you before you reached your phone in your pocket.

Running back the way you came isn’t an option. Even if you did make it back to the harvester, it would offer no shelter. The slope leading down is littered with stumps, a field of obstacles even without being pursued. A bear can run 40 miles an hour going downhill, and you imagine the hairy creature before you could likely do the same—if not move even faster.

Instead, you retreat into the forest.

* * *

As you rush through the trees, you listen behind you, surprised to hear nothing. Perhaps the creature decided a meal at its feet is better than chasing down another bite. As you stop, the only sound is your breath and the racing beat of your heart. You close your eyes and inhale deeply through your nose…out through the mouth. Repeat. When the pounding in your ears subsides, you open your eyes.

It’s darker than it should be. Not nighttime dark, but dark enough that you look to the canopy to see if storm clouds have moved in as you’ve calmed yourself. Layers of foliage high above let in just enough light to make out where you are.

You miss this kind of forest, the type of place you wandered as a child. No monoculture waiting to be harvested; instead, old growth ponderosa pines, juniper, Douglas firs, and mountain hemlock. Lichen-covered roots search for nutrients, velvet green arteries pumping life through the dirt.

You once listened to a podcast about the web of life hidden beneath forests, a network like old phone wires allowing trees to communicate. Old timber sacrificing energy to younger trees across the forest grid, giving up their life for future growth. The DNA of fish found inside inland trees, nutrients shared from tall cousins near shorelines. You remember listening and thinking, “I wish all humans were as generous.” It was one of those days you felt shame about what you do for a living.

You sit still for a minute, listening out for the creature while considering other things it might have actually been. “Would the crew have gone to such lengths for a prank?” Anything to ground yourself again in reality.

It’s only when you hear the laughing of a child that you know for certain something about this place is not right.

* * *

You consider it might be stress, or maybe the wind moving through the treetops, carrying and distorting distant sounds that resonate unlike their source upon arrival. You once visited a relative in Texas and camped beside a massive granite dome that crackled in the night as the heat of the day rose up from it like old ghosts. The wind made a bobcat’s call sound like a screaming crone by the time it wound its way through the treetops and settled into camp. It was the only time you were ever frightened while camping.

But when you hear the laughing child say your name, you know it’s not just the wind.

You run, until catching a whiff of something familiar: thick and rich tobacco. The sticky scent lingers in the humid air, reminding you of your grandfather smoking a cigar after dinner and telling you stories about logging by hand. For a time after his passing, you even tried smoking a cigar after every dinner, but it was a thing that smelled much better than it tasted—especially the morning after.

You spot the source of the smoke, a massive, hairy figure sitting on a branch in a tree that doesn’t belong here. The tree’s trunk flares at its base like thick ribbons slicing into the ground. Embers from its inhabitant’s cigar burn hot, turning into fireflies that float off into the darkness. You don’t know whether you should speak or turn back, but it doesn’t matter. Something on the path before you rises from the moss into a crooked stance and fixes its eyes upon you.

It’s much smaller than the creature at the skidder feasting on Vinny. You look for a branch or stone—anything with which to defend yourself should it charge. It opens a mouth that looks like it could stretch wide enough to swallow you whole. You realize what you thought was bristling hair covering its body is actually grass. It holds a single bronze bell in each of its hands. The melody and tone begins pulling you into its spell…

* * *

“Follow me!”

Where the trail splits, a woman stands before you, waving you her way. You pull yourself from the chiming of the bells and do as you’re told, figuring if it’s to not end well, better it be at the hands of something you can comprehend than a twisted creature with a mouth full of fangs.

When she turns, you see something move behind her: a tail. Following it up to where it connects at the bottom of her spine, you realize her back is a hollowed hole ringed with flaking bark like a dead tree. Still, you follow her over the hill.

* * *

In the grove before you, an old woman bends over a bleeding tree stump, mixing potions in a stone bowl. She adds water and sap, ground leaves and earth. Some of the concoctions are fluid and colorful, while others are viscous and brown. Salves are placed into small pots. When she’s done, she gets to work.

All the trees are bleeding, deep red sap oozing from gashes in their trunks. Some are saved, while others bleed out, shriveling tightly until shattering into piles of sawdust. The potions are for all the broken animals, beautiful, innocent beings gasping for breath all around. Like the trees, some are rescued while others perish. Beyond the marred trees and wounded animals lies a long tunnel of fire and earth scoured by man.

The old woman looks up after tending to a deer, which rises up on spry legs and leaps into the trees.

She says, “I will not claim my actions don’t matter because they do to this land and these creatures. But I can only do so much. Why must you do so much to keep me so busy?”

* * *

You turn and rush down a green trail cutting through a forest that reminds you of visiting your relatives on the East Coast. What it must have been like to arrive on those shores, seeing new land after such a long and arduous journey. It smells like those family summer trips, rich earth and distant salt and sand. You were taught this is where the nation began, until discovering there were already many nations beyond that coastline.

Before you stands a short man with hair like porcupine quills. He raises a bow and fires an arrow, hitting you in the stomach. You fall fast asleep…

* * *

You dream a myriad creation stories, lore that carried all people forward no matter where they rose. In time, tales and science collide and merge, with many finding room for only one or the other, while others make space for both. Civilizations rise and fall—some legends are lost to time, while others are carried with elders to new lands never to be forgotten. In faraway places, people come together to discover they are not so different.

You dream about the Great Turn. Smokestacks rising above forests; an insatiable desire for more. Old stories are replaced by a lust for new industry. Simple trade among small bands becomes a wicked pursuit where people cheat their neighbors. Prosperity at the suffering of others. Dwellings that once housed entire families are toppled for bigger homes inhabited by fewer people. More material is needed.

They come with axes and saws, taking entire forests instead of thanking nature for only what is needed—sacrifice for sacrifice. Soon, timber powers the machines used to take even more and start newer industries. Lumberjacks and loggers become legendary, romanticized in stories, song, film, and television. They tell tales about the forests and we tell even taller tales about them.

You learn this truth: every forest has its guardians, and you and your crew have awakened them.

* * *

You wake up on your back, staring at the canopy. Trees on all sides of you rise high, meeting above your head like a cathedral. The sky is gone, replaced by twisted branches blocking your view toward the heavens. How is it you can even see?

An old man clears his throat and, when you notice him, offers you a hand up. His other hand is a source of light, glowing with no visible means but his will. When you’re standing once again, he smiles and turns away, begins walking toward a tight tunnel of branches. The entire chamber pulses like a heart.

You remember hearing an old myth, that if one spots a perfect circle in a forest that it’s a portal to other places. An old yard boss told you, “If it’s deep in the timber, it’s always a gateway to another time or dimension, even if you don’t see it. That’s where the ancient things come and go.”

Is this the tunnel of light people who’ve crossed in death, only to return, say is the final walk we take? Your apprehension is noticed; the old man grins and turns into a raven. He flies down the tunnel lighting the way.

“Trickster,” you think, and refuse to follow.

* * *

The cathedral of branches collapses around you, snaking along the ground and grabbing you by the feet. Green tendrils shoot out from brambled walls, wrapping your arms in leaves and vines. When you try calling out, a coil of vegetation muffles you. You’re lifted from the ground, extremities pulled to their limits—Vitruvian in Green. Never one to dwell on death, you have imagined it on occasion: car wrecks, drowning while kayaking, rolling over in the harvester and tumbling down the mountain.

Pulled apart by a living forest never made the list.

“Just do it!” you try shouting despite being silenced.

What must you look like, suspended and stretched to your limits in the center of the heart of the forest?

* * *

The ground shakes, and the vines holding you taut resonate with the pain of every tree and animal taken beyond the agreement of old arrangements. How can one person endure such suffering all at once? The agony transforms you.

With each thundering wave comes the groaning and crackling of ancient hardwood pushed to its limits. You realize the wind in your face is not from some faraway place, but from the exhalation of the venerable god now standing before you.

His ancient visage commands attention, bright green eyes hold you in his gaze. A pointed nose gives way to a mustache and beard like a tangle of roots at the base of a tree. His brow rises into smaller branches, projecting a long-forgotten wisdom. His hair is moss and leaves.

“You have learned a difficult lesson today, little one.”

The vines loosen their grip.

“There is still good in you. Were there not, you would not have made it this far.”

“What do you want from me?” you say.

“I believe you know.”

“Am I supposed to apologize? I’m sorry! Is that what you want?”

“No. I want you to carry this message back to your kind. You, little one, are a problem. Your brothers and sisters, too. You have enough, but always insist on taking more. When you were new, we welcomed you as our own. You were a different kind of animal, but as much a part of The Circle as the rest of us. In time, though, your hearts filled with greed instead of wonder. It was not enough to live in harmony with the rest of us.

“There have always been thoughtful creatures among your kind, but their words have been silenced by ignorance and power. There is no shame in that, for we became silent as well. That was our undoing. It is time to make our presence known again. The Old Groves stand with the lands, seas, and the skies. Where one is harmed, we all are harmed; where one cries out in pain, so go us all. And we have grown tired of you.”

