In this behind-the-scenes look at the latest episode of Not About Lumberjacks, I talk about the real-life events that became the basis for the story — and how it was developed from there.
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Be mighty, and keep your axes sharp!
In this behind-the-scenes look at the latest episode of Not About Lumberjacks, I talk about the real-life events that became the basis for the story — and how it was developed from there.
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Dicky Wingfeld has it all: a great job, a loving wife, and a new house. But Dicky also has a problem: a father who cannot seem to stop collecting junk.
One morning when Dicky’s father, Richie, appears at his son’s bedroom to ask if he’ll help him track down a couple Great Danes he saw running loose in a field, Dicky finally figures out why his father’s yard looks like the county dump.
Content Advisory: Swearing, smoking, depression, hoarding, loss of mother to cancer.
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Credits:
Music: Ergo Phizmiz and Kai Engel
Field and Tree Photo: John Mark Arnold
Story and Narration: Christopher Gronlund
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“Horus” is the first short story I’ve written in at least half a decade. (My focus in recent years has been novel-length fiction.) To get back to short fiction, my motivation was simple: write a story for my wife. My wife is a fan of parrots, so a story about an unemployed writer who lands her dream job, but gets more than she bargained for in the form of an African grey parrot named Horus seemed like a good way to go. “Horus” is almost the most downloaded episode of Not About Lumberjacks. I like to think that’s because the story is good (I, and others, believe it is), but I think so much of the episode’s success was the result of having my wife, Cynthia Griffith, narrate the story. Cynthia’s narration was the highlight of the episode for so many people…so for this episode of Behind the Cut, I interviewed Cynthia about reading the story.
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Sarah Nelson is an unemployed writer trying to find her next gig while dealing with her overbearing mother. Her world changes the day she answers an ad as a writer’s assistant for a famous author.
With time to focus on her own writing and learn even more about the industry from her new mentor, everything seems perfect until the day Sarah gets more than she bargained for in the form of an African Grey parrot named Horus.
Content Advisory: Swearing, an overbearing mother, and two instances of death from natural causes.
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Credits:
Music: Ergo Phizmiz and Chad Crouch (aka Podington Bear)
African Grey Photo: BlondieB38
Story: Christopher Gronlund
Narration: Cynthia Griffith
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You don’t think, “What does the voice of a Magic 8 Ball sound like?” until you’re faced with recording a story in which the old toy is a character. I didn’t think about any of the voices in “Mr. Knowitall” until I was sitting before the mic, recording. This episode of Behind the Cut is all about turning the voices heard in our heads when reading to ourselves into something physical for people to hear.
A little departure with this episode: no sneak peek of the next episode of Not About Lumberjacks. I don’t want to give too much away with the next story (other than it’s about an unemployed writer who lands her dream job, only to discover it comes with more than she bargained for in the form of an African grey parrot named Horus), so…you get a bonus story called “Be a Man.”
“Be a Man” is probably the shortest story I’ve written…and definitely one of the most brutal as well.
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Jerry Hachard was destined for big things, but left his family fortune behind for a quiet life of adventure and travel. When his parents are killed in an accident and he returns to his hometown, he’s amazed to find only one thing left to him in his parents’ will: a plastic Magic 8 Ball.
Jerry’s brother got the family business, and his sister got the family fortune. The Magic 8 Ball seems like a strange thing to leave to the first child in the family. It’s only when Jerry’s life begins changing in dramatic ways that he understands the gift…and all that comes with it.
Content Advisory: Loneliness, swearing, family rivalry, family fistfight, parental death, gambling, hospitalization.
[A $0.99 e-book version of Mr. Knowitall is available in the Store.]
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Credits:
Music: Ergo Phizmiz and Chad Crouch (aka Podington Bear)
Magic 8 Ball Photo: BarkBud
Story and Narration: Christopher Gronlund
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They say truth is stranger than fiction. My reply to that is those who make the claim aren’t reading the right fiction. I understand where they’re coming from, though — sometimes life can get strange. Add to that writers being told to write what they know, and it’s no wonder so much fiction takes reality and skews it a bit to a point a writer can say, “What? That’s just a story,” when accused of writing about things that really happened.
I tend to not pull from my life in the fiction in my life — at least directly. With “Pride of the Red Card,” I wanted to change that. Because the story is based on real-life incidents, I decided to use this episode of Behind the Cut to share what is true and what is not in the story. I also share a preview of the next episode of Not About Lumberjacks, a story about a 40-something-year-old drifter who returns to his hometown after his parents’ death, where he discovers the only thing left to him in their will is a plastic Magic 8 Ball.
