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Behind the Cut – Taller than the Moon

July 13, 2019 by cpgronlund 2 Comments

“Taller than the Moon” is the first serious short story I ever wrote. It is roughly thirty years old.

Some thoughts about those early writing days — and literary fiction in general.

Episode Transcript >>

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Filed Under: Behind the Cut, Episodes Tagged With: Taller Than The Moon

Taller Than The Moon Trascript

June 23, 2019 by cpgronlund 1 Comment

[Listen]

[An ax chopping wood; THEME MUSIC plays…]

Host: Christopher Gronlund:

“I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and most months I try to share a story. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny — other times they’re serious. But you have my word about one thing: I will never — EVER — share a story about lumberjacks.

This time, I dig back to what might be the first real short story I ever wrote…and the only story that came to me in a dream.

All right–let’s get to work…

Narrator:

Taller Than The Moon

[Somber music plays…]

I always wanted to be taller than The Moon. “The Moon” was my brother’s nickname, he got it when he was very young, before I was born. My parents were toilet training him and—never one to sit still for any length of time—he ran from the toilet with his diapers down around his ankles, exposing himself to all in the vicinity. My folks had a slew of nicknames for him: “Moonie,” “The Great White Crack,” and “The Moon.” The latter stuck with him and was a nickname he carried all his life. Nobody, not even my parents, called him Adam Stokowski.

I grew up on a flat stretch of hard farmland in Texas. We had a couple two story buildings in town—the bank and the church—but the only truly tall things in town were the clouds of dust rising up from the infertile soil, and my big brother, The Moon.

The Moon was two years my elder and everything I could only hope to one day become. He was as fast as a gazelle, while I did my best to keep a snail’s pace, until finally being confined to a wheelchair. Every girl in town wanted to date my brother, but when I was around, they walked away. It wasn’t my fault that my spine twisted and that I spoke softly. People talked about The Moon long after he left a room; when I left a room, people only laughed. (My hearing wasn’t that bad.)

The Moon was perfect—at least in the eyes of everyone in town. He shined hope on the 251 residents of our hometown. He was my ray of light, someone who always made me feel bigger than I actually was. Maybe that’s why the town looked up to him: he had a knack for making everyone in his presence feel big.

The Moon carried our town to back-to-back state high school football championships—a big thing in Texas, regardless of the size of the school. I never understood the game’s appeal; perhaps if I did, I’d also understand why grown men and women would pile their burdens on a teenager with a football and force him to carry their hopes and dreams on his shoulders, like Atlas. The way we all looked up to him, you’d think—just like the real moon—that he controlled the tides.

The Moon became even more legendary when he landed a football scholarship at Texas A&M University, but things changed when he gave up the chance to play ball to serve in Vietnam. On his first tour, he came back with the Medal of Honor.

The town held a loud parade for him, consisting of the high school band, some Cub Scouts, and the mayor driving around in a convertible. His second tour, he came back with a Purple Heart and an addiction to morphine, which turned to heroin.

Our town fell silent.

Gone was that Prometheus smile, bringing light to all it shined upon. No longer did The Moon make everybody feel big. His depression and addiction put him under a microscope; people spoke of him only in whispers—some said he betrayed them. I wanted to step up and defend him like he did so many times for me, but all I could do was sit back, like everyone else, and watch my brother slide deeper toward an inevitable end.

I’ve read his obituary so many times that I can still recite the damn thing from memory.

November 11, 1970
Services for Adam Stokowski are
scheduled for 10 a.m. Friday at
the First United Methodist Church
on Sycamore St. Adam died
Sunday in his family’s home. He
was 25.

Survivors include Mr. Stokowski’s
father, Benjamin; mother, Carol;
and younger brother, Michael—a law
student at the University of Texas,
in Austin.

I’ve only returned home a few times since finishing college, always for Christmas. I still expect to see my brother when I visit. I expect to hear the backdoor crash open and slam shut, followed by him charging through the kitchen, but this old house died with him. Seven years later, my parents aren’t the same; seven years later, I’m not the same. Perhaps everybody in town was right: maybe in some sick way, The Moon was our only hope.

I wake up on Christmas morning. For a moment, I feel like a kid again. I crawl to The Moon’s bedroom to wake him up so he can help me down the stairs and shake the gifts Santa Claus brought the night before, but his room is silent—it’s been that way since he died, a sick museum for my parents to visit and feel sorry for themselves.

I make my way down the steps, sliding down one at a time on my rear, and I get into my wheelchair at the bottom of the stairs. I don’t go to the living room to check presents, though—Christmas has lost its magic, and my parents will sleep late this morning. I go to the kitchen to get breakfast, instead.

I open the pantry to get some cereal and I see the crude growth chart my parents made to chronicle the growth of my brother and me when we were younger. Our early years are marked off in three month increments on the back of the pantry door. Around our teens, they;re marked off annually. I see The Moon’s markers and compare them to mine. Early on, we grew about the same rate, but when I read: “The Moon – 10 years old – 1955” and I see the corresponding pencil mark, I realize that’s about the time my growth slowed, when I was eight. From age ten, he just grew and grew, while my spine twisted more and more. I was jealous of my brother then, and he must have known because he did everything he could to make me feel special. I remember how he’d pick me up so I could see things on the top shelf. I remember how I told him I’d be taller than him, someday, and how he’d hold me high above his head and say I already was. I can still hear him shouting, “You’re a giant, Mikey—you’re a giant!” as he carried me around the house on his shoulders.

I look at the growth marks on the pantry door and wish I had made eggs, instead. I think about all those years I wanted to be the one everyone looked up to. My little town now sees me as the big-city lawyer who made good, despite all my struggles. In a strange way, I suppose I got my wish: I’m finally taller than The Moon.

What I wouldn’t give to feel small once again…

[Outro Music plays…]

Host: Christopher Gronlund:

A big thank you for listening to Not About Lumberjacks. All music by Ergo Phizmiz and Kai Engel. Visit nolumberjacks.com for information about the show, the voice talent, and the music.

Okay, I know I’ve talked about the post-apocalyptic office story forever. It’s written, but…it got out of hand? I introduced a character along the way and now I feel like I need to add more, but…anyway, I don’t know if I’ll have that ready for next month, so…with all that editing to be done, and with novel stuff taking priority over short fiction, you might get that story about the kid who makes a monster in his bathtub next time. And if that’s the case, it means that I have exhausted all short fiction that I’ve previously written. But then…maybe I might actually edit and put the post-apocalyptic office story together by then. We’ll see…

And really, at this point—as much as I’ve hyped that story—it really needs to live up to at least a couple people’s expectations. So there’s that side of me that’s like, “Eh…I should just keep coming up with excuses like, ‘Oh, it was a beautiful day, so we opened a window and I had the manuscript sitting there and suddenly a turkey vulture came in and flew off with it. Or…’Hey, I finally recorded that story, but uh…I forget to press record, so…I don’t really have time to rerecord it, so here’s this other story.’ Or even just going all out there and being kinda like, ‘Hey, a company I used to work for uh…got a leaked copy of the story somehow and…they think it’s about them, so…this could be a court case that drags out for years.'”