“I don’t know what you want me to do,” you say.

“That is for you to figure out. I am not here to make demands on you, but to ask you to consider your place in The Circle and what you might do to change things. Before it is too late.”

The vines holding you in the heart of the forest release their grip. Before you fall, the Old Growth God catches you in his hand and places you on the ground.

“Remember this, little one…”

* * *

As the Ancient God departs, an old woman steps out from the inside of an elder tree that shouldn’t be there. The ground is now a pond beneath your feet. You panic for a moment, expecting to fall in and be soaked, but your feet find purchase on the water’s surface. You walk to the shore, where the old woman looks at you and smiles. She reaches up and touches your cheek.

“It is not often people make it this far,” she says. “You would be amazed by how many fight back, thinking they can win a battle with nature. Here, and out there, harmony is the path to survival. In the long times, even we will be gone. Your life is not even a flash before our eyes.”

When she raises her arms, the far edge of the well-rooted grove is bathed in soft light shining through the trees. You hear the familiar grumbling of Vinny’s skidder hauling logs.

“I have set things right,” the old woman says. “Now, you must do the same.”

You step into the light.

* * *

Vinny Pastor brings the skidder to a stop and opens the door.

“You okay?”

“Yeah,” you say, even though you’re not sure.

“We were worried about you. Kept trying to call and got no response. What were you doing back there?”

“I thought I saw something in the trees.”

“Don’t know what it would have been. Sure we’ve scared almost everything off the mountain by now. Want a ride down for lunch?”

“Sure.”

Vinny rotates the seat enough for you to squeeze in and stand in the corner of the cab on the ride back to the crew.

* * *

After lunch, you say, “Do you guys ever question what we do?”

“What about it?” Nash Anderson says.

“Like this job. Should we really be cutting such old growth?”

Pam Clark takes a swig of coffee from her Thermos and says, “Hell yeah, we should! There’s a lot more money up here than down there.”

“Yeah,” you say, “but what about the future? Don’t you want your kids and grandkids to see old timber stands like these?”

Vinny says, “That’s what state and national forests are for.”

Dakota Grant winks at you and says, “You going woke on us?”

“No. I just think…”

“Think what?”

“I just think there are some places we need to leave be.”

Your boss, Colton Lewis, looks down the mountain and says, “Too late for that.”

“You sure you’re okay?” Vinny says. “You looked like you’d seen a ghost when you came out of the trees.”

“I don’t know what I saw,” you say, “but I think we need to leave.”

“Leave what?”

“The mountain.”

“Not happening,” Nash Anderson says.

“Then I need to leave…”

As you get up and walk off, Colton says, “Why don’t you just finish out your shift? Ride back to camp and sleep on it. Take a day or two and think about things.”

But you keep moving, side-stepping the stumps of ancient trees you toppled with the harvester.

“You’re serious?” Colton says. “All right—fine. We’ll pack up all your crap and mail it with your final check!”

You stop and turn back for a final look at another forest that will soon be gone. It may fall, but others still stand. As you walk down the mountain, you think about where you stand in The Circle and how you will use your voice to speak for those who cannot.

[Quirky music fades in…]

Christopher Gronlund:

Thank you for listening to Not About Lumberjacks…this episode and all the others. Hitting the 50^th full story episode knowing there are people who’ve listened to every tale makes this a joy to do. Don’t forget to check out the show notes for the giveaway rules if that sounds like your kind of thing.

Theme music, as always, is by Ergo Phizmiz. Story music was licensed through Epidemic Sound.

Sound effects are made in-house or from Epidemic Sound and freesound.org. I also got some of the woodier sounds effects in this episode from Bluezone Corporation. They have some cool stuff. Visit nolumberjacks.com for information about the show, the voice talent, and the music. Also, for as little as a dollar a month, you can support the show at patreon.com/cgronlund. And remember, if you’re a patron or you sign up, you’ll get an extra chance in the t-shirt drawing.

In December, it’s the annual Christmas episode. That means you get a handful of very short short stories, and a bigger story tied directly to the holiday season.

[Quirky music fades out…]

[The sound of an axe chopping.]

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Intro music plays]

[Woman’s Voice]

This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Music fades out]

Christopher Gronlund:

Behind the Cut is an in-depth look at the latest episode of Not About Lumberjacks and likely contains spoilers of the most recent story. You’ve been warned…

* * *

There’s a line in the latest Not About Lumberjacks story, “Lakeview Estates,” that goes like this:

“Since its construction in 1961, Nate’s Corner stood at the crossroads of Kimball Avenue and Dove Road in the tiny East Texas town of Tooksberry.”

Tooksberry is entirely fictional, but anyone living in Southlake or Grapevine, Texas will know Nate’s Corner as Yate’s Corner, an actual gas station and tiny grocery store that sits at the crossroads of those streets, with Kimball establishing the border between the two towns.

Whether calling them Easter Eggs or inside jokes, Not About Lumberjacks stories are full of little things that don’t detract from the tales if you’re not aware of the reference (that would be a cruddy move on my part) but adds a little something more for those in the know.

* * *

Tooksberry, spelled T-o-o-k-s-b-e-r-r-y, is a nod to how so many places in Texas are named after other places, but often spelled or pronounced differently. And its rivalry with nearby Holstein is based on local rivalries of once rural towns now thinking they are much more than they really are.

As so many places nationwide (and even worldwide) have grown, most of us are familiar with this kind of development and the competitiveness that often comes with it.

Geographically, I used Harleton, Texas as Tooksberry’s location, even though it’s nothing like real-life Harleton. But my friend [and Monday night online gaming group rival], Jim Bearden (aka: PeePaw), grew up in Harleton—so that’s a nod to him.

And speaking of my Monday night gaming group, the protagonist of “Firing the Muse”—Warren Quinn—is a mash-up of the first names of two other friends who have killed me countless times in Among Us and destroyed me in rounds of Golf With Your Friends.

* * *

I love working little things like this into stories, but I always ensure these tiny additions never confuse those not in the know. Many of us have read a book or watched a movie where we’ve felt we’re not in on the joke. It can feel every bit as annoying as sitting with people talking about a past you’re not part of, or even going as far as deliberately telling inside jokes and stories meant to exclude you for a laugh.

Those kinds of things should always be seamless. And if it’s a joke you’re going for and not just a reference, you should always be ready to make fun of yourself.

* * *

Four years ago, when I released “Alone in HQ,” I took a poke at podcasters—some of whom are very precious about what they do. In the story, I say:

“What happens to a podcaster during the apocalypse, he wonders, when there are no more get-rich schemes to be shared, movies or television shows to review, or true crime to talk about; no more self-important hot takes on popular culture, long-winded interviews to schedule, or dude-bros who think they’re actually funny?”

Even if you’re not that familiar with podcasts, most people would assume the kinds of shows I mentioned are popular. (I know people who don’t listen to podcasts, but have asked me what kind of interviews I do or if I talk about true crime.)

It would be a low blow to tease these kinds of podcasters and leave myself out of the criticism. So…I even make fun of myself in that section with these lines:

“Employee #312566 likes to think the guy with that lumberjack show found a solar charger and still writes and records his stories. Maybe with twelve years and little else to do, if the power ever comes back, he’ll have enough of a backlog to finally release his show again on a regular schedule.”

At the time I published that story, “Alone in HQ” got bumped for more than a year by other stories I’d already written. I had one friend in particular who couldn’t wait for a post-apocalyptic story written by me, so it was my way of admitting, “Yeah, I kind of slacked on the show recently…”

* * *

At the time of this writing, I recently went to East Texas for an annual writing retreat I do with a friend. One night around the campfire, my friend Deacon mentioned Stephen King’s The Dark Tower series—how King blended characters from other stories into that, and how characters from that series are mentioned in other King books. (King’s kind of known for that.)

Nods like that to fans are a time-honored tradition for many writers. We see a character named Jenos Idanian in the I, Jedi Star Wars book. The name was used as an alias by Han Solo and adopted by another character after him. Jenos Idanian is an anagram for “Indiana Jones,” a character played by actor Harrison Ford—who was also our favorite smuggler from Star Wars: A New Hope.

C.S. Lewis wrote a poem in Through the Looking Glass in which the first letter of each line spells Alice Pleasance Liddell, the name of a child he knew. And F. Scott Fitzgerald included an epigraph in The Great Gatsby attributed to a poet he created in his earlier novel, This Side of Paradise.

It’s fun for authors to give nods to other works and for readers to dig and discuss these literary surprises.

If you miss these things, they usually affect nothing, but it you recognize them, it’s like a secret handshake or password to an elite club.

* * *

Another example from a Not About Lumberjacks story—this time, from “Gerald’s Grail.”

They spent the afternoon meandering around town, ending the day in a convenience store that had a few arcade games in the back. Gerald and Brian got excited when they saw a new cabinet next to Joust.

“What’s Tron?” Akara said.