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A mechanic is happy to hear his son wants to sign up for football; that is, until he realizes what his son really means is soccer…
Content Advisory: Swearing, alcohol use (including a child drinking), smoking, shooting a gun, teasing, violence.
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Credits:
Music: Ergo Phizmiz and Chad Crouch (aka Podington Bear)
Soccer Goal Photo: Naphtali Marshall (Naphtali’s Personal Webpage)
Story and Narration: Christopher Gronlund
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It’s a noble thought, a person coming up with something completely on their own with no outside forces influencing them.
Talk to the greatest creators and they will have a list of people who inspired them.
Even when we find our own way and develop a voice that even inspires others, somewhere deep down are things that came before us. So I thought I’d share the inspirations behind Not About Lumberjacks.
My friend Larry was the first person I know who listened to fiction podcasts. While visiting him, once, he said, “I know science fiction isn’t your thing, but I think you’ll like what Escape Pod is doing with storytelling.”
He was correct.
It was 2005, and one of my favorite things ever recorded had recently come out. But is was so much more than a mashup of Lovecraft and It’s the Great Pumpkin Charlie Brown — it was something new to me.
Sure, I’d heard of podcasts, even though they were still in their infancy in 2005. And I’d even listened to books on tape. But the thought of someone recording short fiction and putting it online — and even better: having people show up?
That’s inspiring stuff that was not lost on me.
During that visit, Larry also played some Scott Sigler stuff for me. That was the big thing he wanted to show me: a novelist who had tried going the traditional route, not had the best of luck, and decided that he may as well record his own stuff and release it for free.
An entire novel…for free. Crazy talk?
At the time, and even today, it’s a concept that would make many writers cringe. But there was an appeal to me: if one finds themselves in a situation where they are willing to release their work into the wild, why let another person or group do it for you? Why not do it on your own?
Today Scott Sigler is doing better than most writers. And it all started recording his novels himself and putting them out there for people to listen to.
It might seem strange citing one’s own work as an influence, but I make no secret that I’m a dyslexic who grew up terribly embarrassed to read things out loud. When I decided to record my first novel, it was harder than public speaking and performing. Some lines were read a dozen times to get through without stumbling, which is still something that happens to this day.
But I did it.
And people showed up. (In fact, I don’t promote Hell Comes with Wood Paneled Doors — and haven’t since 2011 when I finished it — but it still gets about 3,000 downloads a month.)
Hell Comes with Wood Paneled Doors proved to me that I could do it. I still occasionally hear from people who thank me for reminding them how much they love their own dysfunctional families, or that listening to the story was a welcome break on their morning commute.
That’s never lost on me…
Sherman Alexie and Jess Walter’s Tiny Sense of Accomplishment is the podcast that makes me drop what I’m doing and listen when I see it’s been downloaded to my phone.
Two good friends — both accomplished writers — chatting a little bit about whatever they want, answering questions about writing, interviewing creative people, and reading their works in progress. It’s their readings that inspired Not About Lumberjacks the most.
There is a rawness when they read their works in progress. I prefer reading fiction than listening to it, which is perhaps a strange confession for someone creating audible stories. But I would have no problem listening to Alexie and Walter read even half-finished stories all day.
In a handful of days, I’m releasing the second episode of Not About Lumberjacks. I look forward to it because it’s a bit different than the fiction I normally write.
Getting On with James Urbaniak is to blame for that.
James Urbaniak’s podcast is a shared fever dream delivered in first person. A mash-up of his friends’ writing and his voice acting, the result is always a bit strange, often funny, and sometimes even heart-wrenching.
It’s Urbaniak’s show that made me consider taking some old essays and smattering them with fiction. I rarely pull from my own life in the fiction I write, so it allowed me the chance to do something new.
I’m so pleased with the first result that it’s hard not to post the episode early.
With the monthly episodes of Not About Lumberjacks, I want to get into the story as quickly as I can and then close things out. Click play and you get a story.
I know there are people who like hearing the story behind stories, though — or finding out what the people they listen to or read are up to. So for those people, I’ve made a new show called Behind the Cut.
Behind the Cut is the companion to Not About Lumberjacks, and this is the first episode. I talk about the inspiration that led to writing and recording “Gutterball,” and offer a sneak peek at the next story episode.
I plan to keep episodes of Behind the Cut to 5-10 minutes. If this sounds like your kind of thing and you want to know what inspired me to write “Gutterball” the answer is a click away!
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And a big thanks to Cynthia Griffith for providing the intro voice work! I look forward to working with Cynthia more soon.
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