But while chatting with my wife earlier today, I think I did figure the way out of this, so…I do think that maybe next month you’ll hear it. If not, you’ll hear a story called “Booger.” One of those two.

Anyway…Until next time: be mighty, and keep your axes sharp!

[Outro music fades; an ax chopping wood…]

Filed Under: Transcript

Taller Than The Moon

June 15, 2019 by cpgronlund 3 Comments

A trip home to visit his parents brings with it a flood of memories for Michael Stokowski.

[Random side notes: I believe this is the first true short story I ever wrote. Also, it is the only story I can think of inspired by one of my dreams…]

Content Advisory: A family deals with the fallout of a suicide. Mention of drug addiction following serving in the Vietnam War.

Episode Transcript >>

* * *

Credits:

Music: Ergo Phizmiz and Kai Engel.

Story: Christopher Gronlund.

Moon Image: Luca Huter.

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Filed Under: Episodes Tagged With: Literary, Taller Than The Moon

Waking the Lumberjack BtC Transcript

April 13, 2019 by cpgronlund Leave a Comment

[Listen]

Intro Theme Music plays…

Female Announcer (Cynthia Griffith)
This is behind the cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

Christopher Gronlund
While I write everything for Not About Lumberjacks, and narrate most of it myself, regular listeners know I sometimes rely on help from others. With the latest story, “Waking the Lumberjack” being a one-shot audiodrama, I brought in a handful of people. Tim Czarnecki, whom I’ve known for over 30 years, plays the narrator in the episode.

Much like the Behind the Cut interview I did with the narrator of the previous November anniversary episode, when I spoke with Michael Howie about narrating “The Hidebehind,” I thought it would be fun to sit down and chat with Tim.

INTERVIEW BEGINS

Christopher Gronlund
All right, let’s get the question that gets to most people out of the way. Tell us who you are, Tim.

Tim Czarnecki
Okay, uh…that’s a big question. I don’t have a very interesting answer, I’m afraid. I am a 50-something [year old] graphic artist and collector of role playing game books, who most of the time would rather be playing D&D.

Christopher Gronlund
I’m with you on that. I mean, we played Dungeons and Dragons every other week, at least–

Tim Czarnecki
At least.

Christopher Gronlund
Except for last month because we had some things come up. And it was like…

Tim Czarnecki
Yeah…

Christopher Gronlund
A whole month without D&D!

Tim Czarnecki
It was…it was very strange. But, like, when you go a long time without eating sweets or having a drink, for instance, when you finally do — when you finally get there, and you finally get to play again, it’s a blast. We had a great game last weekend.

Christopher Gronlund
One of the best games I…one of the best games of D&D I think I’ve ever played.

Tim Czarnecki
Yeah, it was a really good one.

Christopher Gronlund
I really had a great, great time. But we’re not talking about [D&D]…we should just do a D&D podcast someday… But…so how do we meet?

Tim Czarnecki
How did we meet? Uh, we both told the story many times.

Christopher Gronlund
[Laughter]

Tim Czarnecki
We met at a place called Teach House USA in Denton, Texas. And basically we were glorified door to door encyclopedia salesmen targeting especially vulnerable military families near the bases around North Texas, Southern Oklahoma…that kind of area.

Christopher Gronlund
Yeah, there was that one weekend they put me on a reservation, and the first house I went up to seriously had a plywood door with, like, two things where you could just see somebody twisted a knife to make holes and tied it to a structure with twine.

Tim Czarnecki
[Chuckling]

Christopher Gronlund
So I knew…that was the weekend I was just like, I went to the park and I don’t know what tribe they were with, but there were just some guys hanging out at picnic bench. They had a big cooler, they were cooking, they had beer, and I just hung out with them all day because I…I knew I wasn’t gonna sell encyclopedias.

Tim Czarnecki
Well, you–you had it a lot better than I did. I, as you know, from the years and years we’ve known each other, know that I’m a more…probably a more earnest person, and not in a good way. I mean earnest in a doofy way. So I really, really tried at this job and I still did not do very well.

And my main incident…the incident I will remember the most, is the time I got threatened by magazine salesman — one of them carrying a tire iron as they told me to get out of the area they were selling stuff in because I was on their turf.

Christopher Gronlund
It was…it was like something out of a movie. People only chased me out in neighborhoods thinking I was a child molester.

Tim Czarnecki
That…that’s probably just about as bad. I mean, with me it was like shitty Glengarry Glen Ross. You know, it’s like–

Christopher Gronlund
Yeah, like something out of, you know, an 80s John Cusak [movie]. You know, with the, “two dollars…” These guys are coming at you with, you know, tire irons and stuff. It’s like–and that, yeah, just that they were magazine salesmen chasing out encyclo–

Tim Czarnecki
Yeah.

Christopher Gronlund
I mean, that’s like the stuff of parody.

Tim Czarnecki
Uh, it is. And I think it would make a very interesting story. Maybe another Not About Lumberjacks story, who knows?

Christopher Gronlund
Hey, that’s actually a good idea…

Tim Czarnecki
[Laughing] Well, it was certainly interesting. But I will say that the best thing that happened was that I met Chris working at this place. And I think one of the things that we…we don’t — we talk about meeting there, but what really catalyzed our friendship, I would say, is I had been living in Denton and you know, whenever…when everything went belly up at Teach House for all of us.

Christopher Gronlund
Yeah, we’re all–

Tim Czarnecki
We all kind of left at the same time. I was going to have to leave Denton and move back to a small town far, far south of–

Christopher Gronlund
Hillsboro…

Tim Czarnecki
Far south of the DFW area called Hillsboro. I was going to have to move back with my parents. Now in my defense, the alternatives were living in my car or couch surfing, which was not really a thing back in the late 80s? I think that was?

Christopher Gronlund
Yeah, it was late — like ’88…’89, yeah?

Tim Czarnecki
But I happened to be driving home with probably the last of the stuff that I had in my apartment up in Denton, and I happened to be…it just-so-happened that Chris was driving on the same highway. This is a highway mind you.

Christopher Gronlund
I was coming off…I was actually coming home from a job at the sprout farm getting on 35. And I was like, “That looks like Tim’s car…”

Tim Czarnecki
So this guy chases me down in the car. We pull over to the side of the road and we chit-chat for a little while. And, basically, one thing led to another…he invited me to come up and visit them, and…I met a whole group of friends that really my formative friends: my friends, from my late 20s to mid 30s. You know, that was where I met many other people that became such a huge part of…of who I am today. And if it weren’t for Teach House USA and Chris chasing me down on a highway, it would have never have happened. So…

Christopher Gronlund
There you go. Well, neither of us believe in destiny. But–

Tim Czarnecki
That’s right.