Gerald and Brian looked each other in mock amazement before Brian said, “We really need to get you caught up on some movies you’ve missed. Trust me on this one…”

This reference to the Tron arcade game is obvious to Gen-Xers, but there’s more in that little exchange.

My dear friend, Curtis Hart, loves the movie Tron. (And he’s been a big supporter of Not About Lumberjacks from the start.) Somewhere along the way—I think in 2010—he posted something about Tron on Facebook.

My reply: “What’s Tron?”—knowing full well what it is and how much Curtis loves it.

It was one of those goofy things that caught on, to the point friends started replying to Curtis’s future posts with random images asking, “Is this Tron?”—or doing posts of their own, setting up the in-joke.

Thirteen years later, we try being a bit move covert about dropping “What’s Tron?” into things, so…slipping it into a Not About Lumberjacks story made me laugh out loud when I wrote it, and I would have loved seeing Curtis’s face as he listened.

But as goofy as forcing it into a story was, it does serve a purpose. The character asking “What’s Tron?” is a Cambodian refugee. Growing up, I had friends with parents and grandparents from Mexico, but no friends born in other countries until the later 70s and early 80s, when people from Vietnam and Cambodia moved to my hometown. Things my friends and I took for granted were unknown and even challenged by our new friends who lived lives we couldn’t fathom.

Akara Mok is a nod to those old friends and the things I learned about the world from them.

We couldn’t believe they weren’t aware of some pop culture reference that was second nature to us, and they couldn’t believe we assumed they’d know, given how different their lives were from ours up until that point.

* * *

There’s one final inside joke right up front in the latest Not About Lumberjacks story—the name.

I live in an area that was once a bit rural, despite being adjacent to more populated spaces. Today, the area is not only developed, but near some of the wealthiest towns in Texas. Where an outlaw biker club was in the 1980s is now a suburban ranch (likely for the tax breaks). Where a cult compound stood is now office space. And multi-million-dollar homes stand on sites where tiny homes once dotted the land.

In high school, I worked as a dishwasher and busboy at a restaurant called The Catfish Hut. At a bend in the road on the final approach to that slog-of-a-weekend-job was a trailer park called Lakeview Estates.

Today, it’s the site of million-dollar homes in a housing development called—you guessed it—Lakeview Estates.

To this day, that’s one of my favorite inside jokes…

* * *

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and voice talent.

Also, for as little as a dollar a month, you can have access to a bigger behind-the-scenes look at Not About Lumberjacks on Patreon. Check out patreon.com/cgronlund if that sounds like your kinda thing.

In November, it’s not only the annual anniversary episode, but the 50^th story episode of the show! So, what’s in store for the most NOT Not About Lumberjacks story of the year? How about this:

The first second-person story I think I’ve ever written in which YOU are a lumberjack…

Until next time: be mighty, and keep your axes sharp!

[Listen]

[Sound of an ax chopping wood. Quirky music fades in…]

Christopher Gronlund:

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and this is where I share my stories. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny—other times they’re serious. But you have my word about one thing: I will never—EVER—share a story about lumberjacks.

This time, the residents of a trailer park battle the city and developers in an attempt to save their homes from demolition to make way for a golf course.

But first, the usual content advisory…

“Lakeview Estates” deals with the loss of homes, a broken housing market, corruption, mention of drug and alcohol abuse (including teen marijuana use), death, arson, violence, incarceration, and marriage infidelity. Also: after a six-episode run with no swearing, that’s back, too!

Man, that content advisory makes it sound like you’re in for a brutal story, but I can assure you: it doesn’t linger on any of those elements very long, other than people fighting to save their homes.

All right, let’s get to work!

Lakeview Estates

Prologue

Everybody has a dream. Before falling asleep most nights, Jerrod Pyle dreamed about walking across a stage to thunderous applause. The speech he gave changed depending on his mood, but he was always the first person to win an Oscar in an Iron Maiden t-shirt.

Bonnie Kirkland dreamed about going on the Price is Right and winning big. When she was younger, her mom won a TV on the show, but Bonnie wouldn’t settle until she took the Showcase Showdown.

Carlos Espinosa was a fix-anything grease monkey who dreamed of one day racing funny cars and leaving Sean Bellemeur and Doug Gordon in his dust.

No one knew what the Flynn triplets dreamed about, but it was likely based off something they saw in Half-Baked or a Cheech and Chong movie.

Noah Cooper dreamed about becoming a professional wrestling superstar. He had a long way to go, but he was the reigning Pineywoods Wrestling Alliance’s Hardcore Championship.

Not everyone’s dreams were as lofty. Ms. Rose dreamed about simply making it to the end of her life while dealing with as little bullshit as possible.

These dreams might seem funny to most people, but dreams were all that’s left in Lakeview Estates Mobile Home Park.

* * *

Jerrod was walking along Pine Street, on his way to Nate’s Corner for his Friday morning Gansitos and Dr. Pepper breakfast, when he saw the sign.

Zoning Change

Notice of public meeting about this property

For information call: 987-555-1212

He pulled his phone from his pocket, snapped a photo, and continued on his way.

* * *

Since its construction in 1961, Nate’s Corner stood at the crossroads of Kimball Avenue and Dove Road in the tiny East Texas town of Tooksberry. The white, clapboard building not only served as the town’s only gas station, but welcomed locals with groceries and bait—and travelers with refreshments and souvenirs. They were known for their kolaches, and heaven help the pedant who pointed out the sausage rolls were actually called klobasneks, while kolaches were fruit pastries. That’s not how things worked in Texas.

The second story of the building was a small apartment where the store’s owner, Nathan Yate, lived. Just like his name, he inherited the business from his father, who inherited it from his. Between the two windows of the upper floor were painted wooden American and Texas flags. Three small spotlights hung from the soffit above, shining brightly on the painting at night so even the drunkest of residents would never forget where they lived.

Jerrod entered the store and waved.

“Mornin’, Nate.”

“Morning, Jerrod. How’s it going?”

“Good. You?”

“One of those mornings where I wish I was a trust fund baby with all the time in the world to sleep in.”

“That would be the life,” Jerrod said. He entered the snack aisle and grabbed two packs of Gansitos without slowing down. At the far end, he swung past the drink coolers and grabbed a Dr. Pepper.

“Ah, the Friday breakfast,” Nate said.

Jarrod pointed to the Gansito packs. “Well, just one. The other goes in the freezer for tomorrow morning.”

“I can always put a couple packs in the ice cream freezer for you when I close on Thursday nights.”

“Thanks, but I like my routine.”

“Gotcha.”

After Nate rung up the order, Jerrod said, “Have you heard anything about a zoning change in town?”

“No. Why?”

“I saw a sign about it while walking here.”

Jerrod pulled out his phone and showed Nate the photo.

“Where is this?” Nate said.

“Right at the bend where Pine Street turns into Taylor. Right there in front of the trailer park.”

“You gonna call?”

“Yeah, when they open” Jerrod said. “Would be nice finding out what’s up. Especially since it’s right there.”

“Yeah. I wonder if it’s the town center Itchy’s always going on about.”

“That’s a good point. Ever since Holstein built one, he’s been obsessed with making this town like them.”

“I swear, that boy needs his own vision.”

“He’s too dumb for that,” Jerrod said.

The two laughed, and Nate said, “That’s why he’s our mayor.”

* * *

The 75 mobile homes of Lakeview Estates were packed into a 1000 by 750-foot rectangle of land on the edge of Tooksberry, over 250 lives playing out each day where meadows and ponds gave way to thicket and pines. It was the only home Jerrod Pyle ever knew. When the property owner, William Pate, moved to Conroe to be closer to his daughter and grandchildren, there was only one person he trusted with running the trailer park. It was a job Jerrod took as seriously as his passions. He ensured those who rented never waited long before something broken was fixed, and he was always lenient with those a bit behind on payments. The pride he took in the trust extended to him by Mr. Pate carried over to the residents. It was not a dusty community full of dilapidated structures and cars up on blocks, the kind of place where children in dirty diapers raced past dogs chained to trees and fences. The residents of Lakeview Estates may not have possessed much in the way of material goods, but they made up for it with dignity.

As Jerrod made his way toward the office trailer, he saw Noah Cooper lifting weights beneath a cedar elm in his side yard. Noah had leveled a spot beneath the tree for a square rubber gym mat, a weight bench, and dumbbells. Anyone who had seen him wrestle knew that stealing his gear would not be in their best interests. In addition to the potential hernia from moving so much iron, one would not want to find themselves on the wrong side of someone who was regularly slammed through folding tables, took steel chair shots to the head, and rolled around in barbed wire for fun. Jerrod waited for Noah to finish a set of bench presses before approaching.

“Gotta sec?” he said.

Noah sat up and stretched. “A quick one, yeah.”

“Thanks. Two things. First, I should have time today to pull highlights from last Saturday’s match for your YouTube channel. But the bigger thing: have you seen the zoning sign at the bend just outside the trailer park?”