Christopher Gronlund
That’s probably the closest I’ll ever come to going, “Ehhhh, okaaaaay…”

Tim Czarnecki
Yeah. [Laughter]

Christopher Gronlund
So, what did you think when it came to you asking if you wanted to play the narrator in “Waking the Lumberjack?”

Tim Czarnecki
Obviously, I was very flattered. I have listened to Not about Lumberjacks for quite some time. As well as, uhm, Hell Comes With Wood Paneled Doors, which we also enjoyed quite a bit. My…my wife is the one who got me to listen to that.

Christopher Gronlund
Yeah.

Tim Czarnecki
The whole way through. But Not About Lumberjacks is just the perfect length for me to listen to. It’s a perfect length story for me listen to while I’m working. Generally, I don’t listen to actual stories because I lose the thread too quickly if it’s a long form story. So this is…that’s one of the main reasons I started listening. Plus, it’s you — so of course I’m going to listen because I love it. I love your sense of humor. I love the way you think. And that just is a way for me to enjoy it when you’re not around. So yeah, I was flattered.

Christopher Gronlund
All right. Very, very cool. You did a very great job. And that’s not just me saying it. Other people who listen, really loved what you did. Do you have any background and acting? I mean, like, you could even go way back.

Tim Czarnecki
Well, I have to go way back. You know that when we’ve talked about every once in a while, when I was in high school, I got involved in drama. I didn’t really think I would be the kind of person to be good at it. I was relatively shy at that point. But once I did it, I was hooked and I really loved it. And even before then, back in the days of cassette tapes, I would record myself being all of the characters in a…in an offbeat episode of the Bugaloos or Sigmund and the Sea Monsters or something weird like that…and play it for my little sisters…who, thankfully, were young enough that they thought everything I did was hilarious.

Christopher Gronlund
[Laughter]

Tim Czarnecki
And they laughed all the way through despite how goofy it probably really was.

Christopher Gronlund
Man, that would be great to hear some of those old tapes. I don’t…

Tim Czarnecki
I don’t know if those even still exist anymore.

Tim Czarnecki
My sister and I, when I got one of the big oversized Star Wars comic books, we divvied up different roles and we did, like, a dramatic reading of the Star Wars comic.

Tim Czarnecki
[Laughter]

Christopher Gronlund
I wish…I think the only tape I have, thinking about it, is my friends up north, the Cacioppo brothers, crank calling people…and at one point my friend Paul and I threatened to beat up his little brother unless he sings “Run to the Hills” by Iron Maiden. So I have him, under forced duress, singing “Run to the Hills.” It’s…it’s horrible.

Tim Czarnecki
[Laughter] If only–

Christopher Gronlund
I think that’s the only cassette I have from my youth.

Tim Czarnecki
That…that sounds like something that would have been very popular back in the 80s to do on, like, the zoo radio type shows.

Christopher Gronlund
Yeah, I mean it was…you know, but it was like really stupid crank calls because we were seventh…eighth graders. But–

Tim Czarnecki
That’s the best time.

Christopher Gronlund
It…it really is. So…uhm…

We, you know…we’ve known each other 30 years. We used to do comic books together. Tim’s done logos and art that I’ve used in presentations. He was…actually, this is not Tim’s first appearance on Not About Lumberjacks. He was one of two people in Episode 16: Bobo…the one about the clown who yelled, “Fuck you, clown!” Tim and his son. But it’s been a long time since we really sat down and collaborated on something together. So…how was it again working with each other for you?

Tim Czarnecki
Oh, it was fantastic. That’s one of the things I miss most about being…really about being in my late 20s, early 30s…was the time that you and I and Mark would spend working on comic books and…and other projects together. Sometimes just…anything that we worked on — I had a good time. I really felt like…I really felt like you and Mark really pushed me to be a better artist back then. And you listened to my ideas when I had them. As you know, I’m a wellspring of ideas that come and go quickly, and if I don’t do something with them right away, they usually drop off to the wayside very, very quickly. But yeah, I…I loved collaborating with you again. It was a blast.

Christopher Gronlund
No…I…I had a complete blast, too, because the same thing. I mean, that whole time of our lives was neat, because somebody would come up with an idea. And instead of just, you know — now that we’re like, all in our, well…I’m in my — I’m 49. Tim’s in his early 50s. We’re all in our 40s and 50s. You don’t have, really, that ability to be like back then where, “Oh, I’ve got this idea!” And you know, then you talk about it, and then you move on. Back then it was like, “I’ve got this idea.” And then your friends are like, “All right, let’s do it!”

Tim Czarnecki
Right.

Christopher Gronlund
And next thing you know, the very night you come up with the idea, it’s like, “Holy crap — Tim’s already done concept sketches of the characters and all this,” And…that collaboration is something, as a novelist, and even just doing this because most of it is just me narrating. So actually, putting something together with other people was a lot of fun and kind of reminded me of those times.

Tim Czarnecki
Right. I agree.

Christopher Gronlund
Obviously I’ve wanted to work on something with you for some time. In this case, the voice that you use for the narrator…what really hit me, where it’s like, “We have to get Tim,” was we play Dungeons and Dragons every other week — and one week Tim just came up with this voice. And, you know, it was a little bit different than what you hear in the episode, but driving home my wife was even like, “You have to get Tim to do something for Not About Lumberjacks.”

And I was like, “Well, I mean…November I always do, for the anniversary of the show, I always do something that is not about lumberjacks, even though the word lumberjack often appears quite a bit in there.” So, uh…how much time do you put in [for] voices for the Dungeons and Dragons games that we play? And did that really help you in the role?

Tim Czarnecki
I think it did. And I think it would probably help me in other roles. It’s a little different in that when I’m doing the the voices for our D&D game, a…all of the dialogue is improvised. And when I’m sitting at the table, it’s usually just me interacting with you guys. So it’s much easier for me to kind of stay in that character and that character’s head space…and maybe do the voice more consistently.

I think when I was…when I was listening back, I was…all I could think to myself was, “I needed to slow it down just a little bit.” But I don’t ever hear myself at the table, except when I listen to the games that we play, which Chris is nice enough to record. That lets me hear what…how I’m doing on my voices, and I practice them all the time. I practice them when I’m in the shower — I do voices. When I’m working at my desk, because I’m by myself most of the time, talking to my dogs.

Christopher Gronlund
I was gonna say, but you have the dogs–

Tim Czarnecki
I have two.

Christopher Gronlund
One of whom is deaf…

Tim Czarnecki
One of whom is deaf and doesn’t hear me anyway. But when my…I…when my lips are moving, he always looks at me like I’m saying something to him. So I forget he’s deaf sometimes.

I practice voices all the time. I think it helps quite a bit. I think it helps you when you’re playing D&D as a…as a dungeon master. I’m sure this is true of most game masters that…especially ones that do silly voices at the table. You have a vision in your head of what this character is like. So you start imitating the…the gestures, the facial tics you think this character might have, and that helps make the voice consistent when you’re at the table. It’s a little bit different when you’re sitting in front of a…a microphone, especially when you’re not used to doing it. Which…this was the first time I had ever recorded anything for a podcast, so it was unusual, but I think it did help.