“No. What’s up?”

“Dunno. I tried calling on the way back from Nate’s Corner. Got city hall’s voicemail, so I’ll call back when they open.”

“I’ve not seen it or heard anything about it,” Noah said.

“Gotcha. Well, I need to open the office, so I’ll let you get back to your workout. I’ll catch up later about the next documentary meeting.”

“Cool deal. And let me know what you find out from the city.”

“Definitely.”

* * *

A tiny pile of envelopes full of checks and money orders greeted Jerrod on the other side of the mail slot in the office trailer’s front door. When the first day of the month fell on a Friday, it meant a longer-than-usual day, with most residents getting paid and rushing home to pay rent on their homes or land. He gathered the envelopes and placed them on his desk before popping the second Gansito pack into the freezer. After processing the first batch of payments on Mr. Pate’s old desktop computer, Jerrod pulled his laptop from his backpack.

While managing a trailer park was not Jerrod’s dream, it was a job that still allowed him time to focus on the life he imagined as a kid. In 1999, when Jerrod was 15, he decided he’d direct movies. When Steven Spielberg won the Oscar for Best Director and began his acceptance speech with, “Am I allowed to say I really wanted this?” something switched inside that teenager living in Lakeview Estates. Jerrod was raised to believe that wanting something more in life than what little you were given was akin to sin. It was greedy. It was a way of thinking reserved for people who thought they were better than others. For Jerrod’s parents, taking what you were given resulted in his father overdosing while Jerrod was still in high school, and his mother drinking herself to death shortly after graduation.

With Mr. Pate’s help, Jerrod enrolled in the closest thing to a degree in Radio/TV/Film in the area: a BA in Mass Communication from the University of Texas at Tyler, in Longview. The half hour drive from home was more affordable than packing everything up and heading almost five hours away to Austin. During his studies, Jerrod realized he was more suited to interview people and tell their stories than he was directing blockbusters—and for a kid from backwater East Texas, it was a more realistic pursuit. YouTube allowed him a way to distribute the short documentaries he made about people most wouldn’t give a second glance, and his latest project—a joint effort chronicling Noah’s attempts to make it as a professional wrestler—brought even more attention to his endeavors.

At 9:00 a.m., Jerrod took a break from cutting the best clips from Noah’s most recent match and called city hall.

* * *

Two weeks later, Jerrod and a handful of residents from Lakeview Estates attended their first city hall meeting to find out why the zoning sign was placed at the bend outside the trailer park. After Mayor Bradley Stevens called the meeting to order and his best friend and council member, Scotty Walsh, led the Pledge of Allegiance, it was on to business. The mayor’s wife—and Board Secretary, Carrie Stevens, called role and announcements. For Jerrod, it was more boring than sitting through classes that didn’t hold his interest when he was younger. The council seemed just as bored, only coming to attention when it was time to vote on previous business. Hands going up, followed by “Ayes,” seemed automatic.

Jerrod came to attention when the mayor said, “Will the secretary please read the first application before the board?”

Carrie Stevens adjusted her microphone. “There is one application before the board. West Industries, ZB23-D-03, 300 Pine Ridge Road, Block 1300 Lot 1.00. This applicant seeks a Use variance from section 154-43 to allow construction of Mallard Lake Public Golf Club.”

“Thank you,” the mayor said. “We open the floor to thirty minutes of comments of public interest. A reminder: each speaker is limited to three minutes.”

The eyes of Lakeview Estates were on Jerrod. He stood up, stepped to the microphone at the podium, and said, “Yeah, I’d like my time.”

Mayor Stevens smiled and said, “You don’t get to just stroll up there and babble, J.J.—”

“It’s Jerrod!” he said.

“As I was saying: you don’t get to just stroll up there, J.J. You have to sign up to speak.”

“Fine. Where do I do that?”

Carrie Stevens walked over and handed Jerrod a notebook and pen. She pointed to an empty ledger page where Jerrod gave his name, address, and phone number.”

When the mayor nodded, Jerrod began. “I have some questions.”

“We discussed that order of business in our last meeting,” the mayor said. “This is why I encourage everyone to attend these meetings regularly.”

“I don’t think you mean that, Itchy.”

“You’ll address me as Mayor Stevens, here.”

When Jerrod and the mayor were in Boy Scouts, on an overnight camping trip, Bradley Stevens and Scotty Walsh were setting up their tent in tall grass, away from others. Jerrod and Noah wandered over and told them it was a bad idea. A young Mayor Stevens told Jerrod to mind his own business. It wasn’t until a few days later, when Bradley’s legs were covered in chigger bites, that he realized Jerrod was trying to help. As he scratched his way through classes for days, he was given a nickname that followed him into adulthood.

“So, we don’t get to ask questions?” Jerrod said.

“You do. But that was an order of business in a previous meeting. You can go to the city website to view the minutes and watch the video.”

“So, something’s going on right in our backyard, and we don’t even get mail or anything?”

“We send mail to those within 500 feet of any proposed plan.”

“You know I’m gonna go home and grab a yardstick,” Jerrod said. “And if it’s off, I’m raising hell.”

“I’ll remind you to watch your language, J.J.”

“Yeah, well fuck you, Itchy!”

* * *

Noah Cooper walked behind Jerrod in the field behind the trailer park, making lines in a notepad each time Jerrod moved a yard stick one length closer to Mallard Lake. After Jerrod was escorted from city hall by Officer Perry McCollough, the resolution passed unanimously. Noah told Jerrod some residents in attendance even welcomed the measure, saying a golf course in their backyard was at least better than a shopping center.

“At least we’ll still have this view.”

Jerrod ignored him and continued moving the yard stick. He occasionally paused, checking the GPS map on his phone against the map of the new zoning area on the city hall website. He eventually stopped and said, “How many marks?”

Noah tallied the tick marks in the notepad and said, “one hundred seventy-two.”

Jerrod multiplied that by three on his phone’s calculator. “Five hundred sixteen feet. Damn…”

Noah gave his best friend a moment and then said, “Maybe it won’t be so bad.”

“It’ll be weird,” Jerrod said. “All these trees cut down—all this natural grass replaced by a green carpet full of rich assholes playing golf.”

“It’s still better than all the development in Holstein.”

“Yeah, but how long before we get like that? How long before the people who grew up here can’t afford to stay—and this entire area ends up like every place else?”

Jerrod continued walking until reaching the edge of Mallard Lake. He stared at the water, watching it shimmer in the gloaming. Noah stood by his side until the frogs called out and a huge moon rose over trees that would soon be gone.

* * *

In the weeks that followed, Jerrod grew to accept the place he retreated to for solitude would soon become a manicured space he wouldn’t legally be allowed on unless he took up golf and paid a green fee. He grudgingly admitted his friends were right: it was at least better than parking lots and stores, and the crowds that came with them. As nearby Holstein grew, Mayor “Itchy” Stevens seemed hellbent on showing Holsteiners that Tooksberrians had a better quality of life. One had to drive to Longview or Marshall to play golf, so a course in town would send the message that Tooksberry was superior to all neighboring towns.

Eventually, Jerrod’s schedule of running the office and maintenance at Lakeview Estates, working on the documentary with Noah, and recording Sunday services for the First United Methodist Church of Tooksberry returned to the center of his thoughts.

On the first cool afternoon in October, nothing was going to ruin Jerrod’s good mood: no more seemingly constant air conditioner maintenance and insect control, and no more sweltering days of landscaping and swimming pool upkeep. It was a slower, pleasant season with time to edit and plan while waiting for fewer things on the property to go wrong. After a productive morning and early afternoon, Jerrod checked mail. A letter from the City Attorney caught his attention. He opened it where he stood and scanned the page. The line that stopped him read:

NOTICE IS HEREBY GIVEN that the City Council of the City of Tooksberry will consider taking action by approval and passage of an ordinance that will authorize the City Attorney to commence eminent domain proceedings against the above-described subject property…

* * *

On Sunday mornings, most residents of Lakeview Estates made the walk up the hill on Creekview Drive to the First United Methodist Church of Tooksberry. Growing up, it was a refuge for Jerrod, a place to get away from strung-out parents and spend a morning in the company of friends and Reverend Lawrence Terry. The tiny church served as more than just a place of worship: it was a gathering place for kids after school and during summer break, a place for area seniors to gather, and for evening addiction programs Jerrod’s parents ignored. This day, the residents in attendance waited to hear why Jerrod gathered them there in such a hurry.

“Evening, everyone,” he said. “I suppose ya’ll are wondering why I called you here. The property received a letter from the city that has the potential to change all our lives in a big way. I called with Mr. Pate, and he said it’s okay if I share this with you.”

Jerrod read the letter.

In the front row, Ms. Rose fanned herself with her hand until Bonnie Kirkland pulled a folded piece of paper from her purse and took over. Several deep breaths later, and she was feeling better. People looked to each other as if to say, “Did I really hear what I think I just heard?”