Christopher Gronlund
No–…And it was…it was really cool because I also sometimes run games. But one of the things with my voice is, even though it’s…you could kind of usually tell it’s me ’cause I sort of always sound a little stoned or something, even though I don’t get high. Even if it were legal — not my thing. But hey, we have stories about that from when we were younger…and the reason that it’s not a good idea for me to get stoned. But anyway…like my voice, I even…if I tried to do other voices, I have such a limited range. And that’s one of the things that I think is really impressive. And I think it’s…one of the reasons I asked this is I know you practice and you have that ability to just do all these different voices. And I think that’s one of your strengths. And it’s one of the reasons that were it’s like, “Yeah, let him be the dungeon master. He’s more fun than–

Tim Czarnecki
I don’t think that I’m necessarily more fun, but I’m glad you guys let me be the DM. It’s a lot of fun for me.

Christopher Gronlund
I think the only person that you had ever heard from the episode that you were in was Michael Howie…and that’s because he’s on a…an actual play podcast called The End of Time and Other Bothers. But what was it like hearing your voice mixed in with other people, most…mostly people that you don’t even know?

Tim Czarnecki
It was interesting. I felt like, as the narrator, there wasn’t as much interaction between the…my character in the audiodrama and the other characters. When I listened back I thought it was really…it was neat thinking that, “Oh, Chris just recorded his lines, and then so-and-so recorded their lines, and he just mashed all this together.” And to me, that’s a kind of magic that I just don’t quite understand. So it seemed amazing to me.

It did make it obvious to me, when I was listening, that I really needed to slow myself down a little bit — and I…and I wished that I had a more interesting natural voice. Like I said, when I hear me…when I listen to my voice, I hear me. That’s all I hear.

Christopher Gronlund
Yes.

Tim Czarnecki
And so, oh — I hear a guy who is talking through his nose and probably talking too fast…and doesn’t matter what character I think I’m trying to do. That’s what I hear in my head.

It…at first I was a little nervous about how I was going to stack up next to these people who do actual play podcast[s], who do voiceover work, who are really trained in this sort of thing, because I’m definitely an amateur. But it was neat to hear.

Christopher Gronlund
No… I…I had a blast putting it together and just hearing everybody come together. And…you know, just kind of going back to the game master thing: The other person who — even though you only hear him as the nice guy who comes up asking for autographs…uh, my friend Rocky Westbrook. He’s a game master and he’s kind of like you: he has that ability to just do just so many different voices. So…I guess if there’s a point there, it’s become a game…a game master for a role playing game and just practice those voices. ‘Cause you get…you definitely get the opportunity every couple of weeks.

Tim Czarnecki
And it’s a lot of fun.

Christopher Gronlund
Yeah. So now that you’ve done this once, if I ever came to you and said, “Hey, Tim, I have a role for you,” would you wanna do this again?

Tim Czarnecki
Absolutely. I would do it again in a heartbeat. I would, uh, probably even practice more than I did, and, uh, maybe have to go buy a cassette player so I could record myself beforehand to really nail the voice.

Christopher Gronlund
No, no, definitely. I understand that. I do have two things sometime in the future. I mean, obviously, I’m wrapping up a novel right now. But…one of ’em…sadly, you’d be playing an old man which–

Tim Czarnecki
[In a mock old man voice] I think I do a good old man voice. It comes naturally to me…

Christopher Gronlund
[Laughter] The saddest thing is that we’re starting to reach that age where…where you just do our normal voices. I mean it’s somebody’s grandpa, so.

But the other one is a demon and, uh…the…actually that whole demon thing came, again, from a D&D character that cracked me up.

Tim Czarnecki
[Laughter]

Christopher Gronlund
That…and it’s like, “God that voice has to be in, like, an audio drama, or even a ser…a short series,” because it cracked me up so…I’m glad that if I come to you and say, “Hey I’ve got an idea for ya,” that you’re willing to do it again.

Tim Czarnecki
Absolutely. So, if you listen to Chris on a regular basis and don’t want to hear my voice again, let him know right now.

Christopher Gronlund
Nah, everybody would want to hear you again…especially doing a demon.

Tim Czarnecki
[Laughter] I don’t know. I’d have to think about how the demon acts.

Christopher Gronlund
Yeah. Well he’s…he’s an ass. He’s pretty much the ch–…the character that you…I can’t even remember–

Tim Czarnecki
Oh, the mephits?

Christopher Gronlund
Yeah, the mephits–

Tim Czarnecki
That wanted to eat babies?

Christopher Gronlund
Yeah the one that, “I want to eat a baby–“

Tim Czarnecki
[Funny voice] I want to eat a baby…

Christopher Gronlund
That guy just cracked me up. It was like Louie DePalma from, you know, Taxi and crossed with a demon and…

Tim Czarnecki
Well just be thankful you only have to hear me do it every couple of weeks. My wife has to hear me do goofy voices all the time and…I don’t know if she thinks it’s as charming

Christopher Gronlund
[Laughter] I’m, yeah…Yeah maybe not.

Tim Czarnecki
Probably not. [Laughter]

Christopher Gronlund
Probably not. Well, is there anything else you want to say, Tim, before we go?

Tim Czarnecki
Just, thank you for the opportunity to be on Not about Lumberjacks…and to sit down and have a conversation with you. And for sharing beer with me.

Christopher Gronlund
Yes.

Tim Czarnecki
The time you and I and your lovely wife got to spend chatting beforehand.

Christopher Gronlund
Excellent. And speaking of beer, there’s one more beer, so we’re gonna go drink it.

Tim Czarnecki
Woo-hoo!

INTERVIEW ENDS

Christopher Gronlund
Writing fiction is lonely work. I’d not be the writer, or even the person I am today, had I not met Tim Czarnecki.

The times mentioned in the interview when Tim, his roommate, Mark Felps, and I were inseparable were some of the most important years of my writing life.

Last year when I interviewed Michael Howie for the Behind the Cut episode for “The Hidebehind,” I mentioned a line from Robin Sloan’s book Mr. Penumbra’s 24-Hour Bookstore that goes, “There is no immortality that is not built on friendship and work done with care.”

Those times working with Tim early on when I started writing will always live on in me.

It was such a pleasure working with him again…

Outro Theme Music Plays…

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called “Reaper” by Razen. Visit nolumberjacks.com for information about the music, the episodes, and the voice talent.

Next week, in honor of Christmas, I’m bringing back the literary stocking-stuffers in the form of a handful of micro fiction stories.

Until then, be mighty and keep your axes sharp.

Filed Under: Behind the Cut, Transcript

Christmas Cuts BtC Transcript

February 3, 2019 by cpgronlund Leave a Comment

[Listen Here]

[Female Voice]
This is Behind the Cut with Christopher Gronlund. The companion show to Not About Lumberjacks.

[Christopher Gronlund]
Each story for this year’s Christmas episode is a first draft. Granted, they are polished first drafts (and by that, I mean I wrote them, read them for any typos or any glaring errors, and then called them done), but none of the stories received much consideration beyond their creation.

It’s obviously not the way I write novels, but it’s how I write most of my short stories. Of course, that means I sometimes end up thinking, while recording, “Oh, man…I would have loved doing more with that part of the story,” but I rarely think, “I should have cut this part or rewritten everything.”

“The Crock” was written for a writing prompt. On Patreon, I support the crew doing the audiodramas, Alba Salix: Royal Physician and The Axe and Crown. They also do an actual-play roleplaying show called The End of Time and Other Bothers.

On the Discord server available to patrons, there’s a closed writing group that sometimes creates stories based on writing prompts. While I love that kind of thing, I rarely take part…because I always have enough other writing going on. But there was something in this prompt hooked me:

An evil spell is cast upon a mundane household item, but the homeowner has no idea.

Granted, the narrator of “The Crock” figures out that her mother-in-law placed a spell on the Crock Pot gift in the story, but to me, a prompt is just that: a thing to spark an idea.

With that in my head, I knocked out the story in 15 or 20 minutes on a lunch break.

#

Patrick K. Walsh does a horror podcast called Screamqueenz: Where Horror Gets Gay. It’s a lighthearted look at campy horror movies. I’ve been on the show twice: episode 228, discussing Dave Made a Maze and episode 250 talking about Night of the Comet.

I’ve wanted Patrick to narrate a story for Not About Lumberjacks for some time. So, when looking in the Evernote file I keep of story ideas, “Greetings” jumped out. And when I began roughing out the idea with Patrick in mind, the story—as they say—practically wrote itself.

I wrote the opening before bed one evening and then, the next day, I finished the story during my lunch break. Like “The Crock,” my wife gave it a quick read, pointed out a couple typos, and then I called it done.

Because I viewed the story belonging to Patrick as much as to me, I told him he could run with any idea he had as he narrated. There are a few lines made better in the moment by him, which is why I love working with other people on projects. Sometimes other people make a good moment in a story great. Patrick definitely has a knack for that…

#

I almost wrote “Naughty” for last year’s Christmas episode. I had a note in my story ideas file that was something like, “A shitty little kid does something to Santa Claus and gets what he deserves or learns a lesson in the end.”

I had NO idea what I was going to do with the story until I started writing it.

When I was young, my big sister showed me how to open wrapped gifts to see what we were getting before Christmas even arrived. It was a shitty thing to do to a single mom who busted her ass to ensure we had memorable Christmases. So I figured I’d start with Bobby getting caught unwrapping hidden gifts. From there, the story flowed.

Initially, I planned to have Santa Claus in the story, but it made more sense to have Santa’s menacing brother arrive to teach Bobby a lesson. When it came time to discuss the tattoos on his knuckle [sic], “PAIN” spelled out across them was an easy option. For the other hand, I had no idea…so I opened a web browser and searched a Scrabble dictionary for four-letter words that seemed fitting.

I had jotted down other options before settling on MOJO, but MOJO was too good to pass by. And just like that, Not-Santa had a hand with which he could dish out physical pain, and then a magical MOJO hand that could do ANYTHING.

Once it was established that Bobby was properly shitty and that Not-Santa could do anything he wanted, the story turned dark. I got to watch a couple people listen to this story in person (I didn’t even have my wife read this one before recording it), and it was great seeing the horrified looks on their faces as a kid is actually tortured on Christmas Eve…and then the uncomfortable laughter that comes with taking pleasure in a little kid being electrocuted and suffocated while lashed to a Christmas tree.

I wanted to finish the story on an upbeat note, so…in the end, Bobby learns a lesson, and Christmas day is saved.

Like the other two stories in this year’s Christmas episode, “Naughty” was written on my lunch break in a quick blast before it was time to log back on to my day job.

#

There’s something to a story written in a whirlwind that I love. Like an artist sketching ideas, sometimes what is made in the moment has more life than the polished final version. It’s possible that in one’s effort to refine a work, that the demands of expectations destroys the work’s rougher edges, where you can often see when and where an idea actually came into being.

The novels I write will always be fully realized, polished things, examined from many angles. But where short stories are concerned, sometimes I’m often fine watching a reader cut themselves on the sharp edges.

 —————————————————————-

Thank you for listening to Not About Lumberjacks and Behind the Cut. Theme music for Behind the Cut is a tune called Reaper by Razen. Visit nolumberjacks.com for information about the music, episodes, and voice talent.

Next time, it’s the post-apocalyptic corporate office story I’ve talked about for over a year. At this point, it might be built up so much for some that it can’t live up to their expectations. But if I didn’t release it, the Dungeon Master in our Dungeons and Dragons campaign—who’s been patiently waiting over a year for this one—would probably kill my character at this point, so it’s in my best interests to FINALLY finish and release it.

HOWEVER…some other writing stuff is going on behind the scenes that could possibly affect the release of “Alive in HQ,” so we’ll see…

Until next time: be mighty, and keep your axes sharp!

Filed Under: Transcript

Behind the Cut – Christmas Cuts

January 21, 2019 by cpgronlund Leave a Comment

Christmas Cuts: Written by Christopher Gronlund.
Narrated by Cynthia Griffith, Patrick K. Walsh, and Christopher Gronlund.

Most stories you’ve listened to, here, are polished first drafts.

Especially where short stories are concerned, I do not subscribe to the notion that the first draft of everything is shit.

Some thoughts about that, and how it worked with the recent Christmas episode.

* * *

Episode Transcript >>

Podcast: Play in new window | Download

Subscribe: RSS

Filed Under: Episodes Tagged With: Behind the Cut, Greetings, Naughty, The Crock

Stepping Into a New Year

January 1, 2019 by cpgronlund Leave a Comment

Person running into sunlight cutting through the trees of a dense forest.

And just like that, another year is behind us.

I’ve seen the blog entries and chatting on social media that come with this time of the year, much of it being, “Where did 2018 go?”

For me, 2018 seemed like a very long year…

The Year that Was

2018 was the year a layoff at work put another technical writer’s job in my lap, on top of an already full time position. It was the year that saw a Not About Lumberjacks story selected for the HEAR Now Audio Fiction and Arts Festival. But the biggest thing to happen in 2018 was completing my novel, A Magic Life.

If you’re a regular listener, you know working on the novel often got in the way of monthly releases of the show. Thank you for bearing with my sporadic schedule. I can’t say it will never happen again, but at least into spring, I have stories lined up. And while I will soon be shopping A Magic Life around, there will be more time for short fiction in 2019.

Why I Do This

I started Not About Lumberjacks because — as my attention shifted to novels in recent years — I stopped writing short fiction.

When I decide to dedicate time to a novel, I give myself to something requiring more than I feel might be in me. I dedicate efforts toward something I hope has a balance of literary merit and commercial appeal. I write novels with the hope of publication.

With short fiction, I can do whatever I want. Most of the stories, here, are quirky in some way…even some of the more literary tales. I like intricate novels, but a short story can hinge on a single idea, or feel like a novel reduced to its essence.