Eventually, Carlos Espinosa said, “So, what’s this mean for all of us?”

“I don’t know,” Jerrod said, “but Mr. Pate’s meeting with his lawyer tomorrow. The only reason I pushed for telling y’all before hearing back about that is I know how word gets around in this town. You can bet I called the city right away on this one. They’re meeting next Tuesday to discuss this.”

* * *

Tooksberry City Hall was in a renovated Burrus grocery store. Most residents thought it was fitting that the City Council sat where the freezer section was once located—especially on an evening they were discussing such a cold decision. After the meeting was called to order and previous business was addressed, it was time to discuss seizing Lakeview Estates for expansion of the public golf course. The Council was visibly on edge; they had never seen a standing room only crowd. Worse: they had never seen so many people sign up to speak.

Each resident who spoke was met by Mayor Stevens assuring them, “We understand and sympathize with your concerns. This difficult decision is for the public good of all Tooksberry.”

After each speech, Carrie Stevens looked at the ledger, called the next resident’s name, and reminded the group how much time was left.

When Carlos Espinosa’s turn arrived, he asked how many more people were signed up to speak. Carrie counted and said, “Seven.”

“And there’s only twelve minutes left?”

“Yes,” she said.

“What happens to those who won’t have time?”

Carrie looked at her husband. Mayor Stevens said, “They can submit their concerns in writing. We will not extend the time we’ve allocated for this matter.”

“Can I see the list?” Carlos said.

Carrie turned the book around as Carlos approached. He looked at the list, realizing Jerrod was second to last.

“I’m giving up my time so Jerrod can speak.”

Each person who followed did the same.

When Jerrod stood up to take his turn speaking, Noah Cooper said, “Stay calm, Jaybird…”

Jerrod took a deep breath and began. “I know this is all a done deal. Mr. Pate’s lawyer said it would cost a lot to fight, and that we’d likely still lose if we did. After his push back, he said the city’s offer on the land is even fair. You have all of us over a barrel. I know we’re not gonna convince you to change your minds at this point, but I’ve enjoyed watching ya’ll squirm as each person spoke tonight. That means you know what you’re doing is wrong on a basic level.”

“Do you have a point to make?” Scotty Walsh said.

“Yeah. I don’t see how this is in the public good of Tooksberry when we make up a lot of the public in town. I know things change, but this is ridiculous. You want to bulldoze our homes and build a golf course and bigass houses, but what about us?”

“Language, J.J.—language…” Mayor Stevens said.

Jerrod didn’t give Itchy what he wanted. He took a deep breath to steady himself and continued. “Like I said: what about us? Where do we go? We can’t even afford an 800 square-foot house in the old part of town because they’re now going for three or four-hundred-thousand dollars. And even if Tooksberry had apartments, I’m sure a one-bedroom place would cost more than your mortgage each month ‘cause y’all got in when the getting was good. The rest of us work too hard and for too little to have your kind of luck. And say I did have money to buy a house…I put a big chunk down, and some rich asshole three states over or a multi-national conglomerate offers more than I have and turns it into a fuckin’ AirBnB—”

Mayor Stevens hammered the stand with his gavel and said, “I told you to watch your language…J.J.”

Jerrod closed his eyes to compose himself. When he opened them, he said, “Okay—fine. I’m sorry ‘bout that, y’all. Where was I going with this? Oh, yeah: and then, when we’re out in the streets, you’ll point at us and say, ‘Those losers should just get better jobs,’ totally ignoring the fact that a lot of us are working two or three jobs already and barely getting by. Then what, you arrest us for loitering and fine us into oblivion? After that put us in jail ‘cause we default on fines we can’t pay because you keep adding to them? All so a couple already-rich mother f— … rich people who don’t even live in the state can get richer? I don’t see how it’s good or in the public interest when much of the public ends up without homes.

“And what sickens me most about all this is then, on Sundays, you’ll all drive your fancy little cars over to Longview and bow your heads in your Jesus-Dome of a mega church and pretend to follow a savior you’re nothing like. Meanwhile, Reverend Terry is part of this community. Your guy just wants to be on TV—”

Mayor Stevens hammered his gavel repeatedly while shouting, “Order!”

Jerrod said, “I know you’re about to sic Perry on me again, so fuck it. I can see it in your face that there’s more to this, and I aim to find out what you’re really up to, Itchy! All of you!”

Officer McCollough approached the speaker’s podium. Jerrod put his hands up and said, “Don’t fuckin’ touch me, Perry—I’ll go, I’ll go.”

Before leaving the building with Officer McCollough at his side, Jerrod turned back to face the City Council and said, “I swear to God, Itchy—I’m gonna make you regret the night your momma and daddy flopped around in bed and made your dumb ass if there’s anything more to this…”

* * *

The resolution to seize Lakeview Estates passed unanimously. In the weeks that followed, Jerrod called Mr. Pate almost daily with new ideas about ways to fight the city. Each time, Mr. Pate said, “We both know how small towns work.”

On Jerrod’s final call, Mr. Pate said, “My lawyer’s looked things over in every way, Jerrod—and they have a solid case in the public interest, even though we both know that’s not right. But money talks, and a golf course bringing people in from all over is deemed better for Tooksberry than a trailer park. We’re lucky he was able to get a better deal on the land.”

“You’re lucky,” Jerrod said.

“No, we’re all lucky. I’m driving up on Friday. I wanna to tell everyone in person, so keep this just between us until then. There’s plenty of money for me to leave for to my daughter. I’m prepared to give each household $25,000 to help with moving…or whatever they want. Can you get everyone at the church at 6:00?”

* * *

The residents of Lakeview Estates gathered at the First United Methodist Church of Tooksberry on Friday evening. Jared, Reverend Terry, and Mr. Pate sat in front of the altar, while the rest of the crowd occupied the pews. The Flynn triplets sat beside Ms. Rose. From their teen years on, Ms. Rose was like a grandmother to the brothers. The best Jerrod could make of the relationship was once the brothers discovered weed, they went from terrorizing the trailer park to being three of the mellowest teenagers one would ever meet. While Ms. Rose never approved of their habits, she appreciated their company.

When the last of the stragglers were seated, Reverend Terry signaled to Mr. Pate. He rose and stepped to the pulpit.

“Thank y’all for coming out. I know this ain’t an easy time for any of us. First, I want everyone to know I did all I could to stop this seizure from happening. I don’t think it’s a city’s right to take property for any reason, but it especially hurts because this is all about money. My lawyer told me I’d be wasting what little retirement funding I have fighting this and would likely have nothing in the end. That’s why I took the deal.

“I want y’all to know that wasn’t easy. Y’all know me well enough to know I feel a bit guilty about this, even though it ain’t my fault. What I’m about to say isn’t said out of guilt, but because I’ve always cared about that little plot of land and all y’all. So, for now, until the order to vacate comes through, I’m not collecting any rent. And I’m giving $25,000 to each household to help with moving expenses.”

A buzz rose from the crowd as those in attendance verified with neighbors that they heard Mr. Pate correctly.

He continued. “I wish I could give everyone more or just swap Lakeview Estates for a new place, but there’s no time. What’s left will be enough for me, my daughter, and her family, but it’s not like I’m gonna be traveling the world in style or anything. I hope y’all understand.”

Heads nodded, and Carlos Espinosa said, “Thank you, Mr. Pate.” Ms. Rose fanned herself and told the Flynn triplets, “I have nowhere to go.”

One of them said, “You can come with us,” but she shook her head as she fought to catch her racing breath.

Another said, “Are you okay?”

Ms. Rose closed her eyes. “Just…not feeling quite right.”

The third of the brothers noticed her sweating and said, “We need to get her down,” but she was already on the floor.

* * *

Naomi Grace Rose took her final breath in the company of friends in the church she loved. By the time paramedics arrived, there was nothing anyone could do. Mr. Pate drove the distraught Flynn triplets to the hospital, figuring they were in no state to get behind the wheel, even if they weren’t stoned. The rest of the crowd slowly dispersed. Reverend Terry stood at the door letting each resident know he was there for them if they needed anything. When the last parishoner left, he turned to Jerrod, gave him a huge hug, and finally cried himself.

* * *

Jerrod awoke in the middle of the night to the sound of sirens. In his dazed state, he thought about Ms. Rose and the ambulance, wondering if someone else’s heart finally gave out under the stress of it all. The cacophony of emergency vehicles stayed on the far side of town, fading to nothing as Jerrod fell back to sleep.

* * *

The second time Jerrod was awakened by noise, it was to pounding on his front door. He pulled back the edge of his bedroom curtains and saw Itchy Stevens standing on his stoop, illuminated by the first light of morning. After pulling on an Iron Maiden Trooper t-shirt, he went to the living room and opened the door.

“Why the hell are you pounding on my door, Itchy?!”

“You know why, J.J.”

“No, I don’t. Enlighten me.”

“Don’t give me that shit! You fuckin’ know!” Jerrod had seen Itchy angry, but never in a slobbering rage.