Add to all that inviting friends to narrate the occasional story, and Not About Lumberjacks is a thing done simply because I love it.

I hope you love what I have in store for the coming year…

* * *

Photo: Kiwihug

Filed Under: Blog

Christmas Cuts – Three Stories Transcript

December 23, 2018 by cpgronlund 1 Comment

[Listen]

I want to make one thing perfectly clear: this show is not about lumberjacks…

My name is Christopher Gronlund, and every month I share a story. Sometimes the stories contain truths, but most of the time, they’re made up. Sometimes the stories are funny — other times they’re serious. But you have my word about one thing: I will never — EVER — share a story about lumberjacks.

This time, after the success of sharing a handful of stories last Christmas, it’s another multi-tale episode…two of which, are seasonally themed.

All right–let’s get to work…

THE CROCK

The first private words my mother-in-law, Rosalie, ever said to me were, “You’re not good enough for my son, and you never will be.”

In front of others, she smiled and praised me, but the moment she got me alone she became such a witch. She hated that I made more money than Anthony—going as far as saying, once, that I might as well neuter him for real. (She believed I needed to be at home cooking and dropping a steady stream of children while Anthony provided for us—not running my own software company.)

And I understand things were different when Rosalie was younger, but by the time one reaches a certain level of adulthood, they should know when to keep their mouth shut—no matter how much they want to say something snarky. Despite her constant criticisms, I still tried being the better person and giving her a chance in the hope we’d one day find we had something in common.


Months into my relationship with Anthony, when things were getting serious, we had Rosalie over for dinner as a peace offering. Maybe I was showing off a bit by making rack of lamb, but I hoped I’d win her over with my foodie skills.

I realized there was no winning with her, however, when she raised her fork to her lips. I knew she wanted to tell me I was a horrible a cook, even though it was clear she was surprised by how great dinner tasted.

“What do you think?” I said to her.

“It’s…palatable I suppose.”

Anthony shifted in his chair when I looked at him and said, “What do you think, dear?”

“It’s…good.”

“Just good?” I said. “Funny, when I was prepping this dinner, you told me I’m a better cook than your mother.”

I expected Rosalie to confront Anthony, but instead she remained silent and gave me the evil eye.


For our wedding, Rosalie gave us a Crock Pot and a card that read, “It’s hard to ruin a meal using one of these.”

I wanted to reply, “You must use one all the time, then,” but I knew that’s what she wanted. I sent a thank you card and stored the Crock Pot away in the garage.


That summer, when we received an invitation to the family reunion, Rosalie wrote, “We’re having a pot luck, and I do hope to see the Crock Pot I bought for your wedding.”

Anthony begged me to keep the peace and do as I was asked, so I went to the garage and finally dragged it out. As I cleaned Crock Pot before making chili, I noticed what Rosalie had done…


Anthony comes from a large family, and the annual family reunion is a major affair. Held on the grounds of a successful uncle’s small estate, hints of the family’s humble roots are evident: picnic tables covered with plastic, disposable plates and eating utensils, and dingy Igloo and Coleman coolers—probably older than half of those in attendance—holding cheap canned beer.

When Anthony and I arrived, Rosalie seemed genuinely surprised when I set the Crock Pot down on the picnic table with all the other dishes. In no time, praise went up for my chili—to the point the pot was the first to be emptied. Family members demanded I bring more next time. From the corner of my eye, I caught Rosalie scowling. Her plan had failed.

The rest of the afternoon Rosalie lingered nearby, perhaps hoping to hear how I thwarted her. Maybe she wanted to come right out and ask, but she never did. After letting her twist all afternoon, I finally approached her.

“Rosalie!” I said. “Thank you so much for the Crock Pot. It works like magic.”

She narrowed her eyes. “Drop the act and tell me how you pulled that off.”

I smiled.

“The old soured pot? Really? I expected much more than basic kitchen witchery from you—such an easy spell to reverse. I respect the old ways, but they are quite easy to detect with newer magic.”


I won’t say Rosalie and I have become great friends since that day at the family reunion, but we’re getting there. We share our secrets and make Anthony nervous with our whispering. We share cooking secrets as well—we have even discussed having a mother/daughter-in-law long weekend getaway.

It’s funny how quickly things can change when you find you have something in common with another person…

GREETINGS

On December 17th, the week before Christmas, a long-term production I was on ended. Happy holidays, Merry Christmas, and all that, right? I was out a job during a time when all my office working friends were using time off they didn’t take during the year. Use it or lose it, and many friends—workaholics that they are—would lose time again. So really, I can’t complain. My husband has a good job, and I socked away a decent chunk of money because that’s the way my industry works. One day you’re on set, putting cuts and bruises on a scream queen, and the next: you’re out of work.

I went through the holidays stress-free, the envy of all my friends. January…no worries I wasn’t working. February, March, and into April: I still had money. But as spring turned to summer, I began to get nervous. I needed a job, and a make-up artist for low-budget horror flicks only carries one so far.

That’s when Kurt said, “You know what would be funny? If you used your makeup skills to look like an old man, and…you tried getting a job as a BigboxMart greeter.”

Sure, we were drinking pomegranate gin fizzes at the time, and perhaps we were a little beyond tipsy, but there was something appealing about the idea. Were my F/X makeup skills, and the little acting I’ve done, good enough that I could pull off some Depends-wearing old guy sitting on a stool at BigboxMart welcoming shoppers to the store? I aimed to find out.

The following morning I figured, if nothing else, doing an old man application and inquiring about a job would be funny enough. (Sobriety has a strange way of bringing clarity to what sounded brilliant the night before.) By the time I was done, I looked like a 75-year-old version of myself. It was off to the store.


I puttered along, nice and slow, and approached the self check-out attendant.

“I’d like to speak with a manager,” I said to a 20-something guy paying more attention to his phone than customers in need of assistance.

“I was just checking a message,” he said. He shoved his phone in his pocket.

“Oh, no—not that,” I said. “I’d like to inquire about a job.”

“Ah, one moment.”

The kid with the phone seemed happy to wander off. He returned with a very round, middle-aged woman with a vast grin showing off the whitest teeth I’d ever seen.

“How can I help you, sir?”

“Yes,” I said in the old man voice I practiced on the drive over. “My name is Jeremy Howie. I have a little free time during my day, and wondered if you were hiring any greeters?”

The stool at the front of the store was occupied by an old man flip-flopping between scrutinizing young people leaving the store and trying to stay awake. Clearly, they already had their man.

I was taken aback when the woman with the Cheshire grin said, “This is your lucky day, Mr. Howie. We’re in need of an afternoon greeter.”

It turns out there’s a pretty high turnover rate for the position. Not because they are poor employees, but…well, there’s no nice way to say this: they tend to die.

“My name’s Susan,” she said. “Let’s go get you an application…”


I went through with it. I figured why the hell not? It was something to do until something else came along. And when nothing else came along, I found myself actually enjoying the job.