“It’s too early for this,” Jerrod said. When he started closing the storm door, Itchy forced it back open.

“Get your ass out here, J.J.”

In high school, Itchy Stevens started calling Jerrod J.J. when word got out that meth had a grip on his parents. The two Js stood for “Junkie Jerrod,” and were often followed by taunts about his parents—and how he was destined to follow in their footsteps. Jerrod knew even then if he ignored it that others would eventually stop taunting him, but teenagers aren’t known for a Zen-like ability to let things go. As an adult, Jerrod was able to let it go, but as he stared at the person he suspected was somehow responsible for displacing an entire community, remaining calm took more discipline than usual.

“Call me J.J. one more time, motherfucker.”

Itchy grinned and stretched it out: “Jaaaaay Jaaaaay.”

Jerrod made a fist and slowly brought his arm back; then, he took a deep breath and let it go, shaking out his hand before stepping back to close the front door. It crashed into him as Itchy shoved his way inside and took a swing at him.

Jerrod grew up wrestling with Noah, and as adults, often let his best friend practice new moves on him. While not as formidable as Noah, along the way, Jerrod learned how to hold his own and defend himself. He used Itchy’s momentum against him and took him to the ground, tying up his arms in the process. It would have been easy to take out decades of hatred on Itchy’s exposed face, but instead, Jerrod said, “What the fuck is wrong with you?!”

“You burned my fuckin’ house down!”

“What the fuck are you talking about?”

“I know you did it!” Itchy said while trying to break Jerrod’s hold.

“Look,” Jerrod said. “I hate your dumb ass, and I would love to see you suffer for being a lifelong piece of shit, but I wouldn’t do something like that. Not even you deserve that, and Carrie sure the hell doesn’t. I’m gonna let you up. Before I do, I want you to remember: you forced your way into my house. I can legally stand my ground and kill you, but I don’t want that for you, either. We good?”

“We’re good,” Itchy said.

“All right.” Jerrod released his grip and offered Itchy his hand when he stood up. Itchy ignored it and stood on his own.

As he left Jerrod’s trailer he said, “If I find out it was you, you’re dead.”

* * *

In the month that followed, Lakeview Estates slowly emptied. Bonnie Kirkland moved to Shreveport to live with her daughter, and Carlos Espinosa moved to Ennis to be closer to the Texas Motorplex. Other people Jerrod knew from his very first memories packed their lives into U-Hauls to move away—some near, some far. Some used the $25,000 from Mr. Pate to pursue dreams, while others planned to hold on to it for as long as possible.

The Flynns were packing their trailer the day before Thanksgiving when Officer McCollough pulled up with the sheriff and a couple deputies. Jerrod couldn’t make out what was being said, but in the end, all three were handcuffed without a struggle, placed in the backs of police cars, and driven off. The next day, Jerrod got a call on the office phone that he needed to be present when the county came to seize the Flynns’ possessions. When he asked what was happening, he was told they weren’t at liberty to say. Jerrod grabbed a couple tripods, set up two cameras and a microphone, and then sat down beneath his favorite tree to watch.

When Noah wandered over, Jerrod brought his index finger to his lips, signaling to be quiet. He sat up, and quietly made his way to the far side of the office trailer.

“What’s going on?” Noah said.

“I don’t know—they won’t tell me. But they either finally busted the triplets for weed, or it has something to do with Itchy’s house, I’m guessing.”

“What’s with the cameras?”

“It hit me when they wouldn’t tell me what’s up: I should have been recording a lot more these past couple months. Documenting all this.”

“For what?” Noah said.

“Just to have. Proof, I guess. To let them know we’re watching.”

When the movers contracted by the country had unloaded the U-Haul the Flynn’s started filling, as well as their trailer, Jerrod grabbed one of his cameras and walked over.

“Get that thing out of my face,” Officer McCollough said.

“I can legally film this. I’m not interfering with law enforcement doing their job, and until the end of the month, I’m still the voice of the property owner—so I’m not trespassing. Can you at least tell me what’s going on? Please?”

Officer Perry McCollough smiled and said, “You’re right. You can film this. And it’s my right to not say another word.”

“Thank you, Perry.”

“For what?”

“Showing the world just how corrupt this city is…”

* * *

Jerrod and Noah were the last to leave Lakeview Estates after selling their trailers. They combined the money with the payout from Mr. Pate and bought a house in downtown Tooksberry.

When Noah said, “We should just get the hell out of here,” Jerrod told him, “Fuck that—this is where we grew up. They want us to leave, and I’ll be damned if Itchy gets that as well.”

“There’s more to life than just spiting him, Jaybird.”

“I know,” Jerrod said. “This isn’t just to spite him, though. It’s to keep an eye on him, ‘cause I think this is all crooked. But mostly—this is home, and I don’t want to leave. Do you?”

“Nah.”

“There we go, then.”

The two used their new space more as a base of operations than a home. When Jerrod wasn’t documenting the stories of locals and creating online ad campaigns for small businesses in the area, he was working on Noah’s wrestling documentary. And when he wasn’t working on that, he was digging through public records and doing all he could to see if his hunch that Itchy was up to something more was right. He pulled footage from the city council meetings he attended from the city website and began compiling all the footage he’d shot over the years around Lakeview Estates, all the way back to the day Mr. Pate gave him a Sony Handycam for the work he did around the property. He watched hours of interviews he’d conducted with residents from the trailer park, marking highlights, hoping to find the story of the community within it all.

If nothing else, long after the spot of land where he grew up was forgotten, people would come to know his home through the documentary he decided to make about the place where he was raised.

* * *

Jerrod and Noah made a point to attend every city council meeting, which clearly bothered Itchy and Scotty. Sometimes Jerrod signed up to speak about city business, while other times he used his three minutes to make a tenuous connection between a zoning change or other proposal to talk about how his home was taken from him by the city. One evening, Itchy had enough.

“If I may, J.J., you at least have a home. Our home was burned down by your three friends.” He looked at Carrie and then back at Jerrod. “So, you’ll have to forgive me for tiring of this near-weekly performance of yours.”

Marshall Flynn was convicted of arson and sentenced to twenty-five years for burning down Itchy’s home in retaliation for Ms. Rose’s death, believing the heart attack that took her was caused by the stress of a forced move Itchy somehow had a hand in. The other two triplets—Marlon and Marcus—had alibis, but ended up sentenced to five years each for their roles in the arson. Their plan? If Marshall were caught, they believed they could win on a technicality because they all looked alike and wouldn’t be able to say which one did it. They were surprised to find out it wasn’t that easy.

“It’s not a performance,” Jerrod said. “Both of us had our homes taken against our will. But only one of us seems to care about the other’s situation.”

* * *

Jerrod was shooting twilight hour footage on Main Street when he heard someone call his name. When he turned around, Carrie Stevens approached.

“Where’s Itchy?” he said.

Carrie shook her head.

“Sorry. Brad.”

She smiled. “Just between us, I do think the nickname y’all gave him back when is funny. But no woman wants to be married to someone named Itchy. It’s Wednesday. Wednesday nights, he goes to church.”

“You don’t?”

“Nope, it’s my night off. I go to that place once a week, and that’s plenty. It’s more like a concert than a church service.”

“Seems that way,” Jerrod said. “You can always come back to our church. Reverend Terry’s still the same great guy he’s always been.”

“I know. But it’s important to Brad that we attend as a couple.”

“Gotcha.” Jerrod ran his fingers through his hair.

“Why do you put up with him?”

“I beg your pardon?”

“I’m sorry,” Jerrod said. “I shouldn’t have said that—it’s none of my business. It’s just…you’ve always been so nice. To everyone. I guess I always thought you’d go off to college and never look back at this place.”

Carrie Stevens looked down Main Street, a place stuck in time. It was the same street her parents and grandparents knew. More family before that.

“I thought about it,” she said, “but what was I gonna do? Y’all have a lot going for you. I really didn’t. Everything I was was gone the day after I graduated high school. No one cared who I was in college. Nothing I did, here, mattered out there. I mean, what did I really do? I was head cheerleader—that’s about it. Following Brad to Austin and back is as good as it gets for me.

“After the fire, I did try convincing him to move. Just start a new life someplace else. But he’d rather be a big fish in a small pond than challenge himself.”

“Like I said, sorry. I shouldn’t have said that.”

“It’s okay.”

They each lingered an awkward moment before Jerrod said, “Well, I’ll let you get going. Good seeing you, Carrie.”

“You, too.”

Jerrod was half a block away when Carrie called his name. He turned back.

“I want you to know,” she said, “that taking your homes was wrong. I almost left him over that one…”

* * *

Jerrod sat with Noah in his best friend’s Nissan Versa, camera in hand, waiting for Itchy to leave his temporary home on Scotty’s property. The two joked that they should have been private detectives as adept at following and recording the mayor they’d become in a matter of months. For someone who droned on in city council meetings about how much better Tooksberry was than Holstein, Itchy sure did a lot of shopping and eating in his rival town.