Each day I refined the character, imagining what I’d be like in my 70s. I said and did things only old people seemed to get away with. I made up stories about years before me I had yet to live in real life. And I greeted and said goodbye to everyone coming and going like nobody ever had before. I was loved more than I ever felt at any other job. I’d be lying if I said, in some ways, that it wasn’t the best job I’d ever had.

And then two things happened. Around Christmas—almost a year to the day I last worked on a movie—I got a call about a production starting up in January in need of my skills. That same day, the local NBC affiliate sent a news crew to BigboxMart to do a human-interest piece on the jolliest greeter in the city.


That night while watching my spot on the evening news, Kurt said, “So what are you going to do?”
I took a sip of my gimlet and said, “I can’t pass up the movie.”

“You’re going to break everyone’s heart at the store.”

“I know.” I watched news footage of me interacting with customers who came in gloomy and left with smiles bigger than Susan’s, all because I hammed it up and paid them attention.

“Are you going to come clean?” Kurt said.

“I can’t do that.”

“Then what?”

I gave it some thought and began to laugh. I couldn’t stop laughing.

“What?” Kurt said.

“I have the best idea…”


I’d like the record to show that making decisions while drinking gin is not in one’s best interests. I strolled into BigboxMart the next morning, sans makeup, hoping I could pull it off. I asked to speak with a manager.

A few minutes later, Susan approached and said, “How can I help you, sir?”

Any fear I had that she’d recognize me was gone.

“Hello. My name is Jeremy Howie Jr. My grandpa Jeremy works here as a greeter.”

“Oh, I see the resemblance,” Susan said. “It’s uncanny how much you look like him.”

“I hear that a lot,” I said. And then: “I…uhm…”

“Yes?” There was something about the shift in Susan’s face that made me feel like the worst human being on the planet. I could try blaming the gin the night before, but maybe I really was the worst. She must have known what was coming next, because she covered her mouth in shock.

“I don’t know how to say this, but…he passed away last night.” I added, “In his sleep,” in the hope of absolving myself of an eternity in Hell.

She hugged me and began to tremble. She was crying right there at the front of the store. “I’m so sorry,” she said. “He is—was…such a special soul of a man.”

When she finally let go and pulled back, her face was so red and swollen that it looked like she’d been stung by bees.

“I’m sorry, too,” I said. “I just thought you should know why he’d not be in today.”

I was sorry…sorry I thought what seemed funny the night before turned out to be such a terrible idea.

Susan took my hand in her left palm and patted it. “We’ll mail his last check.”

“Thank you,” I said.

“Will you be okay?”

“I don’t know,” I said. It was the most honest thing I said all morning.

As I walked off, Susan called after me. “You’ll let us know about his funeral, right?”

Oh, shit.


When I told Kurt I planned to never go back to BigboxMart, he said, “They have what they believe is Old Man Jeremy’s address. They could just show up.”

“Fuck, you’re right.”

“Or you could…”

“Could what?” I said.

“Give him a funeral.”

I looked at the martini in my hand and said, “We need to stop drinking gin.”

“Hear me out,” Kurt said. “I have a friend who owns a beautiful old building people use for weddings, bar mitzvahs, team-building meetings, and family reunions. Even a few funerals.”

“Go on…”

“He owes me a favor.”

One of the many things I love about Kurt is that he knows everyone. And some of those everyones owe him things.

“I’ll give him a call tomorrow, and you can get back to what you do best.”

I raised my martini. “To the memory of Jeremy Howie the First.”


There wasn’t a dry eye in the house by the time I finished my eulogy for the corpse prop I made of Old Man Howie resting peacefully in a rented casket.

“I love that you all loved my grandfather as much as he loved you,” I said.

At the back of the room, Kurt moved to a corner to contain his laughter. As I wrapped up the service, Susan had my dear husband smothered in a tight hug against her ample bosom, reassuring him that everything would be all right.


I feel bad about what I did, but at the same time, at least for a handful of months, something I created made others happy. My former coworkers gained and lost a friend. People stressed out from the holidays watched a news spot that maybe renewed their hope and joy in the season. Perhaps I won’t go to Hell after all.

I didn’t drink gin on New Year’s Eve. Kurt and I spent a quiet night in, knowing I’d soon be on set up in Vancouver. It will be weird returning to a movie after being away for over a year. I might even be a little nervous were it not for one thing: if I bomb out on set, there are plenty of other BigboxMarts in the area in need of old greeters.

NAUGHTY

Bobby Johnson’s mother caught him in her bedroom closet, carefully unwrapping his Christmas gifts days before going beneath the tree.

“Bobby, what are you doing?” she said.

“Fuck you, Mom!”

Deidre Johnson went to get her husband, Ted. From the hallway, Bobby heard his parents talking.

“We can just let him do it,” Ted said. “He knows what he’s getting, now…”
Bobby’s father feared his son ever since the night he tried grounding Bobby and Bobby stabbed him in the arm with a letter opener in his sleep.

“I hear you out there!” Bobby said.

Ted entered the bedroom, but stood back from the closet.

“Heya, pal. Your mom and I work hard to give you things, and part of the joy of the season is seeing you unwrap gifts on Christmas morning and being surprised. Santa Claus has yet to bring his gift for you. If you don’t behave, he might skip our house.”

“Fuck Santa Claus!” Bobby said. “I’ll show that bitch!”

Bobby Johnson was a very naughty boy.


On Christmas Eve, Bobby camped out beneath the Christmas tree with his trusty letter opener. If Santa didn’t deliver the videogame system Bobby wanted more than anything, there’d be hell to pay.

Sometime after midnight, Bobby felt the letter opener slide from his hand. In that state between dreaming and the waking world, he smelled lingering cigar smoke. He looked up to see Santa Claus…only it wasn’t the Santa Claus Bobby expected.

He looked like a homeless Santa Bobby once saw downtown. With a grizzled beard and a cigar plugged between his teeth, this Santa Claus held the letter opener in his right hand. Tattooed across the knuckles: P-A-I-N – and across the knuckles on his left: M-O-J-O.
Bobby wondered if the letter opener being held by the PAIN hand meant something bad was about to happen.

“Santa?” he said.

“Think of me as Not-Santa, Bobby. You know how your parents tell you mall Santas are Santa’s helpers? Well, I’m one of them, but my job is to deal with shitty little naughty boys like you. My brother is the real Santa Claus, and he got tired of keeping two lists and taking shit from kids like you. So, when I got out of prison, to keep me on the straight and narrow, he put me in charge of the naughty ones.”

“W-what are you going to do to me?” Bobby said.

Not-Santa tossed the letter opener over his shoulder and pointed at Bobby with his MOJO hand. Bobby’s head swam; when he woke up, he was lashed to the Christmas tree with strands of colorful lights. The bristly pine needles scratched his back. That’s when he saw the battery and wires.

“This’ll hurt ya, Bobby. But it won’t harm you, if you know what I mean?”

Not-Santa attached the wires to Bobby’s earlobes with clips. All it would take is touching one wire to the battery to complete the circuit.

“Now, are you ready to be a good boy?” Not-Santa said.

Struggling against the light strands, Bobby wriggled free enough to give Not-Santa the finger.

Bobby wasn’t sure if it was the electricity now coursing through his body, or the effects it had on his vision, but the Christmas tree lit up brightly when Not-Santa touched the wire to the battery. Before Bobby could yelp, the MOJO hand went over his mouth.

“You better watch out, you better not cry…” Not-Santa sang. “You better not pout, I’m telling you why…”

When he removed his MOJO hand from Bobby’s face, the naughty boy had no mouth. Tears streamed down his face when Not-Santa pinched his nose, cutting off his breathing.

“I have options, Bobby. Now…” He let go of Bobby’s nose so he could breath. “You’re gonna listen up!”

Not-Santa spent the next ten minutes telling Bobby about all the sacrifices his parents made for him. How even though he was an unplanned pregnancy, and despite an aunt’s suggestion to terminate his time in the womb, his parents went through with it. How his dad rushed through college to get a better job before Bobby’s arrival, and how his mother put in even longer hours at the crafting company she founded so they could give him all they never had.

With his MOJO hand, Not-Santa produced a diary Bobby had never found when rummaging through his parents’ bedroom, looking for things. It was a journal in which Ted and Deidre shared their dreams. Gone were hopes of world travel and so many other wants. But in their place, new entries about how much fun it would be to one day share the world with their new child and all the other things his life would bring.

Bobby had no idea his mother had her thyroid gland removed during a cancer scare, but still tended to her son’s well-being while his father finished school. So many other tales about his parents’ love for him he never knew.

“Look,” Not-Santa said. “I know I’m laying it on thick. It’s a sainted Catholic thing, ya know? But there’s a lotta truth to it all. Most kids would give up so much to have parents like yours, and you shit all over them every god-damned day. If I called the shots, I’d grab your nose and never let go. But my brother gave me the power to make shitty little skags like you a deal.

“You’ve got two choices, kid: the big gift Santa was going to give you, even though you don’t deserve it…or you and me? We’re gonna sit down and spend the next couple hours making something for your folks.

“You get to live no matter what. I’m allowed to scare you, but I signed a contract saying I’d not leave behind any lasting damage. Once I make the offer, you’re free to go, and I can do nothing more.

“So, Bobby Johnson…what’s it gonna be…?”


Bobby woke up beneath the tree on Christmas morning when his parents came downstairs.

“Merry Christmas!” his mother said.

His father cocked his head. “Does anyone else smell cigars?” He looked at Bobby. Given some of the things he’d done, taking up cigar smoking at seven years old would not be beyond a possibility. His mother took a deep whiff.

“Yes, I do.”

They dropped the matter, though, when Bobby shouted, “Merry Christmas!” and ran up to his parents, hugging each around a leg. For a moment, they seemed to wait to see what Bobby’s game was, but when it was clear to Ted that his son was showing genuine affection, his picked him up and smothered Bobby in a hug-sandwich with Deidre.

In no time, the air in the living room became a blur of color as wrapping was shredded from presents. When Ted had handed out all the gifts, he said, “What’s this?”

“I don’t know,” Deidre said.

Beneath the tree was a package neither had purchased. The tag read “From: Santa Claus and his Brother. To: Bobby and his Parents.”

Inside the box were two wrapped gifts. When Bobby opened the one marked for him, he ran around the living room shouting with glee. He’d finally received the videogame console he wanted more than anything.

Ted pulled the other gift from the box and said, “Who’s Not-Santa?” He held it at arm’s length, like it was a bomb about to go off. Seeing how happy Bobby was, Deidre didn’t care. She charged over and ripped the paper off the box, revealing a bottle of Dom Pérignon. Stuck to the box, a note reading: You two have more than earned this. Cheers!

Ted and Deidre Johnson stared at each other, mouths agape. Before they could further question what was going on, Bobby jumped up and down and said, “Now it’s time for me to give you my gift!”

Any onlooker who knew Bobby might have thought, “Ah-ha! He’s about to do the shittiest thing he’s ever done, right here on Christmas morning. This was all a ruse!”

But instead, he reached behind the back of the tree and handed his parents a macaroni drawing of him and a cigar-smoking, rough-and-tumble-looking Santa Claus. Written beneath the drawing, in red and green crayon: Merry Christmas, Mom and Dad. I love you. Bobby…

When his parents finally stopped crying, Ted smiled and said, “How about I make you both the best breakfast you’ve ever had? And then we can set up your game—how’s that sound?”

The Johnsons kicked their way through piles of wrapping paper on their way to the kitchen. Maybe being taken off the naughty list and placed on the good one wouldn’t be so bad after all…


A big thank you for listening to Not About Lumberjacks. All music by Ergo Phizmiz and Chad Crouch, also known as Poddington Bear. Visit nolumberjacks.com for information about the show, the voice talent, and music.

Next time, I should finally get to that post-apocalyptic office tale I’ve teased for almost a year. But with a finished novel and some busy time ahead…it might be a story about a kid who makes a monster in his bathtub. We’ll see…

Until next time: be mighty, and keep your axes sharp!

Filed Under: Transcript

Christmas Cuts – Three Stories

December 23, 2018 by cpgronlund 4 Comments

Last year’s holiday-ish 7-Stories episode, featuring a handful of micro-fiction, was well received. So this year, it’s another handful of stories:

  1. “The Crock,” narrated by Cynthia Griffith. A woman’s battles with her mother-in-law take an unexpected turn.
  2. “Greetings,” narrated by Patrick K. Walsh. An out-of-work special effects makeup artist gets a job as a big-box store greeter.
  3. “Naughty,” narrated by me, Christopher Gronlund. A naughty little boy gets what he deserves and learns about the the spirit of the season.

Content Advisory: “The Crock”: Swearing and family rivalry (mother in law vs. daughter in law). “Greetings”: Job loss and swearing. “Naughty”: Swearing and cigar smoking. Child torture.

Credits:

Music: Ergo Phizmiz and Chad Crouch

Stories: Christopher Gronlund

Narration: Cynthia Griffith, Patrick K. Walsh, and Christopher Gronlund.

Episode Transcript >>

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Filed Under: Episodes Tagged With: Greetings, Humor, Naughty, Not About Lumberjacks, Quirky, The Crock

Behind the Cut – Waking the Lumberjack

December 17, 2018 by cpgronlund 1 Comment

Waking the Lumberjack is the first one-shot audiodrama I’ve done with multiple voice actors for Not About Lumberjacks. Anchoring the story is Tim Czarnecki, starring as the Narrator.

I sat down with Tim and chatted about what it was like narrating this story…

* * *

Episode Transcript >>

Podcast: Play in new window | Download

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Filed Under: Behind the Cut, Episodes Tagged With: Audio Drama, Behind the Cut, Humor, Quirky, Waking the Lumberjack

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