The plan this time was to tail him to Longview and get footage of him walking into Waypointe Church, showing how far he was willing to drive to avoid churches in his hometown. Jerrod decided, if he couldn’t discover the mayor’s plan with the golf course, he’d at least have plenty of negative footage come election season.

Following Itchy on back roads was easy; all it took was riding far enough back that even if he looked in his rearview mirror, he’d not know it was Jerrod and Noah behind him. As they got closer to Longview, Noah closed the distance, hoping the mayor of Tooksberry’s attention would be more on traffic in front of him than behind. When he drove past Waypointe Church, the two thought Itchy was on to them. When he pulled into the Longview Executive Inn and Suites, Jerrod told Noah to keep driving, figuring they’d been spotted.

“Pull onto this side street,” Jerrod said.

Noah took a right and pulled over in the grass. Jerrod craned his neck, waiting for Itchy to pull out and go the opposite direction. After waiting several minutes, Jerrod told Noah he’d be right back.

He ran to the far side of the hotel and peered over a fence. Itchy’s Mercedes was parked in front of a row of rooms. Jerrod raced back to the car to grab his camera gear.

“What’s up?” Noah said.

“He’s there! I’m gonna set up a camera on the rooms.”

“What about me? I can’t just sit here.”

“I don’t know. Go find a place and give me a call when you do.”

Jerrod was already running back to the hotel when Noah shook his head and put the car in gear.

* * *

Jerrod was hiding in the bushes of the neighboring Lone Star Hotel when Noah called and asked how long he’d be.

“I don’t know,” he said. “I have a camera set up and I’m monitoring it through my phone’s app.”

“Do I have time to get a pizza?”

“What?”

“I’m parked in the back corner of the Pizza Hut parking lot. I figured I’d get a pizza if we’re gonna be sitting a while.”

“Yeah…I mean, if you want to.”

“Cool…”

* * *

The sun was setting as Noah walked along the sidewalk, carrying a large meat lover’s pizza. He stopped between the two hotels and whistled. From a cluster of bushes, Jerrod returned the call they’d used since childhood. Noah surveyed the area and headed in.

After taking a seat beside Jerrod in the bushes, Noah said, “Got you extra red pepper packets, Jaybird.”

“Thanks.”

He opened the box, and grabbed a slice. Jerrod claimed his half of the pizza with a deluge of red pepper flakes and did the same. After devouring his first piece, Noah pointed to the phone on the ground in front of his friend and said, “Anything good yet?”

Jerrod pointed to a door on the camera app monitor and said, “They’re in that room.”

“Who’s they?”

“Dunno. Some woman parked around the back, went up, and then knocked. Itchy let her in.”

“Where’s the camera?”

“I mounted it on that fence. The trees hide it pretty good. Now, we just wait to see what it sees.”

* * *

When the pizza was wiped out, Noah said, “This is fun.”

“What is?”

“Sitting in the bushes with you. It’s like being little kids again…making forts and knowing all the good places to hide around town.”

“Yeah,” Jerrod said. “I feel for kids growing up in Tooksberry today. We were lucky to come up right before everything changed. I think we’re doing all right for a couple fuck-ups from a trailer park in Ass-Crack, Texas. I might not be directing movies, and you’re not a wrestling superstar yet, but at least we’ve stayed true to who we are.”

“Hell yeah,” Noah said. “And shit, there’s still time for those bigger dreams.”

Jerrod nodded. “Always is if you keep at ‘em! And even if they never come, we’ve still had fun along the way.”

* * *

Jerrod was considering turning off his phone to save the battery when the door to Itchy’s hotel room opened. He looked around and stepped out, followed by a woman who was definitely not Carrie Stevens. They embraced in a kiss. Itchy ran his hand over her body, ending on her butt, which he patted as they parted ways. After Itchy and the woman left, Jerrod retrieved the camera and headed home. There, after transferring the camera footage to his computer, he zoomed in on the woman on his system’s monitor.

“Holy shit,” Noah said.

“What?”

“That looks like Kristin Martin.”

“Who’s that?”

“The wife of the pastor at Waypointe Church.”

“How the hell do you know that?” Jerrod said.

“I know one of the A/V guys, there. He shot some footage when we thought the wrestling promotion might get a local TV deal. He invited a bunch of us to the church to look at their gear setups. She saw a bunch of wrestlers and sure seemed interested in us…if you know what I mean?”

* * *

Even before he began piecing together a documentary about the seizure and destruction of Lakeview Estates—and the effect it had on residents—Jerrod began his most ambitious video project to date: a timelapse beginning the day the trailer park was demolished that would be complete the day Mallard Lake Public Golf Club opened. Reverend Terry allowed him to set up a camera in the church. The safe location directly across the street from the construction site let Jerrod take a photo every 30 minutes that would later become footage he planned to use in his documentary, showing the passage of time between sections. Once a week, Jerrod stopped by the church to download images from the camera and to chat with Reverend Terry.

“Something’s bothering you.”

Decades of guidance and later, friendship, gave Reverend Terry an uncanny ability to seemingly know when something was knocking around inside Jerrod’s head.

“Yeah. Noah and I followed Itchy into Longview a couple days ago. We just wanted to get some footage of him walking into that huge church, but we ended up catching him meeting with someone in a hotel.”

Reverend Terry raised his eyebrows, but let Jerrod continue.

“Noah said it’s the wife of the pastor at Waypointe. It’s great for the documentary and could maybe even help this town get a new mayor if we leaked it during election season.”

“But…?” Reverend Terry said.

“But…I don’t want to do that to Carrie. We were never really hang-out friends in high school, but she was always nice to everyone—even me. Everyone at the trailer park. No idea why she ended up marrying Itchy, but still…Noah and I don’t want to see her hurt.”

“That’s very kind of you two,” Reverend Terry said. “One question, though: if you were married and your wife was cheating on you, would you want to know?”

“Yeah.”

“Then there’s your answer.”

“I don’t want her to think we’re doing all this out of revenge.”

“I think even Itchy knows you’re a good person. I’ve counseled enough people through breakups over the years. Some people seek counseling and stay together after something like this—others leave an old life behind and find a new way to live. But in every case, people deserve the right to decide how they want to handle things.”

* * *

The following Wednesday evening, Jerrod sat with Noah in his car, waiting for Itchy to leave. This time, they didn’t follow him—they waited for his car to disappear down Oak Street and then waited five more minutes before walking up and knocking on the front door of the guest house on the back of Scotty’s property.

Carrie answered, dressed for her evening alone on Main Street.

“Hey, y’all. Is everything okay?” she said.

Jerrod nodded. “Yeah. Do you have a minute?”

“For what?”

Jerrod held up an iPad and said, “We have something to show you…”

Carrie invited them into the living room. Noah took a seat in an oversized chair that was the perfect size for him, while Jerrod and Carrie sat on the couch. Jerrod placed the iPad on the coffee table in front of her.

“Before I show you what’s on here, I want you to know we won’t do anything with it unless you want us to.”

“What’s going on?”

Jerrod played the video.

“Who is that?” Carrie said when Kristin Martin got out of her car.

Jarrod advanced the video to Itchy and Kristin leaving the hotel room. He paused it to magnify the frame.

Carrie stared at the screen and said, “That fucking piece of shit…”

Her hand trembled as she pointed at her husband and his mistress. Jerrod waited for tears that never came.

“I’m so sorry,” he said. “This wasn’t easy to show you. I asked Reverend Terry if I even should, and he said you had a right to know.”

A full minute later, Carrie said, “He’s right: I do. What do y’all plan to do with this?”

“Whatever you want,” Jerrod said.

“What do you want to do with it?”

“Use it for the documentary somehow. But we weren’t gonna do another thing without telling you about this first.”

Carrie steadied herself with several deep breaths and then said, “You want something good for your documentary? Go get your cameras. I’m already dressed, and I have a lot to say…”

* * *

In the time it took for Noah to race home and pick up gear for an interview, Carrie drank a glass of wine. By the time Jerrod and Noah set up two cameras, microphones, and lighting, she finished another. She was loosened up when they were ready to begin.

“So, how’s this all work?” she said. “Are you asking me questions, or what?”

“I can,” Jerrod said, “but it’s usually best to just let someone talk. Don’t worry if your thoughts wander or you have to stop to think about something. We can cut out all that later. Ready?”

“Yeah,” she said.

When Jerrod gave Carrie the signal, she began talking.

“My husband, Bradley Stevens, and Scotty Walsh have been best friends since childhood. They played football together and attended college together. They were in the same fraternity at UT Austin: Sigma Chi’s Alpha Nu chapter. They have a fraternity brother named Matt Chappell. He’s a homebuilder today. They have another frat brother named Kirby West, the person building the golf course in town.

“I can only tell you what I’ve picked up from them talking, here and there, but Bradley and Scotty made sure to steer the city council to accepting Kirby West’s proposal for the golf course, even though he’s never made one. He’s a landscape designer. A good one, but still. He wanted a shot at a golf course, and they gave it to him.

“There’s no reason anyone would dig into their pasts to find out it was a sweetheart deal for all of them: Kirby getting to design a new course, and Bradley getting to feel like he one-upped Holstein as the better town. I think he’s never forgiven them for knocking us out of the regional playoffs in 2000. Itchy still says it was a bad snap and not his fault that he fumbled.

“The next phase of the plan is a golf community full of big houses. They’re waiting until things are further along, and then Bradley and Scotty will steer the city council toward giving that deal to Matt Chappell. The worst thing about all this is kicking y’all out of your homes. They sold it as being for the greater public interest of Tooksberry because they can’t legally profit from it. Of course, that’s not stopping them from making money.

“This is where it gets a bit hazy for me, but there’s a fake company set up in an offshore account. They have an ‘employee’ who doesn’t really exist move funds through a fake invoice scheme to another account in the states. Bradley and Scotty have access to that one—they set it up so the payments look like consulting fees for work they don’t even do. We’re also getting a new house on the golf course for a steal through one of those accounts, somehow. It’s all a bunch of friends doing favors for each other and making money along the way.

“I’m talking about this now because I’m done. I’ve put up with a lot of shit…sorry, I’ve put up with a lot of stuff from my husband over the years, but this crosses the line. When everything they’re doing is done, I’m reporting it. I want to give them enough rope to hang themselves. It’s bad enough they cut other companies out of being considered for proposals, but there’s no excusing tearing down your homes for a crooked deal. I’ll never forgive what the Flynn’s did to our house—I’m fine if they rot in prison the rest of their lives—but none of that would have happened without Bradley and his friends and this plan.

“When this is done, I want them to hurt more than all of us put together.”

* * *

Four months later, just as Carrie claimed, the Tooksberry City Council unanimously approved a zoning change for a golf community, with Matt Chappell getting the contract to build the new homes. After that, life in town returned to its slow normal pace. Some Wednesday nights, Jerrod met up with Carrie for dinner on Main Street, to keep up with Itchy’s plans, but also to talk about whatever was on their minds. While he never cared for most of the people in Tooksberry High School, he found himself fascinated by the stories of the people who left town that Carrie was still in touch with. When he’d done all he could do with the Lakeview Estates documentary, he shifted attention to Noah’s. And when that slowed down, he contacted former residents of the trailer park for more stories and footage. His online marketing company was doing well enough that he considered petitioning for a zoning change of his own on the house he shared with Noah, making it an official place of business clients could visit, but he knew it wouldn’t pass the council’s vote.

Months became seasons—time seemed to expand and contract at once, making life a blur. Some days, Jerrod was amazed by how much he’d completed on projects, while other days passed by too fast, with no time to finish a thing. With each visit to Reverend Terry at the church, the progress around Mallard Lake Public Golf Course surprised him. Every time it seemed they were nearing completion, something new would spring up as he worked on his master timelapse.

Three months shy of the golf course’s completion, Carrie finally called the county and had her say.

* * *

The arrest of Itchy and his fellow conspirators was not the exciting thing Jarrod imagined. There were no FBI agents working in unison with the IRS, storming homes and taking them in against their will. Rather, there was a knock on the door and Itchy willingly going along with law enforcement. He was booked and released on bail to wait for a trial date. The only footage Jerrod shot was Itchy leaving Scotty’s guest house in handcuffs and placed into a cruiser.

The shame of being arrested and on the news didn’t deter Itchy and Scotty from acting like they’d done nothing wrong; in fact, when addressing the city council, they positioned themselves as victims in the whole affair, all for trying to better the town. Jerrod tried provoking the two at city council meetings, walking a fine line of accusations and not being escorted out by Officer McCollough. It wasn’t until Jerrod and Noah bumped into Itchy on Main Street that he pushed the mayor to the point of breaking.

“Itchy,” he said, “Got a sec? I’d love to get your side of this story. Nothing big: just about the upcoming trial and your divorce.”

“Fuck you! Get that camera out of my face, J.J.”

“We just want to hear your side of things. If there’s nothing to hide, it seems like you’d be more than happy to talk.”

Itchy ignored him and continued walking.

“I’d really love to show you all the footage I have. Especially your Wednesday night visits to the Church of the Longview Executive Inn and Suites.”

Itchy turned and charged. Noah restrained him before he got hold of Jerrod, who put his camera in the mayor’s face right as he said, “I’ll fuckin’ kill you, J.J.!”

Jerrod smiled and said, “I’m guessing that threatening a potential witness at your trial won’t sit too well with your bail bondsman or the court. But feel free to keep talking. Unlike you, I’ve got nothing but time.”

* * *

Jerrod and Noah helped Carrie pack what belongings she’d accumulated since the fire into a ten-foot U-Haul moving truck. It was a seven-hour drive south to Corpus Christi, where an old high school friend offered to help her through the final stages of the divorce by providing a place to stay and a job in her consignment shop, giving Carrie time to figure out the rest of her life.

Carrie climbed into the truck and rolled down the window. “Thanks so much, y’all.”

“For what?” Jerrod said.

“Doing the right thing. I don’t know how I could have done this all without you.”

“Well, thanks for always being nice to us when no one else was,” Jerrod said. “I know this isn’t how any of us wanted things to work out, but it’ll all be good. I really believe that.”

Carrie smiled. “I do, too.” She started the truck and said, “This isn’t goodbye for good. Y’all better stay in touch. And when that documentary’s done and it makes it into festivals, because it will—you damn well better invite me. I’ll be there.”

“Thanks,” Jerrod said. “Be careful heading down south.”

“I will.”

Jerrod raised his camera and filmed Carrie driving down the street. When she disappeared from view, he panned over and up, capturing what would become the final scene of his documentary: a shot of the Tooksberry water tower glowing in the fading spring light.

* * *

Epilogue

Mallard Lake Public Golf Course opened to local fanfare on a perfect day in May. Only two residents of the new Lakeview Estates development—Mayor Stevens and Scotty Walsh—knew it was once a trailer park.

Bradley “Itchy” Stevens, Scotty Walsh, Matt Chappell, and Kirby West were ordered to pay $200,000 to each former mobile home owner or lessee displaced by their scheme. In addition to the millions owed in restitution, each served a six-month prison term, followed by twelve months of home incarceration. In the end, all four still profited on their scheme.

Carrie Stevens assumed her maiden name—Carrie Galloway—and opened a snow-cone stand called Carrie’s Cones north of Isla Blanca Beach in Corpus Christi. She discovered she was far more suited for condo life on the Gulf than small-town life in East Texas.

Bonnie Kirkland not only made it on The Price is Right, but she won the Showcase Showdown. In her bedroom, she still watches the evening news on the TV her mother won when Bonnie was a kid.

Carlos Espinosa used his restitution funds to build a car that took third place in the Street Car Takeover at Texas Motorplex. He’s a long way from facing Sean Bellemeur or Doug Gordon in a big race, but he vows that one day, they will know his name.

The Flynn triplets turned out to be model prisoners. Marlon and Marcus served one and a half years before making parole, and Marshall will be out in plenty of time to catch up on life. Once a month, they make sure a dozen roses are placed on Ms. Rose’s grave.

 The documentary about Noah Cooper, combined with his strong work ethic and solid social media presence, brought some much-wanted attention his way. He said goodbye to the Pineywoods Wrestling Alliance after finally getting a break with Ring of Honor wrestling in Florida.

Jerrod’s timing in releasing the footage of Itchy and Kristin Martin’s hotel meeting to the media couldn’t have been more ideal. With the negative publicity, Itchy was finally toppled as mayor, and The Lakeview Estates documentary premiered at Sundance Film Festival. Jerrod invited Carrie as promised, but she couldn’t make it to a showing until it played at South by Southwest in Austin. Other festivals followed, until the January morning Jerrod watched the live stream of the 96th Oscar Nominations. He almost vomited when he was chosen as one of five documentaries in the Documentary Short Film category.

It may not have been the Academy Award for Best Picture he dreamed about as a teenager, but to this day he’s the only person to ever accept an Oscar in an Iron Maiden t-shirt.

[Quirky music fades in…]

Christopher Gronlund:

Thank you for listening to Not About Lumberjacks.

Theme music, as always, is by Ergo Phizmiz. Story music was by Roy Edwin Williams, licensed through Epidemic Sound.

Sound effects are made in-house or from Epidemic Sound and freesound.org. Visit nolumberjacks.com for information about the show, the voice talent, and the music. Also, for as little as a dollar a month, you can support the show at patreon.com/cgronlund.

Next time, it’s not only the November anniversary episode, but the 50^th story episode of the show! So, what’s in store for the most NOT Not About Lumberjacks story of the year? How about this:

A lone lumberjack finds herself alone on the side of a mountain with whomever—or whatever—killed her fellow loggers.

[Quirky music fades out…]

[The sound of an axe chopping.]

Until next time: be mighty, and keep your axes sharp!